Showing posts with label TJ Chill. Show all posts
Showing posts with label TJ Chill. Show all posts

Friday, 27 February 2026

Album Review: Manners and Respect by Kaos Krew

 

Manners and Respect

By

KAOS Krew

 


Marking the final album which I have in my list that came to me last year, It’s good to have Jonie D, TJ Chill and Peekaboo, aka KAOS Krew, back on the blog with their most recent album Manners and Respect. This is their fourth studio album which is produced by Jonie D.

As noted in the press release, Manners and Respect is an album that reflects the Krew’s trademark blend of roots-conscious lyricism and grounded production. They also note that the album stands as a testament to longevity, message, and the timeless power of true-school artistry.

Those few words alone will speak volumes to those true school heads out there. They also give someone like myself plenty to think about as I get ready to do a deep dive into the album.

So, Let’s get into it…

 

Manners and Respect is a twelve track album that was released in November of last year (2025). It begins with the albums title track Manners and Respect. A heavy drumbeat and acoustic guitar give this one a mariachi feel, especially when the horns kick in on the bridge, giving you cause to nod your head along to the beat. As you listen to this one you really get the feel that not only is this one setting the tone of the album but, there is the fact that both manners and respect go hand in hand. Something which is true in so many aspects of life, you need to have respect for those who have come before you and paved the way. When you find yourself in the presence of these people it is only right that your respect is matched by your manners in how you behave. This might initially be something you think of in the rap game but, it goes beyond that, far beyond. With you now in the correct frame of mind, up next is Don’t Play That, The solid boom bap sound here is backed by guitar notes and a classic computer game loading sound, from back in the eighties. The heavy sound here has an energy that fires you up from the get-go. There is an edge to the lyrics here, one that speaks a lot because, in life there are a lot of things that you should not play with and a great many other things that it is ok to play with. Here the Krew detail some of the things you should never play with, just as they don’t play around with their music; in not playing with their music, they invite you to step up, because this is one of the things you can play with and enjoy in life. Lickshot hits with a funk fuelled vibe on the beat, mixed with strings and guitar vibes that all merge to bring you a big upbeat sound. Here the only shots being fired are those of the verbal kind, and the Krew do a cracking job of unloading some high calibre wordplay with pinpoint accuracy, giving the listener plenty to enjoy and bounce to.

Patrizio is a word of Italian origin, meaning Nobleman, and puts you in mind of Jonie D’s Italian roots, before the tracks even begins. The sound hits with a solid beat backed by bongo’s, harmonica and vocal samples which all combine to bring a sound that has an infectious feel to it. As you listen to the vocals, the wordplay has this tendency to take you off in different directions as the Krew speak on AI and subjects that make you wonder just what nobleman is, are we all not noblemen in some way, shape and form? We all have our standing in life and how we conduct ourselves and present ourselves says a lot about who we truly are. Now, I’m not saying that I might have nailed the meaning behind this one but, there is this feeling that it says a lot about who we are and how we see ourselves that truly gives us that noble standing, and not necessarily because we were born into some so called bloodline. Stains brings us a wicked boom bap sound that gets you nodding as soon as it hits, but there is also a deep edge to the sound too. This one deals with the stains that are left by the things we do, be that on a personal level or those of a country. All actions have a consequence and very often those consequences leave an indelible stain on your reputation as a person or as a nation. Sometimes these stains can’t be avoided, but there are many times when the choices we make are the difference. With those thoughts still raw in our minds, Cap brings another sound that has a heavy beat with guitar vibes and vocal samples that gives this one thoughtful storytelling air about it. The Krew goes in deep on this one giving you much to think about, because a cap has many meanings. We use caps to cover things, stop things, even signify the end or the limit of something. When you consider all these different meanings and listen to the track, you realise that the Krew is diving deep into everything that happens from a more personal level, as you cover you head or face with a cap, to looking at more of what happens in society around us. Everything affects us in some way and not all of it can be avoided.




