Album Review: My Bigfoot Life (Original Motion Picture Soundtrack)

 

My Bigfoot Life (Original Motion Picture Soundtrack)

By

Various Artists

 

I have decided to change direction with this review and look at something a little different. I have never had the chance to review a soundtrack yet and so this is going to a big departure from my normal work.

Now to fully understand how this soundtrack came to my attention, I have to give you a little background. So, sit back and make yourself comfortable.

Back in 2024, and quite out of the blue, I got a message asking if I would like to give a talk at a Cryptozoology conference being held in Bridgewater, Somerset UK, not far from where I live. The request came from a Daniel Lee Barnett and when I jumped on a live video chat with him, I was surprised to be talking to Daniel and his Nan, Jill. Daniel a young autistic guy in his mid-teens from Bridgewater in Somerset and has made a name for himself in the Cryptozoology world with some amazing research he has conducted here in the UK. Now Daniel was given my name by my good friend Jon Downes, who runs the Centre for Fortean Zoology and Gonzo Weekly; and as you know, Gonzo has also been running my reviews for some time too, see the link forming here…

Now, as I have had an interest in the paranormal and Fortean subjects such as Cryptozoology for over forty years, I decided this was a good opportunity, even though I had not done any public speaking in over eight years. In the run up to the conference I did some research on Daniel an discovered he had his own Podcast (which I have had the pleasure of being interviewed on too) and a book published about his journey titled My Bigfoot Life (Which is an interesting read too - CFZ Publishing), this was also being made into a documentary movie of the same name.

Now I am not going to go into the details of Daniel’s research here but, I’m fast forwarding to this year and Daniel’s third Cryptid Conference UK. This time I had been asked to be the official photographer for the event, where I got to meet some amazing researchers, people and Daniel’s family who are an amazing bunch who support him at every turn. I was lucky enough to get to see an advanced screening of the movie, and of course here the emotive music that forms the backdrop to that movie.

My Bigfoot life is not a movie that is just about one young man’s research or interest in the Cryptozoology world, it is far more than that. This film takes you on a deeply moving journey through Daniel’s life and the struggles of Neurodiversity and how that affects both him and his family. It shows how sitting and watching a Bigfoot related TV show with is grandfather piqued his interest and brought him out of his shell. The shows how he found a new family within the Bigfoot community and how there are some good and bad people within any community but, how the strength of will, support of good people and family, can overcome any obstacle. The depth of the emotion in the delivery of this documentary is truly touching and something I was able to appreciate as both a father and a researcher, especially as I have my own neurodivergent challenges as do my children.

After all this, it made sense to me to listen to and review the soundtrack and give you my thoughts and feelings, as that is what music is about.

Much of the soundtrack is written by a local artist Stephanie Jayne, alongside one track with her group St.Fian. There are also contributions by composer Simon Paul Newton and a track by Bigfoot researcher Brian King Sharp and John Harwell, and the soundtrack comprises of both sung and instrumental tracks.

So, please join me on a review journey that is very different from what has come before…

 

We begin our journey with Sailing (Family), a track which features in several different versions across the album, but this first version has a very emotive tone that focuses more on Stephanie’s etheric vocals, backed by deep strings that has this touching energy that allows you to connect to many aspects of the family life. You can really relate here to the how a family copes with life with an autistic child and how they adapt to that and how love and developing the family unit becomes central to life. There is also the aspect of how the extended family grows and deepens, coming together to support someone in their darkest moments. It even touches you when you consider your own place in the family unit and how that affects those around you as you all navigate through life. As you feel all of this, you consider the lyrics which seem to parallel those thoughts, speaking of navigating the often troubled waters of life around you as you grow and walk forward in life. Next, we have the title track of the album, My Bigfoot Life, this is a mainly instrumental track that mixes etheric vocals elements with drums and strings to create another deeply moving sound. The drums create this sound which puts me in mind of listening to native American drumming but, mixing that with the vocal elements allows you to close your eyes and drift into a meditative state that can take you anywhere. You can transport yourself to the forests of North America or perhaps the Quantock Hills of Somerset, where Daniel often goes with his Nan, family, or close friends, the likes of Ryan RPG Golembeske, Gwendolyn Purcell, Chris Allsford, DJ Brewster, Brian King Sharp, Craig and Emma Dowsett. These forest settings are places where you can lose yourself, come away from digital age of modern life and get back to true nature and experience things that were meant to be experienced, like the beauty, peace, and the sounds of the natural life around you, Bigfoot just happens to fit into that….

