Exclusive Single Review: Definition of Ill / I Ain't Playin' With Y'all by Phill Most Chill and Krash Slaughta

 

Definition Of Ill / I Ain’t Playin With Y’all

By

Phill Most Chill & Krash Slaughta

 

I think that it's fair to say that when you think of legendary names in the Hip Hop scene, you can’t go much wrong with Phill Most Chill (Devastating Two, JORUN PMC, The Fabreeze Brothers, The Analog Mutants) and Krash Slaughta (II Tone Committee, Monkey Mafia, All Time High).

These two represent some of the best there is with that live breath and bleed Hip Hop. Phill Most Chill grew up in Connecticut, USA in the late 1970’s where he first began his journey with what would become Hip Hop. Over the year he has been an emcee, DeeJay, producer, writer, and even an artist. His aliases include Baritone Triplove, Soulman and Lovemoney, and he has recorded with the likes of DJ Format on The Foremost, Paul Nice (R.I.P) on The Fabreeze Brothers and DJ Snafu & DJ Grazzhoppa as the Analog Mutants. PMC literally has Hip Hop running through his veins and I simply don’t have the room here to fully list all his achievements over the course of the last fifty years. Krash Slaughta, from Livingstone Scotland, is a world-renowned DeeJay, Turntablist, Scratch DeeJay and Producer. He was one of the pioneers of the UK Hip Hop scene and part of some of the legendary UK crews including II Tone Committee and the Big Beat legends Monkey Mafia.

Now I have reviewed work by both these legendary figures and their talents never cease to amaze and blow me away every time they play through my speakers. So, it is truly something special to finally have both these two together on this single. But, beyond that they are also working on an album together which promises to be one of the highlights of the year. But, before that album graces our ears, we get to be treated to this initial single offering.

So, let's get into it right now, no messing…

The A-Side is Definition of Ill and, right out the gate, this one hits with this energetic, pulse pounding, speaker busting sound of heavy drums and horns. This is the sort of boom bap sound that has your ears and everything in-between, vibrating. Here we find that Phill Most Chill has a thing or two to say about what defines being Ill within Hip Hop; the first two verses see him demonstrate what it is to be an ill emcee, with intricate, slick rhymes and devastating flows, PMC hits you with the kind of rap skills which can only come with a few decades worth of continually practicing and honing your skills. He follows this with one final verse that is all about Krash Slaughta and why he is one of the best at what he does. But, once PMC has laid it all out and told you all you need to know, it’s time for Krash to give you the Definition of Slaughta, with an outstanding display of styles as he cuts and scratches on two turntables with just two slices of premium quality wax.

Flipping to the B-Side its time for I Ain’t Playin with Y’all; where a classic head nod beat is the foundation which is over laid with guitar vibes and Krash Slaughta on the cut, so as you bounce and groove to the sound, the cuts slice through your awareness, allowing the essence of Hip Hop to permeate every cell of your body. Now that PMC has defined exactly what it is to be Ill, its time for him to show that being one of the most ill means that there is no time to playing. PMC gives us another three verses that go full on with a masterclass in just how to put words to their best use, which is exactly what Hip Hop is all about. There is also a warning here too, if you’re one of those rappers what thinks they can play the rap game, then PMC is here to take you out and diss you to your face if that’s what it takes because, he ain’t playing here, this is serious business, and PMC has the skills to pay the bills and much more. But this one ain’t over just yet because there is still time for Krash Slaughta to get on the decks once more and show that he ain’t playing either; if you’re not serious, then you’re likely to come away cut down to size and not half the person you used to be.

 

Overall, there is one thing that you can say unequivocally about this single, which is this: across two tracks and a little under seven minutes, Phill Most Chill and Krash Slaughta, show you that you need not spend any more time wondering if Hip Hop is dead or not; not only is Hip Hop not dead but, this display of real Hip Hop vibes has the power to jumpstart the heart of anyone who might have given up on the scene.

Let’s just be real here for a second; Phill Most Chill puts on the kind of display of rap lyricism that is the heart of what Hip Hop music is, and I could spend ages talking about his vocals, rap style and so on but, there is no need for me to do that because it’s all right here for you to hear; and talking about hearing things, Krash Slaughta doesn’t only show why he is one of the best turntablists but, he brings the sound and the cuts which are the very soul of Hip Hop music. So, between them, these two incredible talented individuals, come together, almost merging into one, to bring you the very heart and soul of Hip Hop music in one 7-inch record.

In fact, you can sum up this record in these few words “This is what Hip Hop is about”, it’s really that simple.

This release also has one surprise left in store for you all. Beyond the banging Hip Hop sound and incredible lyricism, the guys have two cover variants. First there is the dope graff cover from Glasgow writer Mak One, which you can see above, and has that classic Hip Hop/B-Boy inspired cover. But there is also an incredible Limited Edition cover artwork, courtesy of Daddy Bones, that is inspired by Andy Warhol's famed Banana cover art for the self titled album by The Velvet Underground & Nico from 1966, which featured a peelable banana that, when removed, revealed a pink coloured fruit with obvious sexual connotations, which was perfect for the kind of avant-garde movements around at that time. However, the Limited Edition Definition of Ill cover features a yellow microphone, which is also peelable, with a full colour back cover. So, what does peeling off the microphone reveal? Well, for the answer to that, you'll just have to grab yourself a copy and see. It is also worth noting that both cover variants also have different designs for the vinyl labels as well; you can have a sneak peek at the artwork for the Limited Edition below for an idea of what to expect...

This one goes live for sale at 9pm (UK Time) tomorrow 31st May.

Huge thanks from me to Krash Slaughta for letting me bring this exclusive to you.

I’m Out,

See Ya.

Steve.

LINKS

Check out sound bites from both tracks here:

https://soundcloud.com/krashslaughta/definition-of-ill-soundbite

https://soundcloud.com/krashslaughta/i-aint-playin-with-yall-soundbite

Grab your copy from one of the following links:

https://krashslaughta.bigcartel.com/

https://krashslaughta.bandcamp.com/

Phill Most Chill Socials and more:

https://phillmostchill.bandcamp.com/music

https://www.instagram.com/phillmostchill/

https://www.facebook.com/profile.php?id=100035434826258

https://www.youtube.com/@thatrealschitt/videos

Krash Slaughta Socials and more:

https://www.facebook.com/krashslaughta/

https://www.instagram.com/paulkrashslaughtasmith

https://www.mixcloud.com/krashslaughta/

https://www.youtube.com/@krashslaughta1

 

 

 

ALBUM Review: DEF CULT by Junior Disprol

 

DEF CULT

By

Junior Disprol

 

I think its fair to say that in the last five years the man from Cardiff, Junior Disprol has been on something of a roll. First came DEFVALLEY in 2019 followed by two huge releases in 2022, Hung Drawn and Slaughta’d with Krash Slaughta and DEF II; then in 2023 came Uber Magnetic alongsideRoughneck Jihad, the build up to which was something truly inspired and introduced us to the Hidden Content Club from the label Plague.