Halfway through the album and already the KAOS Krew has given us much to enjoy and ponder along the way. So, what will Reality bring to the table. This one hits with a heavy bass reggae sound which vibrates through your entire body. This one is a look at the fact that reality is like a double edged sword, it can reflect how we are feeling and help raise us up but, there are also the times when it appears to be completely at odds with how we are feeling! The thing is, not to let that stark reality to affect you, but to give you a reason to see it and use it to your own ends. Next Plateau continues a sound that has that Hip Hop reggae vibe with drums and horns. The title might immediately put you in mind of the classic NYC Record label but, for me, this one had a different feel that seemed to speak on always looking to raise yourself up, even the face of adversity. You can feel comfortable, for a time, but sooner or later you need to test yourself, push yourself on to the next plateau, a place you can feel safe until ready to push yourself once more. Next up, the Kaos Krew bring us a Big Sound with heavy drums and bass, in fact saying this one is Big is totally on point here. The idea of things being big, continues in the lyrics where all things big are explored and reinforced. There is a feeling that this one has a slightly light-hearted edge to it as well as pounding your ears.

As we head into the final quarter of the album, Funky brings the kinda intro that hypes you up, after this the beat is solid head nod with some nice bass notes and wicked samples to boot. This one sees the Krew dropping some slick wordplay to get you bouncing and grinning. This one is an example of the kinda lyricism the guys can drop when they are not focusing on deeper subject matter. The penultimate track is Diamonds. Here we have a heavy reggae sound of keys behind the heavy beat, which gets you moving with the energy it brings. The brings us a track that looks at everything that is or could be considered to be a Diamond. From the description of an actual diamond, to tracks and more that are some special they given that diamond status. The Album ends with Ajer, a word that has a number of meanings including reward or prize. The sound has that acoustic guitar sound accompanying the heavy drum beat, giving this that mariachi vibe once again. Here there is a distinct link to the idea of a prize or reward, but also there is also much to be said about just what drives someone to seek the prize and what the ultimate reward might be. Too many times, we see that people seek money for their own ends. Billionaires gain and keep wealth they can never spend while so many people live in poverty. On the flip side of this you have the likes of the Kaos Krew whose only prize is to be the best they can be, at the top of their game, and the same can be said of a great many of us, and it is something I see so often when I review music that artists are not doing it for the monetary gain but, for the love of what they do. I guess that is key here, what are you seeking and why are you seeking it…

What is immediately noticeable with Manners and Respect is that the KAOS Krew, once more bring us an album that is packed with intelligent subject matter and wordplay. Every track, even those that have that display of wordplay and less heavy on the subject matter, has this lyrical edge that just seems to hit a little deeper than most. They almost spin their wordplay in a way that makes you constantly second guess what you hear, something that gives you reason to replay every track in order to help you grasp exactly what is being said. The impact is quite intense at times, which works so well with the depth of what is being said.

This is the kind of album that shows the range of what KAOS Krew is capable of, delivering tracks that speak to the soul as much as they speak to your adrenaline levels. There is a lot here that we can all associate with as much of it focuses on subjects that we all see and face every day of our lives, and this is why they feel so deep and seem to hit us on many levels. There is that underlying tone to the album that focuses very much on the idea of everyone behaving with manners and respect in everything they do, because we live in a world where so any of those in positions of power look down on most of the population, only giving a level of manners and respect to those they consider their equals or more.

Jonie D brings some quality production here too. Drawing on a number of different inspirations to create a sound that has its roots in real Hip Hop but, also brings enough variation to keep you guessing at times. Every track has a sound that brings its own energy and hits in different ways. Being both highly enjoyable and emotive at the same time, considering what frame of mind you are in and how you want to hear it.

As I have already noted the lyrics and wordplay is intelligent and at times complex, delivered in a way that means you have to focus to get the full impact from their delivery. Something that brings that element of longevity to the album as it not one of those you are likely to tire of quickly.