Mythical Legend once again mixes deep emotive soundscapes with Stephanie’s etheric vocal elements. The drumming takes on a different edge and is complimented once more by string sounds. As this one glides through your awareness it can take you anywhere but, what is important to note here is that as Daniel’s journey into Bigfoot brought him more out of himself, it allowed him to find his voice, he had selective mutism in hid younger years, and he created the Mythical Legends Podcast, where he interviewed some big names in the Cryptid world alongside his Nan, Jill, Chris Allsford, and other guest presenters. He even interviewed this guy called Steve about being a paranormal researcher. But this track really fits with how that all came together and the emotive nature of how one young man was able to find a voice on a subject which he has so much passion about. This is followed up by the first track from composer Simon Paul Newton, Daniel’s Theme. Now listening to this you might think that it is difficult to put fifteen years of someone’s life into around seven minutes of music but, Simon does just that. As the piano elements build, you can feel the emotions that come from birth, through the challenges of early life and on towards adulthood. When you consider the challenges that Daniel has faced to this point, the motional nature of this track not only becomes apparent but, it touches your heart, deeply. But, there is also light vibe to this track that lets you feel the challenging nature of life while also understanding that there is a brighter side, and that brighter side what can be achieved when you find that spark inside of yourself, it pushes you forward while touching and encompassing those around you and all those you meet along the way.

Sailing (Troubled Emotions) is the second version of this track on the album and this one is almost accapella, which has this haunting quality to it. This song does look at the turbulent nature of life for all of us and how we seek to find the safety from the anxieties and pressures of life. Here that works so well as a focus for a particularly touching part of the documentary. Daniel was the subject of some unsavoury actions from someone considered to be a friend. Those actions and even some treats that were levelled at him, deeply affected him for a planned trip to the USA, and the emotionally haunting nature of this track perfectly reflects those moments. But we all know that those who perpetrate such actions can never hold back the strength of positive energy and the love of those who stand strong beside you and Daniel was able to overcome those times and then help to create something new, the Legend Seekers. Here the sound is one that is reminiscent of Clannad as Stephanie sings of searching for secrets which hidden, misunderstood, or even yet to be discovered, and this is what the venture Daniel is creating is all about. Working alongside Ryan RPG Golembeske (Finding Bigfoot, Expedition Bigfoot, Outkast Paranormal), Chris Allsford, Craig Barnett (Daniels Dad), Craig Dowsett (Winnie the Pooh Blood and Honey), Gwendolyn Purcell (Strange Knocks Magazine, Got Knockers, Cryptid Collective), DJ Brewster (Alaskan Killer Bigfoot), and others to form Legend Seekers, a new TV show that will see the team investigating high strangeness from the UK to the US and back again. This track perfectly mirrors what the show is all about and what the team will look to achieve. Keep watch for this series, coming to screen near you in the not-too-distant future.

Sailing (Away) the next version of this track brings the sounds of the ocean to bear, mixing with the emotive musical sound. This gives you the sense of Daniel overcoming his struggles and finally being able to cross those troubled waters and make the next stage of his journey over to the US to continue his journey alongside those closest to him, for new adventures and new friendships. This track might have a deep edge to the sound, one that some might find dark but, you have to see the dark to see and feel the light and that is kind of how this one feels. It’s like travelling the tunnel to reach out and grab that light at the end, bringing it to you because you know you going to get there. Searching finds us musically transported to the pacific northwest to take a trip alongside Daniel, his family and friends, into the deep forests to look for evidence of the one thing that has fascinated Daniel for years. The deep nature of the sound from the drum elements to the string elements give you an aural taste of what it would be like to walk the pitch black forests, with all your senses on high alert for every sound or faintest of movement in the moonlight. This is one of those you just have to sit back and feel and drink in that folk soundtrack sound.