Well, now in 2024 the Hidden Content Club is back and treated us to a bonus pack and single release that featured a non-album track, The Fun and The Horror, and a remix of the track Hawk Ghost. This was all as the precursor to the third outing in Junior Disprol’s Def Series, DEF CULT. Once more brought to us on the Plague label and, as with both previous DEF releases, Produced by Cool Edit Chud. It features appearances from DJ Jaffa, Krash Slaughta, Stepchild and his Uber Magnetic partner in rhyme Roughneck Jihad. The album also features some stunning artwork from John Stark, just to put the icing on the cake.

Now, Junior Disprol is no stranger to this blog and as such, needs no introduction, so let’s not beat around the bush here and get straight into the DEF CULT…

There is no hanging around here as DJ Jaffa joins JD on the opening track Marvelous, which perfectly sets the tone of the album with a nice head nod drum beat which is surrounded by this eerie mix of bells and nature sounds that all comes together to give you the impression you’ve been drawn into some weird nightmarish world. This is Junior Disprol’s world, a place where expecting the unexpected is the norm and it is hard for the neurotypical mind to even conceive of what now put in front of it. Here he shows you exactly why he is so marvellous in what he does by taking words, phrases and more, mixing and weaving them into something you would never think possible, and when you mix all that with the music, reality is thrown out of a window, a window that doesn’t exist or does it? With all expectation cast aside the sound move to slick funk vibe with drums and guitar taking the forefront for The Fly Most, if you know your Hip Hop then you will know that being ‘fly’ was all about being the best, dressing the best and so on. So, is JD speaking on being the best here or is about a fly or being a fly on the wall? You decided because this is one of those that seems open to interpretation, and after a number of listens I wanted to go with the traditional Hip Hop view and that JD here is just showing what it is the be the fly most on the mic. Up next is A Murmur Forms, which has recently seen a video release, and has more of a jazz vibe with the horns, bass, and drums, which loop and switch creating a sound which tests your nerves as it progresses. JD’s words seem to tear at every brain cell, threatening to turn your awareness inside out. The world around is what seems to form into a murmur as Junior Disprols words and flows form into a dazzling murmuration of their own, mimicking that of a flock of starlings over the somerset levels…

Can We Live finds the drum beat almost softened into the background as a nerve tweaking electric guitar loop grabs your awareness, threatening not to let go. JD takes a look at the state of society and Britain, a place you can no longer call great. How can a person or a family truly live in this society when we are constantly being priced out of everything we need to survive, while the 1% flourish and stand, not on the shoulders of giants but, on the desperate figures of the working class, the infirm, the disabled and corpses of the fallen. It’s a bleak look at life but, that’s life right now. With your mind reeling from what it has just had to comprehend, it’s time for DJ Jaffa to join Junior Disprol once more and to punch and slice a hole in those dark storm clouds with Ready Rock. The head nod beat takes us on a more upbeat vibe while the eerie xylophone sounds keep us in that weird twilight world but, this one creates a seed inside you that blooms almost immediately and bears fruit that you can only taste with your soul because this is what the energy of the music can do for you if you allow it in. There is this sense that the creation and the feeling of the music is able to clear the darkness from most recesses of the mind. So, when you’re ready, feel the music, let it in and get ready to rock. Now feeling a bit more upbeat it’s time for the albums title track to be unleashed, DEF CULT.  The drums and guitar that forms the main element of the beat here has a melodic quality that has you quietly nodding along, focusing on the words, while every now and again there is a burst of guitar that stops you relaxing to far into that sound. Having given you the foundations, JD now hypnotises you, taking control of your mind, he delivers words that infiltrate every corner of your mind and making you a newly ordained follower of the DEF CULT.

It’s perfect timing that you are now in the cult and your mind is focused on this one thing because, if you are listening on the vinyl, it’s now time to flip to the B-Side, something you now do in an almost trance like state. I Got It Going Awwn takes you into a TRON like world with solid boom bap beat alongside electronic sounds that digitize your every thought from this moment on. If it can rhyme with Awwn then its Awwn, that’s what its all about here; well almost. There is a moment, where JD emulates the Ruler Slick Rick, that brings an almighty grin that comes out from within. Suddenly you begin to realise that this cult is not something to fear but, something to revere. That sense of living in a digital world now takes on an eerie twist as the electronic and other sounds whirl around the head nod beat like a plethora of spirits released from purgatory. Krash Slaughta joins JD to help slice through the ghostly fog allowing your body to soak up the vibes. Here you find Junior Disprol speaking on being a Magus Of Phrase. But what does that mean? Well, the definition of Magus is a conjurer, sorcerer, or a magician; so, what he is saying here is that he is a magician when comes to creating something with words and you simply can’t argue with that the more you listen. The vibe switches once more as drums, guitars and keys combine for a sound that would not be out of place an album from the Doors, it has that kinda Hip Hop psychedelic feel. Hawk Ghost dispels any last vestige of dark clouds that might have remained as its energy raises you up to a new level, while keeping you in that altered state of reality. This time Junior Disprol switches from speaking through a ghostly haze to taking on the essence of a spiritual form, soaring high above and looking down on what’s around and channelling that into words and phrases that boggle the mind as you search for the source but find only words that seem to appear from nowhere…

Your eardrums vibrate with the power of the beat, bass and horns as Def At Behest explodes into your awareness. Soon, strings are introduced that have you looking over your shoulder, looking for what’s coming with a sense of foreboding like a movie soundtrack vibe. Listening to this one might make you wonder just what this is all about but, try listening a few times and that think of the title and what it means? Def is all about being the best and by doing that at behest means you are doing it by instruction or by command; so here maybe, its all about JD showing how good his skills are by his own instruction? Being an emcee is all about honing your skills from life, from what you see about you day by day, you are literally teaching or instructing yourself, that’s how you learn. Think about that as you listen and if it speaks to you. Now, time is ticking by and as you move into the album’s penultimate track the Domesday Clock. Drums, bells, bass, and horns form a huge sound that has that that soundtrack vibe about it, one that makes you feel you have stepped into a pool of shade among the sunlight. With that air of foreboding setting around you once more you find that you are stood in an equilateral triangle with an emcee at each apex; perhaps it’s a circle not the triangle you first thought but, anyway, Junior Disprol is followed by Roughneck Jihad and finally Stepchild, each one displaying their individual rhyme skills as the doomsday clock ticks another second but, that second feels like a minute or a whole day as the words float through you awareness; you realise there is so much around us that signifies we are headed towards a doomsday but, you also realise that we are the ones who can also reverse that and stop the clock ticking down to its ultimate conclusion. As you contemplate that thought you realise that the album is about to reach its own conclusion and you have reached Def Not, the final track. Keys, guitars, and drums create a reflective vibe and one that feels you about to enter something deeper than has gone before. The intro makes you feel this one needed time to get going, like it needs a few deep breaths first and as JD begins to speak you realise why those feels occurred to you; not everything is DEF in life and this one finds Junior Disprol speaking on the loss of his mother. This one is by far the deepest track on the album, and I could feel every word, deep in my own heart having lived this same story with the loss of my own mum back in 1995. What can you say, treasure every moment with those you love and enjoy those moments to the fullest. The track ends with an upbeat, high energy guitar solo, just get the adrenaline pumping once more and leaving you with much to think about…

 

Just take a breath because that was some ride. In fact, there is this feeling that DEF CULT is an album of two halves, as seems to have two different vibes running across the two sides of the album, if you have the vinyl, or between the first six tracks and second six. The first half appears to have a slightly darker air about it, laying out the foundations and showing you what’s going on around you or inviting you to see it. But the second half has this far more upbeat vibe to it raising you up most of the time and giving you a reason to feel that its not all bad out there and it ends with a touching ode to his mother that is such an awesome way to end the album, with such an emotional sentiment. It’s just breath taking from start to finish.