The full impact of the album is something that you need to experience for yourself. So, if you have not checked this one yet, then I highly recommend that you have a listen soon, because Kaos Krew are not to be slept on.

 

Manners and Respect is out now, and I give my thanks to TJ Chill, Jonie D and Peekaboo for the chance to bring this one to you.

 

I’ll see ya next time.

Steve.


LINKS

Grab your copy here:

https://kaoskrewldn.bandcamp.com/album/manners-and-respect

KAOS Krew Socials:

https://www.instagram.com/kaoskrewldn/

https://www.youtube.com/channel/UCgx1VZOcV5Qn9g4XmODXfvQ

https://www.youtube.com/@OriginalRockerzChannel

Read the review of Over The Iron Bridge Here:

https://infinitesoundsuk.blogspot.com/2024/03/album-review-over-iron-bridge-by-kaos.html


VIDEOS

Manners and Respect



 

Friday, 24 November 2023

Album Review: Concerned Citizen by TJ Chill

 

Concerned Citizen

By

TJ Chill


 

Concerned Citizen is the new album by TJ Chill (KAOS Crew), it is his third studio album and the follow up to 2021’s Changing The Narrative. This album is also the second of the ‘Changing The Narrative’ trilogy and was originally released back at the end of October.

As a former member of the KAOS Crew (1985-1999), TJ Chill is no stranger to the scene. Standing true to who he is, TJ Chill weaves inspirations of faith, London heritage, West Indian culture, storytelling, fun and games into the project alongside some great Hip Hop production by K9, Self-Taught Beats, 6th Floor, Mr Synback, Smooflow from FERO Media, DJ Murzi and Rich Mitch. There is also an appearance or two from one Jabbathakut, doing his thing too.

So, this promises to be a banger of an album and if you have not heard this one already then join me for the ride as I give you my impressions on this Ten track album that is released through Black Pyramid Records.

 

We kick off with Funky Church Time, produced by TJ Chill himself, this is live funky drum solo sound that is the backdrop to an intro that is like a proper gospel preacher dropping some knowledge before the album kicks off for real with Rooster-Man; Produced my Rich Mitch this track has keys, bass and drums which combine to big a reggae flavour to the sound, that has a real infectious vibe. Listening intently to this one there really seemed to be a nod to the roots of culture here and just the Jamaican roots but, Also the roots of the UK Hip Hop scene too as TJ shouts out some of the big names from the UK scene. Next is Lifting, produced by K9, the keys and drums combine once more, with some strings and horns, on what is a more head nod sound. Elements of his faith come through here as TJ uses intricate wordplay to bring us, not only, what is lifting him up but, also in bringing that forward in the track, it also serves to uplift the listener. There is no preaching here, just a desire to bring a focus to what can take you to a higher level of understanding and living.

Street School is produced by 6th Floor and brings a slightly darker edge to the sound. Once more the main elements are drums, keys, and bass, which produce a more serious air to the sound. TJ looks at the harsh reality of a life where the streets are the school corridors and there is no playground. His cleaver wordplay creates stark visions of a hard life, where calling on a higher power is the only way to find the peace of sleep. Next up is Let It Be, produced by Self-Taught Beats, brings an upbeat sound with drums, keys, bells, and horns, which seems to reflect the sun breaking through the clouds on dull day. This is a big tune that brings encouragement to keep pushing forward in all you do and keeping a positive focus; there is also a knowing within this one that it is peace, love and unity that will win the day and when that day comes, we just need to let it be. As we see-saw into the second have of the album Smooflow brings the production on Screaming At The TV, the drums and bass with sampled vocals sounds brings an almost juxtaposed sound that one hand seems more chilled but, also has element that feels like it is brewing in the background ready to explode. Here we find TJ looking at something that so many people do, far too often, getting lost and enraged by the constant bombardment of negative media coverage. Every night people watch the TV screens with the news and its negative coverage of world events, reality TV that seems to breed so much negativity and confrontation and even sporting events seem to have a more negative impact; so, people sit and soak up this stuff screaming at what they see as wrong and never even considering they might be being controlled.