Life Going By is track from Bigfoot researcher Brian King Sharp, which is composed by John Harwell. The sound of this one is just Acoustic guitar that carries you through the track but, that sound has just as much impact as Brian’s words. The message behind Brian’s words here, if I’m right, is to live your live to the fullest and not to just let things pass you by. There are moments in all our lives we wish we had have grabbed with both hands and made the most of them and this is what is at the core of this song, see those moments for what they are and grab them, making the most of each and every one of those moments, because of you let them pass you by, you’ll always regret it. Next, we have the original version of Sailing by St.Fian. Here you can feel that folk sound from the guitar and drum. As you listen to Stephanie’s angelic vocals you really get the sense that what this song is saying is that wherever you go to in search of what life has to offer, you will always have a home, a place to feel welcome and safe, and that is something that seems to be an unconscious message in the documentary, Daniel may go off in search of the unknown but, there is always a place for him and those around him to feel safe and nurtured, and that is something we all need, no matter where we go to.

The penultimate track of the album is Transcending from Simon Paul Newton. There is something about piano music that has a deeply emotive aspect to it, and here Simon does another stunning job of bringing a sound that is perfectly uplifting in an emotional way. This track, if you allow it to do so, will take you to a place where you feel the power in transcending the challenges and hurdles that life puts in your way. Finding your passion can help you do that, you might have many interests and hobbies along the way but, you will find something that will speak to you and take your heart to all the right places, and that is your passion. My Bigfoot Life shows how Daniel was able to overcome some of the biggest hurdles in life by finding his passion, you can do that too. The soundtrack finishes with Sailing (Instrumental). This is the instrumental of the original version by St.Fian. As you listen to this it’s like you are given a moment of reflection; just to reflect on what you have heard or seen. The nature of water means that it can reflect light and has an almost mirror like effect at times, no matter how turbulent it might be. We also have so much to be thankful for with water; we drink it to stay healthy, we can swim in it, and travel across it. So, it is no wonder why we see so many ways that life is like water, as it makes its way from source to the sea. Water is soft and yet it can be such a powerful force, it can also be so peaceful as it meanders it way across the land. Water is also like out emotions, so the next time you see how water behaves in different moments, think of how your own emotions behave too. When you finally get to see this documentary, remember that and see how you feel…

 

Daniel Lee Barnett, Steve Rider and Ryan 'RPG' Golembeske ©Infinite Images 2025

With a soundtrack, it is often hard to sum it up as a whole because it is there to reflect a multitude of emotional states from start to finish. The soundtrack to My Bigfoot Life is no different however, it conveys those emotions across to you without using extremes of musical expression that knock you from one extreme to the next, here it is all done in very subtle ways that allow you to feel everything on a very deep level. So, as a soundtrack of music it has this mixture of classic soundtrack style music with both instrumental and vocal tracks but, it also works well as a mix of folk and relaxing music that you can simply sit and chill to, some even have that meditative nature to them. What will really bring home the nature of this soundtrack, is when you get to hear it alongside the actual documentary movie, then the full impact of it can be truly realised.

I get that not everyone will like this style of music and that is perfectly ok, but even if sitting and listening to the soundtrack is not your thing, once you experience it with the documentary, it might just change your mind.

For me, having experienced the documentary and now listening to the soundtrack, it has touched me in many ways. I could sit and listen to this while contemplating my own mental health struggles or thinking of the memories I have of loved ones who have passed or are still here with me. It really does have the strength of musical content to take you to a great many places, regardless of your musical tastes. I have said it a number of times, I love instrumental music as it can take me to so many places, and the My Bigfoot Life soundtrack definitely has those moments; moments that can bring smiles and tears, that’s the true power of music, especially when matched with the right visuals.

The My Bigfoot Life Official Movie Soundtrack is available now to stream of download.

My Bigfoot Life Documentary is coming soon from M & M Film Productions.

I give my Thanks to everyone I have mentioned in this review, all of whom I have met personally and am grateful to call friends, and I wish them all the very best, hope to see you all again soon.

My huge thanks to Daniel, if you had not asked to do that talk, this would not be happening. All strength to you buddy and keep up the incredible work.

Have a good one all and I’ll see you again soon.

Steve

LINKS

Get a copy of the Soundtrack Here:

Apple Music

https://music.apple.com/gb/album/my-bigfoot-life-original-motion-picture-soundtrack/1818738998

Amazon

https://www.amazon.co.uk/music/player/albums/

YouTube

https://www.youtube.com/playlist

 

Mythical Legends:

A podcast that you need to check out if you enjoy fortean subjects.

https://www.youtube.com/@MythicalLegends282

 https://www.facebook.com/groups/5503606043060781

https://www.instagram.com/mythicallegendspodcast/

M and M Film Productions:

https://www.mandmfilmproductions.co.uk/

https://www.instagram.com/mandmfilmpro/

https://www.facebook.com/mandmfilmproductions

Cryptid Conference UK:

https://www.facebook.com/profile.php?id=61555469340942

Summit View Studios:

This is not something I mention in the review but, it is a new venture Daniel is a part of and worth keeping a watch on regarding the Legend Seekers and much more.

https://www.facebook.com/profile.php?id=61555469340942

Booking:

For more information on booking Daniel, please contact C.E.D Talent Agency.