I may have said this before but, what the heck, I’m gonna say it again, for me, Junior Disprol is one of the most underrated emcees on the UK scene, if not the entire Hip Hop scene, at this time. I don’t know of anyone who can take words that seemingly have no place together and spin them into something that is entertaining and speaks to you on some strange unconscious level. He just has a masterful way with words, like the title of the track Magus Of Phrase, he truly is a master sorcerer of words and rhyme.

I couldn’t wrap up this review in any way without mentioning the work of Cool Edit Chud on this one. As with JD being a wizard with words, Chud is a wizard of the beats. He is perfectly able to emulate the vibe of JD’s words and together they just craft something where the music and words vibe so well together. It is almost like these two are an extension of each other, they work so well together. The different vibes and sounds created by Chud work so well with JD’s vision for his lyrical content and mood.

Having appearances by DJ Jaffa and Krash Slaughta on the cuts, along with Roughneck Jihad and Stepchild adds flavour to the whole project while taking nothing away from Junior Disprol and Cool Edit Chud.

DEF CULT is the kind of release that Hip Hop needs to carry it forward. It has that nod to the real Hip Hop sound but, draws on a lot of different inspirations along the way. It also has a sound that has definite mass appeal and is not likely to get old very quickly. This has to be another contender for album of the year, in my humble opinion. It’s a perfect fit with the two previous Def albums and might just be the icing on the cake…

My thanks go to Junior Disprol and Plague’s Danny Boyes for putting this one in front of me and letting me do my thing.

My final thought on DEF CULT is simply “Go get this it”.

DEF CULT is available now and comes in a range of formats including some stunning physical versions too.

I’ll see ya next time.

Steve.

LINKS

Get your copy of DEF CULT Here:

plague.co

Junior Disprol Socials:

https://www.facebook.com/DeadResidents

https://www.instagram.com/juniordisprol/

Plague Socials:

https://www.facebook.com/plague11

https://www.instagram.com/plague_11/

https://twitter.com/Plague218

https://www.youtube.com/@plague_11/featured

VIDEOS

A Murmur Forms

 The Fun and The Horror (Taken from the Limited Hidden Content Club 7" Single)

      

 

 

Album Review: Everything's Turning Up Dusty by Krash Slaughta

 

Everything’s Turning Up Dusty

By

Krash Slaughta

 

Something that came out of Hip Hop music that I always loved were two things, the Megamix and the Cut n Paste mix. In fact, they were pivotal for me in that they spawned the ‘Pause Button’ mixes that we all loved back in the 80’s. Regardless of how you did it the tape-to-tape mixing was fun, and I still have some of my efforts around somewhere. I would enjoy finding my favourite tracks and adding bits from recordings of TV programs such as The Comic Strip and would enjoy trying to make party megamix tapes and the like, it’s a wonder I never progressed into vinyl mixing at the time.

As we moved into the 90’s it was the mixtape that became bigger with DJ’s remixing tracks and Emcee’s rapping over classic instrumental tracks and then mixing it all together. I would often listen to all these alongside recordings of the DMC mix championships and be amazed at how DJs could do what they did.

Fast forward to the present day and what might happen if you were to merge the Cut n Paste mix with a mixtape vibe? Step forward Glasgow based Krash Slaughta, a true legend in the game, who has put together just that on Everything’s Turning Up Dusty. This double LP limited edition vinyl is an hour long and consists of four sides of Cut n Paste musical goodness alongside some banging remixes to boot. The album took four months to make, with each of the four mixes taking one month to produce.

So, join me as I do my best to put my enjoyment of this stunning release into words…

Side One bursts into your ears with that classic Cut n Paste sound, and you can’t help but, smile and nod your head as you listen along. Mixed into this are sound bites from Blade Runner, Graff writer interviews, Marijuana info film, funk breaks, electronic vibes and so much more. There is also a remix of Time’s Up by O.C. that gives it this Pink Floyd, prog rock kind vibe; following on from this is an upbeat remix of So Let The Fun Begin by Stetsasonic, which has this bass and piano vibe that is just so wicked. This brings side One to a close and it’s time to flip over.

Side Two kicks off with this banging horn heavy remix of On The Smooth Tip by Sweet Tee before breaking into more funky dopeness over which is a recording of part of a story from Masters of the Universe, just to add more of a grin to your face. Following this Krash brings in a pounding remix of Quality Control from Jurassic 5, which has some mind bending, nerve tingling electronic elements mixed in. The breaks and razor-sharp cuts keep coming as you vibe to every little element, including the Beat Street element; before we are treated to funky drum remix of Torture Chamber by Edan ft Percee P. Next, we get this almost two tone, ragga vibe for the remix of Made You Look (Remix) by Nas ft Jadakiss and Ludicris. As this side comes to an end Bruce Lee reminds us to be like water, a timely reminder as we now need to be fluid in changing the record to side 3…

Side Three begins to sonic vibes before things kick off in a funky way to get that head nodding once more. Time for some Ol’ Dirty Bastard with Krash Slaughta reinterpreting Shimmy Shimmy Ya!, to this horn heavy, uplifting infectious sound that gets your whole body moving. Next track getting the remix treatment is Melody by Nu Mark and Pomo ft MF DOOM, with a funky horn heavy sound keeping you bouncing along. More funky breaks and turntable trickery, jazz vibes, sonic sounds, samples and add breaks ensue before its time to flip to record one last time…

Side Four begins with a big orchestral intro before we break into a jazz horn remix of Definition of a King by Two Kings in a Cipher. Funk breaks and a comedic look at how to be a rapper then brings a grin. A funky jazz vibe heralds the remix of Movin’ On by Gang Starr which is sure to get you movin’ and groovin’, Then comes the voice of Phill Most Chill taking us to the Rebel Base with Krash Slaughta mixing it up once more. From the rebel base we move into some outer space vibes with Krash Slaughta making a visit to the space bank before moving into hyperspace with more funky interstellar breaks. Drums, funky keys, and guitar vibes are the main components of the last remix, which is I Gotta Good Thing by Superlover Cee and Casanova Rud before we finally have round off this epic album.

Everything I have said above really just scratches the surface of what Everything’s Turning Up Dusty is. When you consider that Krash Slaughta has always wanted to make a cut n paste mix, and then he comes up with something that truly takes that genre of music to a whole new level. When you consider the likes of Coldcut’s Say Kids and Beats and Pieces or Double Dee and Steinski’s The Lesson series, Everything’s Turning Up Dusty emulates everything those classic releases did in taking elements of classic tracks, sound bites, infomercials, interviews and more, mixing and mashing them all together to produce something that was a whole new element of Hip Hop music. There is nothing you can’t do with the cut n paste mix and Krash Slaughta really does display that with aplomb.