Don’t Forget What The Good Book Said sees TJ Chill back on the production with a funk fuelled vibe full of drums, keys and bass, alongside some vocal samples bringing a soulful element. The uplifting air of this track is immediately apparent, and it fuels the positive energy throughout your body as you listen. There is a real feel that this track sees TJ speaking on living with integrity and always being truthful in all you do. Shine a light on truth behind everything you see because this is how we need to live and not spinning or hiding things for our own ends. Let your light shine because when you do, no one can extinguish that flame. Graft is produced by Mr Synback and has a big boom bap feel with pounding beats, cuts, and an eerie synth sound, all mixed together it brings an adrenaline fuelling sound with a slightly dark edge. This one is all about working hard and playing hard to get where you want to be in life. If you don’t put the work in, don’t expect the results to be what you want. This goes for all aspects of your life, work at it and see it come to fruition. The penultimate track of the album is Come What May, produced by Rich Mitch and TJ Chill, there is heavy beat and cuts, that mixes with a reggae sound that gives this one a slightly light-hearted flow and makes you wanna move. TJ Chill is in full story-telling mode here as he spins tales of people creating good, fun times; the kind of memories that you can look back on and that bring back those experiences as life goes on, bringing a warm heart and warm smile.

The album ends with an extended track that clocks in at just over eight and a half minutes. Roxanne Roxanne Vs Sparky Lovebug is produced by DJ Murzi and see’s TJ Chill drop in battle mode but, just for fun. The heavy beat and cuts, allows your mind to drift back to the early days of Hip Hop and those emcee battles like Roxanne Roxanne and The Real Roxanne. This is some classic emcee rhyming that minds you what Hip Hop is all about in its 50th years. Once TJ is finished having some fun, the beats keep you rocking so he can drop more shoutout’s than you can shake a stick at, what a classic way end the album on…

 


First up, lets give credit where credit is due, TJ Chill shows that regardless of flow, style, or subject matter, he has the ability to apply an intricate wordplay with knowledge, skill and authenticity that brings all his life’s experiences to bear. He is one of those rap artists that has the ability to speak on current events, in story mode or simply for fun and have everything he says seemingly seep into you consciousness without even realising it, and Concerned Citizen brings a rollercoaster of different subjects into your awareness; subjects that are everyday things, some of which you might not give a second thought to but, they are there none the less and TJ Chill brings them into the open giving you a chance to actually think and question the world around you.

Concerned Citizen also uses a wealth of production talent to bring a wealth of Hip Hop and Reggae infused sounds that are the perfect stage for TJ’s vocals, they also complement each other as well. As diverse as the producers are in their styles, with the roots of the music in Hip Hop, there is nothing out of place here, nothing that upsets the flow of the album; and more of that classic Hip Hop vibe comes in the form of Jabbathakut who brings that incredible turntable trickery that makes him one of the UKs finest.

Overall, sometimes less is more and I don’t need to over do the words here because the music speaks for itself. Concerned Citizen is a solid Hip Hop album with little twists and turns that keeps it fresh and engaging throughout its forty plus minute runtime. It is an enjoyable album with a good balance of real-life subject matter, story based and just for fun styles.

If you enjoy this one, then you will be waiting in anticipation for the third in the trilogy and playing catch up if you’ve not heard the first.

My thanks to 4Dee for putting my name out there and to TJ Chill for giving me the chance to put his album under my microscope.

I’m out,

See Ya.

Steve.


LINKS

Stream on Spotify Here:

https://open.spotify.com/album/36OvCfJWn1fV5RCqy0Fgk1

Concerned Citizen YouTube Playlist:

https://www.youtube.com/playlist?list=OLAK5uy_mlr6DlcQ89iFMdtcbN5X505ElI7INA7SQ

TJ Chill on Facebook:

https://www.facebook.com/tj.chill.35

TJ Chill Mixcloud:

https://www.mixcloud.com/TJ_Chill/