To be perfectly honest, it is very hard to review something like this and really do it justice with my words because there are just too many elements to break down but, what I can do is to say with all my heart that this truly is one of the most amazing displays of the cut n paste genre that I have heard and when you consider the work that Krash Slaughta has put into this, it truly deserves to be placed up there with the best of them; it also shows the talent he has in crafting such a release, this is homage to the cut n paste mix but, also an incredible stand-alone audible spectacle.

My best advice would be for you to listen, listen and listen again to this because Everything’s Turning Up Dusty is never gonna get old, in fact, this is one set of vinyl’s I can never see collecting dust and turning up Dusty.

I take my hat off to Krash Slaghta on this one and also give him my humble thanks for the chance to drop a few words about this stunning release.

On that note,

I’m outta here,

Steve.

LINKS

Get your copy from Krash Slaughta Bigcartel:

https://krashslaughta.bigcartel.com/product/everything-s-turning-up-dusty

Get a copy from Bandcamp:

https://krashslaughta.bandcamp.com/album/everythings-turning-up-dusty

Krash Slaughta Socials:

https://www.facebook.com/krashslaughta/

https://www.instagram.com/paulkrashslaughtasmith

https://www.mixcloud.com/krashslaughta/

 

 

 

 

 

 

Album Review: Grown Up Too by Legs MC

 

Grown Up Too

By

Legs MC

 

Grown Up Too is the latest album from Legs MC (aka Daddy Legs), originally from Brighton, he started rapping at age 17 in pubs and clubs until he met Graff artist and producer, Req1, at a Slip Jam B open mic night. Req1 taught him the art of making beats and recording his own material. Legs went on to record a string of self-made albums, these went worldwide and earned him collaborations with artists from Japan and Australia. His own songs also featured on German record label, Moon Circle Project. 2008 saw his first professional record, Cheyne Stokes, released after he signed to Latest Records. The project featured an impressive cast list including the likes of Professor Elemental, Wordsmiff and Dizraeli. When things went ‘pear-shaped’ at the label Legs withdrew from the scene altogether, choosing to become a mature student and earn a BA Hons in Film and Screen Studies.

It was during the pandemic lockdowns that Legs returned to recording, releasing ‘7 Year Itch’ in 2022, and he kept the momentum going releasing ‘Grown Up’ early in 2023, his most important project to date, featuring Mic Righteous and Frukwan of the Gravegiggaz. He even featured in the top 100 of the Wu-Tang Clan’s Saga Continues competition. Now, five months on from ‘Grown Up’ comes Grown Up Too and without further ado, join me on trip through the album, and with features from the likes of Remark, Verbz MC (Bristol MC, not Verbs from High Focus) and Krash Slaughta, you can bet this one’s gonna be a treat…

Guitar notes and horns bring us into Wicker Manned, before the beat kicks in and gets your head nodding. In not much more than two minutes, Legs says more than some say in an entire album. He begins by looking at the control used by, and lack of respect given by the UK government and what that really says about what’s going on around us, before moving on to open up about the rap scene and those who chose not to support even though he offered the hand of friendship. There is a hint of coming together and standing as one here or to risk being ones burned in sacrifice, or could it be that Legs MC will be the one to do the burning, with a no-nonsense approach to bringing the facts and lyrics of fury? Drums and strings and the main elements of the sound of The Wizard, which has a slightly dark element to the sound but, it keeps you moving. Using a spin on the tale of The Wizard of OZ, Legs MC gives us three tales of different types of emcees, the strawman who makes a lot of money from rap without using any intellect to say anything of worth, the tinman who copies those who came before him because he doesn’t have the heart for what needs to be said and then the cowardly emcee who has all the talent to go far but, lacks the strength to put himself out there in any way be it physical content or live. Legs MC is one who leads by example using his mind, his heart and soul to bring reality and truth to his work. Bass, strings, and horns are the intro for Night Life, which features Sir Mozart on production, the beat drops in and creates this infectious upbeat sound. The focus of this one is stories from nights on the streets in Brighton but, these are taken from experience too, nothing made up here, just the stark reality of life on the streets once the sun goes down on seaside city that has a huge drug culture.

Business keeps it upbeat with a beat that thumps with drums and guitar notes. Here Legs MC details his love of Hip Hop music and keeping it real to the sound and while most of the time its all about business and working hard to produce good music, there are times when you just gotta have some fun, and this is what this track is all about, balancing the business and the just-for-fun time. Keys and strings form the backdrop the drums on Imposter Syndrome, featuring Remark, Mike Dennis and Krash Slaughta on the cuts; this one has a deep dark edge to the sound. The message here is all about the fact that no one is who they seem, or they just want to be like someone else because the media and record labels hype up the likes of Drake or the Kardashians, implying that real rappers are this or you have to look like these people and act like that person. It is thrust in our faces so much that, especially the young people, feel the peer pressure to look a certain way, and if they don’t, they will not fit in or be accepted. All this does is cause damage to their mental health, leading to so many young people seeking a way out rather than not to fit in. It is a sad state of affairs that being yourself is no longer looked on as authentic but, by being your true authentic self is the one way you can be you and not an imposter. We step over the tipping point of the album with Boss, featuring Undadwella and Verbz MC, this one has a classic breakbeat mixed with keys and bass, giving a banging boom bap, head nod sound. This one speaks to me in different ways as really shows the contrast between working the daily grind as an employee or one where you are your own boss. I have been on both sides of this; being an employee most of my life until ill health made me my own boss a couple of years ago. Being your own boss is, for me, a better situation to be in, I might not make any money right now but, at least I am not being pushed beyond my physical or mental capabilities. Now I am able to nurture the parts of me that can bring out my best abilities, something no boss has ever tried to do for me. I’m not saying all jobs are like this but, sometimes we have to decide what is best for ourselves. Sadly, the society we live in means that a job is very often the only way to make ends meet.

Next, the Rhyme Advocates, The Epochs, join Legs MC on Five Oceans. Strings and keys give this one an almost orchestral feel before the beat drops in with some horns, that give this a deeper vibe, that seems to touch your very soul. The more you listen to this track the more you pick up, the more it seems to say to you and the more it makes you think; and that is key here you need to think with this one as it really seems to be about the art of being creative and authentic at the same time. It’s about being individual and true to yourself that makes you stand out from the other around you. Do what you do but, do it in a way that is unequivocally you. What is also of note here is that Legs son’s join him on the track, they do a little bit on each album now, and Zackary (who is 4) provides the little sung intro, with Raphael (who is 3) providing the little outro. A head nod beat mixed with some electronic sounds gives Woke a kind of nerve tingling edge, making focus on the words a little more. Legs MC looks at the fine line between being awake and woke; in a culture where everyone has an opinion on everything, and the so-called cancel culture has the power to destroy a career or the hard work that has been done by someone. Are things really going too far these days, what really is the point of all this, and do you really know if you are truly awake or just think you’re woke! Think about it, I mean really think about it, only by looking deep inside yourself can you know if you are coming from yourself or just following a trend and the views of others, think for yourself, don’t let other do the thinking for you.

Angry Tune has a thumping beat with strings and John Carpenter style electronic vibes, all of which ramps up the adrenaline, getting you fired up. There are times when we all need to rant on what we see and experience around us, and this is exactly what Legs MC does here is to have a rant, not at anyone in particular but, just letting off a bit of steam, and there is nothing wrong with that. The final track is a bonus, it’s the Back to Burgess Remake, the original being from the ‘Grown Up’ album. The sound mixes drums, organ notes and electric guitar with sonic sounds, giving this a nerve shedding, mind numbing sound. Here Legs MC takes us back to being sixteen, just out of school and getting a job as a labourer, trying to make a bit of money but, all the while his mates are out having fun and getting messed up on the sherbet. It’s a tough position for a youngster to be in, you want to be out with your mates but, there is pressure on you to go get a job as soon as you can.

 

So, lets get real here, there is a lot to like about this album. Musically, the production is all on point here and carries the album along at a nice pace, bringing a cracking audible canvas of mixed vibes that perfectly match the vibe of the vocals. Legs MC produced, mixed, and mastered the entire album, except ‘Night Life’ which is produced, as noted, by Sir Mozart. This shows and incredible creative strength that makes the album really stand out, not just that but lyrically he is very strong too. He has a great style that mixes up the flows and has an engaging quality to it. It is kind of like you are sat listening to a lecture as someone is speaking of the real-life stories they experienced during their life. It’s hard to exactly explain it but, for lack of a better word, it is the authenticity it coveys in a lyrical sense. Top to bottom Grown Up Too is packed with authentic stories from Leg MC’s life. There are no fake stories here that have been made up just to get people listening, in fact that very thing is something that he dislikes, and which you hear mentioned.

Something that I really liked about the album was that each track gave great food for thought and its relatability gave me plenty of scope to bring my own experiences into play, alongside what he was relating from his own experiences. Grown Up Too, like a good many UK underground albums I’ve heard recently, could easily generate some healthy debates as you listen to each track, which for me shows the depth of what is going into the UK Hip Hop music right now. It also displays just how much heart is going into music from Legs MC and others, plus the love of the music and that desire to create good music.

Bringing in some cracking guests into the fold always helps and Legs MC brings in names you easily know like Remark (Glastonbury) and Krash Slaughta (Glasgow), alongside the likes of Verbz MC (Bristol), Sir Mozart, Mike Dennis, Undadwella (Australia), Rhyme Advocates (Brighton), The Epochs (Las Vegas, USA), who you might not instantly recognise but, all of whom bring that individual energy and depth to the project. It also gives that universal Hip Hop aspect to the project, once more showing how Hip Hop crosses borders and unites us through music. I also liked the fact that Legs has his sons on the album, giving them a little credit and giving that track a proper family affair kinda vibe, which brings a whole new depth and heart to things, I loved that.

Overall, Grown Up Too is a solid album which oozes authenticity, relatability and reflects the ups and downs of our current reality. This is one of those albums that will never lose its appeal as the subject matter will always be relatable in some way, shape, and form.

Most definitely one you need to give a good listen to.

Grown Up Too is released on 28th August, Pre-orders are live now.

My thanks to Legs MC and to Remark for putting my name forward.

On that note,

I’m out.

Steve

LINKS

Get Grown Up Too from Bandcamp:

https://daddylegsmc.bandcamp.com/album/grown-up-too

Legs MC Socials:

https://www.facebook.com/legsmc

https://www.instagram.com/daddylegsmc/

https://twitter.com/LegsMC

https://www.youtube.com/@legsmc

OFFICIAL VIDEOS

Wicker Manned

The Wizard

Angry Tune

Back To Burgess Remake

 

 

 

 

Single Review: SS005 - Flight of the Condor / Final Flight of the Condor

 

SS005 - Flight Of The Condor / Final Flight Of The Condor

By

Uncle Mic Nitro, DJ Nappa & DJ Mr Thing / DJ Nappa & Krash Slaughta

NOTE: Before I get into the review, I just wanted to let you know that this will not be my usual review style. There will be some personal stuff included in here and some of this may be considered as triggering to some people and I therefore give a TRIGGER WARNING as some of what you are about to read will contain references to cancer, suicide, and death. If any of this may affect you, I please ask you take care when reading.

Thank You, Steve

 

This single is the final release on the SoulCondor Slices label that was set up by Del Soulcondor aka Derek Grayston. Like so many I became friends with Del over Instagram, by the time I became aware of Del’s music and awful situation with his cancer diagnosis, I was already suffering with my own grief having lost my youngest daughter, in October of 2020, when she took her own life. His story touched me deeply as I had lost my own mother to cancer back in 1995. I felt that I wanted to do something to support him and knew that the best way for me to do that was to review his upcoming releases.

After a few chats Del sent me the files for SS001 & SS002 and a little later the files for SS003 & SS004. I was so glad that he liked the reviews, and it gave me a true sense of getting his music out to people. When he told me of the up coming SS005 (Then called Operation Condor) I knew it would be a given for me to drop another review when it was eventually released.

As 2021 moved towards its final quarter I began to struggle with my grief as this would be the first anniversary of losing my daughter. Although these were dark times, I kept watch on Dels posts and sent him screen shots of when SS003 & SS004 (Issue 467/8) appeared in the Online Gonzo weekly magazine (Gonzo is an online music mag run by a good friend who now features my reviews and had already featured my reviews on SS001 & SS002 (issue 457/8)), Del did not get back to me, which was not something I expected as by now he was in a hospice and I knew it was getting harder for him to respond. So, it shook me deeply when I saw the post that he had passed away. Then, more than ever, I knew that SS005 would be on my list.

I had originally heard both tracks when Del released them via soundcloud. The fact that these tracks are dedication tracks really touched me on a deep level as I have been exploring the idea of a dedication track for my daughter for some time and I still hold that in my heart.

Del was a true lover of Hip Hop music and music in general. He loved his family and all those around him. He was also a true fighter and had a strength of character that I have seen in very few people. So, here is my take on SS005, Enjoy…

 

Flight Of The Condor is touching dedication track written by Southampton UK emcee Uncle Mic Nitro. Produced by DJ Nappa and featuring cuts from DJ Mr Thing. Nappa’s production blends guitar, horns, xylophone notes, and Drums with emotive choral vocals, the outcome is this upbeat track interlaced with Mr Things classic cuts that, in spite of knowing the story behind it, just gets you in the mood to nod you head and groove to. It’s just the kinda sound Del enjoyed. Del also loved Uncle Mic Nitro’s deeply personal vocals as he details his online friendship with Del, his desire that they would one day meet in person and the shock when the heart-breaking news came that Del’s cancer was terminal and nothing more could be done. UMN also speaks on the kinda person Del was, the fact that he always had time for a chat and his love of Hip Hop, the music he produced and his plans for Soulcondor Slices. With Flight Of The Condor, Uncle Mic Nitro, DJ Nappa and DJ Mr Thing really bring into focus the strength and the soaring nature of Del’s spirit. This is quite honestly a dedication track of the highest order and one that comes straight from the heart and touches your heart.

 Final Flight Of The Condor see’s DJ Nappa on production and Krash Slaughta on the cuts, and what these two do here is to take the strength and the soaring nature of Del’s spirit and take it to another level. Nappa brings horns, drums which, alongside Krash Slaughta’s, quite honestly, incredible cut’s, creates this beautiful blend of jazzy horns and Hip Hop vibes. That final flight is something we will all take one day but, few of us will have our final flight reflected in such a way as this. As you listen to the track you can sit back and easily imagine Del’s spirit soaring high above in the clouds, a scene that is so beautifully depicted on the cover of the 7” single by Digital Dyer (John Dyer). This one hits you in so many ways, it is a true anthem that evokes the memory of Del, someone who lived for music and his family, even after that heart-breaking diagnosis. Every beat, every scratch and cut, puts you in touch with Del’s resilience and strength of character, aspects that were such an inspiration to so many. Final Flight Of The Condor not only celebrates Del’s life but, it also reminds us that we all have the strength inside us to walk tall in the face of even the hardest of life’s hurdles.

 

I don’t think that I can write much more to sum up this release. This was one review that took so much to write.

What I would like to do, is to give you Del’s own words on what he thought of these two tracks, everyone involved and more. This is taken from the back cover of the 7” single…

This record is special to me. Both sides, very personal and very special…

I want to say thank you to Uncle Mic Nitro for stepping to me with the first idea, for doing such a proper heartfelt job on the vocals and for becoming a caring friend.

DJ Nappa for being the man as usual and bringing two of the nicest beats ever that totally suit this project, Nappa mate love you pal.

Dj Mr Thing for stepping up and lacing “Flight” with the crazy nice cuts. That’s twice I’ve had my fav DJ in the world on my tracks…..

Thank You, also on the DJ tip I’ve got to big up my man, good friend and ex band mate DJ Krash Slaughta for totally killing “Final Flight”…..Wow, when I heard this for the first time I had tears. The Amazing, amazing cuts combined with that beat!

Massive shouts to Rare Dave over at Diggers With Gratitude for doing all the postage and packing. Without him you would not be holding these records! Thanks so much Dave.

Want to thank John Dyer for getting involved in the artwork. Looking great, I appreciate it. Ollie Knight for the vocal production and mastering the tunes for us, thanks pal.

And sending all my love out to my mum, sister, and daughter, love yous all so much. All family and friends thank you for your support.

Much Love

Del Soulcondor (October 2021)

 

Here are two tracks that celebrate the life of Del in a way that only the Hip Hop community knows how to do but, more than that you have two deeply emotional tracks that will undoubtedly bring tears to the eye’s of many as they listen and think, not only of Del but, also their own loved ones whose spirits now soar above with Del, looking down on us and helping to give us the strength to see another day and to remember that they are never truly gone but, are there stood beside us when ever we think of them or through the hardest times.

If you have not heard these tracks yet, I wholeheartedly invite you to head over to the link below and listen, you will be glad you did and if you are one of those lucky enough to have a copy of the 7” single, then this is one to treasure.

My love and respect goes out to everyone involved in this truly special release for Del.

I dedicate this review to Del (Derek Grayston), to my daughter Deanie, and to memory of all those we have loved and who now soar above us.

Fly high SoulCondor…

Steve

LINKS

There are still a few copies of the 7" and the SSCD001 Super Dynamite Soul available through Diggers With Gratitude Fresh Pressings Here:

http://freshpressings.bigcartel.com/

Check Soulcondor Slices on Soundcloud Here:

https://soundcloud.com/soulcondorslices

Album Review: DEF II by Junior Disprol

 

DEF II

By

Junior Disprol

 

Following on form the recent release of Hung Drawn and Slaughta’d alongside Krash Slaughta, Cardiff Emcee Junior Disprol is back with the follow-up to 2020’s Def Valley, DEF II.

The new album is released through the Plague Label and features one hell of a line up stepping up to feature alongside the man himself, it includes Krash Slaughta, DJ Jaffa, Thirstin Howl III, Kid Acne, SIR Beans OBE, Roughneck Jihad, and DJ Alkemy. With an international line up like this you just know this one is gonna be a banger. You can also bet that this won’t be your average Hip Hop sound either. To get an idea of just how much this one does bang and to see if it that’s in more ways than one, I get to cast my mind over it…

So, why not join me as I immerse myself in DEF II…

The album kicks off with the title track DEF II and what a way to open too. The sound, created by Cool Edit Chud, is this pounding bass vibe with these nerve shredding horns and chock full of electronic and sonic sounds, alongside classic samples and featuring the razor-sharp cutting and scratching of Krash Slaughta to boot. Junior Disprol seems to take us back to the eighties where his younger self was all about Hip Hop and pretty much everything that was DEF about an era that many of us, of a certain age, can associate with and relate to. The video, by Stepasaur, really takes you back to the eighties and all the things that were a part of growing up in that era. The heavy sound continues into The Blood God which has this classic sample running through it, which my head is unable to pinpoint right now, giving this a definite head nod vibe as DJ Jaffa’s cuts slice wickedly through your awareness. Sometimes listening to a track, you find yourself musing over what it’s all about and realising that you’re enjoying it so much nothing else matters and that is what I’m getting with this track. So, all you other emcee’s take note, if you want your listeners to enjoy being pleasantly baffled, here’s how you do it. Next up the sound becomes more, out the box, with a drum element that has a raw sound, like it has been created on a trash can, alongside bongos or djembe drum sounds and horns which gives this a two-tone element. Here Junior Disprol takes us into the world of the Neighbour From Hell, a nightmarish place where anything could happen but, whatever does happen, it’s strangely enjoyable…

From one slice of the strangely enjoyable to another as we are treated to an almost off-key sound full of pounding beats and an eclectic mix of sounds that grabs hold of your nerve endings and bitch slaps em before DJ Jaffa cuts those frayed nerve endings with the skill of surgeon. Let’s face it, Mugshots yeah, we all got one. The way you look day to day or that face you make after, before or during a nice mug of tea. I suppose you could have a mug of coffee but, to be honest our mugs were made for mugs of tea right. Anyway, Junior Disprol and the one Thirstin Howl III drop mind bending verses on how you look and how you conduct yourself, yeah that’s what this is all about, I think that’s right anyway? Don't forget to check the video for this one, also by Stepasaur, see if you can me, yourself or anyone else for that matter.  A jazzy organ, bass, guitars, and drums bring a jazzed-up vibe to Mastadon, which also features the turntable athleticism of Krash Slaughta to polish it off. You can do nothing more, right here, than enjoy the pure rhyming ability of Junior Disprol who, once more, seems to prove that he can take any group of random sentences and words and turn them into something that is a true pleasure to listen to. Kid Acne now joins Junior Disprol for The Wrath, drum heavy sound seems almost at odds with the classic sample and other sounds but, it all works coming together in some random way. The perfect back drop for both emcees to drop verses that make you feel like your trapped in someone’s weird dream world. Sandwiched between the two verses is a classic example of transforming on decks, something that shouldn’t fit here but works perfectly, a bit like my random thoughts on a given day, anyway…

Ubermagnetic see’s Junior Disprol joined by Roughneck Jihad and SIR Beans OBE for a true boom bap sound of a pounding beat over guitars and bass. RD and RJ spit back and forth, bouncing off each other, verse after verse, this is how it should be done rhyme after rhyme. SIR Beans OBE drops some rough but highly polished cuts that cap this one off in style. Next time you want to order an Uber, then make it this one. A heavy beat over what, at first, is a fractured sound, once more tests your nerves. Basquiatish is an abstract art style which is perfectly mirrored on this track both musically and lyrically as JD is not afraid to be unashamedly abstract in his vocals. DJ Jaffa cuts some more classic samples giving you a vision of the roots behind the abstract art. That abstract style continues with the sonic sounding vibe of Brundle. That sonic vibe is given a nerve-jangling edge with Krash Slaughtas turntable wizardry. JD gets rough, rugged, and raw on the ups and downs of daily life and the pace you have to live at. The vibe of this track really fits with the how society seems to be going right now as we live day to day and minute to minute.

He Talks Flash hits with a bass guitar heavy vibe which gives this deep funk edge, while the drums are heavy enough to hold you attention and get your head slowly nodding. Here JD demonstrates how talking flash can get you anywhere if you just know how to do it, it’s kind of a British thing to talk flash, or is it? Well, whatever it is it seems to work, right? Drums and piano combine on IT’S to form this kinda abstract jazz vibe that infiltrates your mind, opening it up. Now your mind is open JD goes in on everything that causes a negative impact in our lives, from the governments and the high level paedos, to the gun runners and those in charge of religion and the media to the diseases that kill from the inside out. If it affects us negatively in anyway then IT’s in here. Krash Slaughta’s slick razor-sharp cuts slice into our awareness accompanied by head nod drums and sampled horns. This one takes it up a few notches on the Hip Hop tip as JD kicks the pace up with some deft rapping while Krash scratches the shit outta the wax. Could it be that Rotund Shogun is a new alias for Mr Disprol? Who Knows but, this one is certainly as sharp as a katana in every way…

Now, if you have been listening to this on the vinyl then this is where that portion of your audible experience ends. The following four track are exclusive to the tape, CD and digital versions But, don’t worry vinyl lovers as you get these as a digital download too…

King of BS see’s JD joined by DJ Jaffa on a beat comprised of pounding drums and a mixed-up phone keypad tone electronic tone which strangely combine with other electronic sounds into something that you can’t help but, vibe to. Sit back and spend the first minute enjoying JD’s pathological Bullshit and then spend the second minute doing nothing but listening to Jaffa on the cut, this is what Hip Hop is all about. Dj Jaffa remains on turntable duties with JD for Bwana. The musical backdrop is mix of drums, guitar notes and Xylophone creating this vibe that makes you feel like you’re in this pit of sound and looking down on you is Bwana, The Boss, Junior Disprol. You’re left knowing exactly why they call him Bwana and it’s all rounded off by Jaffa using his cutting expertise to reinforce that point so you don’t forget. The penultimate track here see’s DJ Alkemy joining JD for another abstract mix of drums and electronic keyboard notes that merge together into a sound that will stretch your mind and twist it in new directions. JD takes an eclectic mix of words spinning them into sentences and taking your mind into ever decreasing circles as DJ Alkemy slices cuts through your fragile awareness not allowing you to drift to far away because JD needs you know one thing, My Pidgeon Weighs a Ton. DEF II is rounded of with When All Said, a mind-numbing mix of strings, guitar, drums, and sonic sounds that at first, might stretch your awareness a step to far but, turns out to simply ground you back in this reality. The final word here is like the final word in any situation, which is simply that, when all is said and done all you are left with is your word, your integrity and if that is anything less than rooted, solidly in a truthful portrayal of your true self, then what are you really? Here Junior Disprol shows that when all said this is who he is, Nuff Said…

 

Overall, this has to be one of the most outstanding albums you will hear this year. It takes the notion of Hip Hop to new experimental heights and returns to a standing ovation. Yes, it takes some listening to, that’s for sure but, you come away from this a fresh new perspective and one that is likely to stay with you, always being rekindled whenever you listen again. There is not a weak track here, all sixteen solid and will test the listener to breaking point.

Junior Disprol is a powerhouse in his delivery with a lyrical content that is as intellectual as it is, at times, unashamedly raw and uncouth. The more you listen to what he does as an emcee, the more you realise that this guy is one of the most underrated out there. He has a style all his own that is complex, raw, and direct. He as easily able to create verses from what most people would consider an indecipherable collection of words, mixing in real life aspects and x-rated metaphors that just leaves you wondering how he does it. He is, without a doubt, once of the most incredible lyricists out there right now.

Musically, DEF II was produced entirely by Cool Edit Chud and what a masterpiece he has created here. He has put together this paradigm shifting expression of what Hip Hop music is all about, using these abstract musical soundscapes to stunning effect, and something that constantly keeps the listener guessing, stretching the boundaries of there understanding, opening them up to new horizons to explore. It all fits so well with Junior Disprol’s lyrical content and delivery, which demands a sound that steps outside the box, then turns around and kicks it out the stadium, and that is what Cool Edit Chud delivers here.

Also outstanding is the line-up of guest artists and DJs who all bring that extra depth and seasoning to the project. Delivering the kind of performances that leave you breathless and just adding the icing to what is already a perfectly baked cake of an album.

Nothing would be complete here if I didn’t give a nod to the artwork. As we know Junior Disprol aka Matt is also an incredible artist, which was demonstrated on the cover of Hung Drawn and Slaughta’d. For DEF II he has collaborated with Chud and Scott Lewis on the artwork and design.

I really don’t know what else to say here except that the album is out now on Plague in the coloured vinyl, tape and CD formats with digital release coming on 20^th May. This one you really don’t want to miss and has to be a strong contender for underground Hip Hop album of the year.

 

On That Note,

I’m outta here,

Steve

LINKS

Get DEF II from Junior Disprol on Bandcamp Here:

https://plague11.bandcamp.com/album/def-ii

Get DEF II from Plague on Bandcamp Here:

https://plague11.bandcamp.com/

VIDEOS

DEF II

Mugshots

Hung Drawn & Slaughta'D by Krash Slaughta & Junior Disprol

 

Hung Drawn N Slaughta’d

By

Krash Slaughta and Junior Disprol

 

With the wealth of talent that currently peppers the underground UK Hip Hop scene you often feel how cool it would be to see certain artists, DJ’s and producers working together. Now and again your prayers are answered and certain collaborations you have dreamed of just happen, as if those involved have heard your thoughts…

I can think of no better collaboration than these two artists, Fleapit and Dead Residents emcee Junior Disprol and II Tone Committee, Monkey Mafia and All Time High (to name a few) DJ and Producer Krash Slaughta.

To have these two legendary powerhouse guys get together for a project means one thing, in my mind, you are gonna get a heavy, masterclass in pure Hip Hop fire, that will probably be littered with more rawness that you can shake a stick at whilst, at the same time, being flawless, polished, and faceted for your pure enjoyment. Well, at least that was my first thoughts when found out about this one.

So, without further ado, lets see if my initial thoughts were anywhere near being right…

 

The album, which is twelve cuts deep, kicks off in style with Krash Slaughta’s multi-layered sound featuring horns, guitars and much more, Oh and there are also cuts galore too, which all interlace to bring you the heavy and hardcore sound of U is for Underground. Junior Disprol details just what it takes to be a part of that underground Hip Hop music scene. Its not just about making the music and laying it down on wax, it’s also about what it takes to get out there and to rock the mic and the turntables for the crowds. For the crowds to get as much out of the music as the artists do making and performing it, that’s Hip Hop. If you were feeling hyped by track one, then there is no let up as Krash Slaughta brings a high-octane mix of drums, guitars and, of course, cuts. This vibe will have you jumping, bouncing and, undoubtedly, scratching on imaginary decks. Scratch Terminator is exactly what you might think, it’s a straight up homage to man himself Krash Slaughta. Junior Disprol breaks it down here, telling you exactly who Krash Slaughta is and how and why he does what he does. This one will surely leave you breathless and in awe. Is there a better DJ dedication track than this one?

Next up is the heavy street sound of drums, piano and cuts unleashed for World Renowned. The unapologetic street vibe hits your awareness from multiple angles, making you wonder what’s coming and from where Junior Disprol is joined by South Bay Area emcee, Roughneck Jihad, for a mind-bending track that see’s each emcee taking seemingly unrelated phrases and turning them into something entertaining. Why would they do this? Simple because that is what good rappers do. If that has left your mind reeling, then Word Is Bond will bring it back into focus as Krash Slaughta unleashes a 70’s movie soundtrack vibe, full of horns, strings and drums. Alongside that is a “Diamonds Are Forever” sample on the chorus that is packed full of the hardest cuts known to man, all slicing through your mind with precision. It might seem here that Junior Disprol is continuing that mash-up of unrelated phases but, there is a definite twist here of 007 and Hip-Hop espionage. The shadow world of the spy where misdirection, knowledge and a slick flow go hand-in-hand.

From the world of the spy, we morph into something far creepier as Krash Slaughta tugs at, and slices into our every nerve with some sparse drums and strings that, alongside some freaky cuts, drag us into a dark underground place where shadows reach out and tap you on the shoulder. Junior Disprol uses this freaky backdrop to his advantage, as deep guttural vocals pull you ever further into a paranormal place where most fear to tread and where those who do tread, never return the same. This is the world of the Ghost Writer. The albums A Side is rounded off with another high-octane multi-layered sound. Krash Slaughta brings drums, guitars and much more besides to bring you a sound that hovers on the vibe of action movies and seeps into your every pore and infiltrates your mind. Sonic Assassin see’s Junior Disprol detailing life from the viewpoint of the villain, like the flip side to good guy in the track Word is Bond. This alternate view makes you realize that the villains might loose most of the time but, along the way they have a great time and end up really being the antihero and getting more of the spotlight…

As we flip to the B Side, Krash Slaughta’s high energy vibe continues with pounding drums, strings, horns, and cuts, all mashed up to bring you the kinda sound you just wanna jump to. Back in the early days of Hip Hop, the rappers would Throwdown, telling you who they were and why they were the best etc… Here Junior Disprol captures that vibe and just takes slices of his life experiences, throwing down to give you more of a snapshot of who he is. Ska Borough see’s Krash Slaughta bring us a Ska vibe with plenty of horns. There is also a Hip Hop twist here, with some slick cuts, that really brings a nice upbeat feel-good vibe. Junior Disprol and Cardiff emcee Skunkadelic team up to bring you bars that just uplift and make you really feel the good vibes, making you just wanna get up and get moving. The chorus on this one just says it all.

We Bring It Back see’s Krash Slaughta bring back that old-school hip-hop vibe with funked up mix of bass, drums, and cuts. Junior Disprol mirrors that musical vibe by looking at snapshots of Hip Hop in the UK, from the influences to the history. Rappin’, Breakin’, Graff and Scratchin’, it’s all here. In fact, there is just one thing to do here, stop talkin’ and just feel it. We have already heard a Ska vibe on the album with Ska Borough and there is no doubt that many of us, of a certain age, were into SKA before, during or still are, alongside our love of Hip Hop. However, another sound that had a big impact on Hip Hop is the ragga sound and Wickedest Disciple brings that sound to the forefront as Krash Slaughta interlaces keyboards, bass, drums, and cuts to bring us a Soundsystem vibe. With the ragga influence on Hip Hop noted, Junior Disprol is seemingly giving us a homage to all those who have inspired him along his musical journey. There is so much here from the different sounds and vibes to movies and so much more. Oh, and trust me, Krash does make the scratch sound exceptional on this one.

The penultimate track of the album is Special Delivery. Krash Slaughta switches the energy levels to max with a booming mix of drums, horns, guitars, and cuts. But not being satisfied with max levels he also appears to inject some nitrous into this one too. Bristol emcee Stepchild (aka Stepasaur) and Scottish emcee Loki join Junior Disprol for what is a mini posse cut. There is no messing on this track as the emcees go in three the hard way, dropping bars that are raw and hardcore, just because they can. This is furious entertainment to the fullest. If you thought the final track of the album would ease you back to reality, think again. For The Takeout, Krash Slaughta brings drums, horns and cuts to funk shit up like never before on a track that’s bound to leave you wanting more. Junior Disprol rocks the mic in his inevitable style with the kinda bars that leave you speechless. By the end of this, you are in no doubt whatsoever, Junior Disprol and Krash Slaughta are here to rock the mic, the speakers, the decks, and the crowd…

 

What can I say overall about this album? Well, it’s simple Hung Drawn and Slaughta’d is completely flawless slice of Hip Hop.

There it is, nuff said…

Seriously, this is as damn near perfect as you can get. Krash Slaughta’s production and turntable wizardry is pretty much second to none here. Every track is Hip Hop music at is very best, produced by someone who is Hip Hop for the ears of those who love real Hip Hop. Not just that but, the precision and dedication that has gone into those beats just oozes, constantly, from the speakers. I’m not sure what else to say, except the professionalism and pedigree of Krash Slaughta shines through here and his experience and continued evolution on the scene means that listening to this album leaves you with nothing but, respect for what he has achieved and continues to achieve.

Speaking of respect, when it comes to Junior Disprol then respect is one of the first words you think of. Like Krash, Junior Disprol has achieved a hell of a lot over the years and here he uses his raw and unflinching vocal style and his intricate way of spinning entertaining stories from anything and everything, to such good use. In fact, there are times on the album where his intricate verbal and mind-bending dictation is so mental, it is like you are listening to the musical equivalent of a painting by MC Echer or H.R.Geiger, it really is that crazy.

You can’t be failed to be moved by this album. Anyone who loves that real hip hop vibe will find something different here every time they listen. You will pick up little things like a reference to a movie or artist, you will pick up certain samples and so on. He addition of the lyric sheet is also a huge plus here, especially for me, as it really gives you an insight into the intricate lyrical content. It’s a masterpiece that you could time travel to, and it would still sound fresh in 80’s, 90’s, 00’s and on into the future. This one is most definitely gonna stand the test of time for many moons to come and then some.

Before I go, I also want to focus on the artwork too. Junior Disprol’s cover art is nothing short of stunning. While you are listening to the album you can pick up the sleeve and see who you can spot on the album cover. I spoke a lot about influences with this album and here the cover art continues that as every person, character etc. on the cover has had an influence on one or more of us at some time. See who you can spot from American Werewolf in London to Sean Connery and Judge Dredd to Bushwick Bill (R.I.P) this is such a great cover and so much fun to boot.

If this album is not on your shelves, then it should be. At the very least you need to hear it in some shape or form even if it is just a digital version as you need to hear it.

Hung Drawn and Slaughta’d is out now.

On that note, remember that the letter U is for Underground, a place that I’m off back to now.

Peace out people,

Steve.

LINKS

Get the Album Here:

https://krashslaughta.bigcartel.com/

VIDEOS

U Is For Underground