Email: cdproductionscompany@gmail.com

https://www.instagram.com/c.e.d_talent/

Stephanie Jayne and St.Fian:

https://www.instagram.com/st.fian/

https://www.instagram.com/stephaniejaynemusic/

 

EP Review: Smoke On The Water by Joe Blow

 

Smoke On The Water

By

Joe Blow

 

Smoke on the Water is a six track EP that was released back at the beginning of May this year through Veteran Records. Due to unforeseen circumstances, I have had to delay the review until now.

Joe Blow is a veteran of the South Wales Underground and an emcee, producer and DJ. Smoke On The Water sees him teaming up with legendary Cardiff producer AckoBeatzuk, who produces the project, and the equally legendary DJ Jaffa, who provides all the cuts and scratching. Just looking at that line-up makes you want to stop everything and hit play.

This review will be the first time I have featured Joe Blow on his own solo project. However, I did feature him as a guest on 4Dee’sShots Fired album from 2023. Joe had a very early introduction to music as his mother would put a radio under his pram as a baby to help him sleep. Later he would play records from his brothers’ collection, on his brothers’ turntable while he was out, and would still do the same but, on his own turntable once he had one. In fact, it was discovering the 12 inch single of RUN DMC’s My Adidas, that would influence Joe’s musical tastes and dress code from that moment onwards. Later, Joe would go on to form the group Undecorated Veteranz, alongside 4DEE and the late DJ Stagga. Now, with over thirty years in the game Joe Blow is looking to cement his place in Hip Hop history…

 

The EP kicks off with Break Away where strings take the forefront, with a sprinkle of horns, over the solid head nod beat. This creates this vibe that brings feelings of summer days and sun filled winter getaways. Here Joe cleverly spins stories that are full of retrospective insights that speak of the situations and people you have to break away from in order to walk forward in life and your career. This is something that we can all associated with as we look back on our lives. There is a lot here that speaks on making the most of your life and always walking forward even if there are things and those you have to leave behind to do that, never let yourself get held back. Ride or Die sees the drums softened into the background as guitar and horn vibes take centre stage. This gives the whole sound a vibe that has that mariachi feel to it. Here that storytelling vibe speaks deeply on connecting with that special someone. A person who is more that just a significant other but, who is your best friend and has your back, no matter the situation. Less of a love story and more of a dedication to a love that runs deep. This is all finished off with some classic cuts from DJ Jaffa. We move into the half-way point of the EP with Super Nova. This one has a heavy guitar sound which gives this one a rock rap sound that tears the speakers open with the force of sun at the end of its life. This one is a platform for Joe Blow to set the stories and messages aside and literally just go all in and drop some insatiable bars that show the quality and intricacy of his wordplay. So, sit back and slap this one on and just bounce to it…

We cross the tipping point easily with Count Of Three where organ notes, guitars and psychedelic vibes merge with banging drum beat to give us the kinda sound that transcends the traditional sound of 3D world, taking you places unknown. Here we find Joe letting go of the world around him, not to just spit some sick rhymes but, to open up to the fact that sometimes to find the peace in the world it takes the smoking of a certain plant to aid taking to that place where you can that let go of reality and darkness in the world and find another place where you can find that peace and write the right rhymes. There is a feint air of the psychedelic vibe on Ten Outta Ten, where the beat is mixed with a harpsichord sound that helps blur the edges of reality once more. Here Joe is laying out all his cards on the table with a dash of braggadocio as he drops bars that tell us exactly what he is all about and how the work that goes into those bars makes that a solid Ten Outta Ten every time, and after listening to this one, I think you’ll agree. The Ep ends with High Noon, this one has a heavy sound that has this sound that seems to invade your mind with needle like sounds that keep you focused on the words while the cuts vibrate those needle like sounds, bringing a sound that is like funk on sci-fi. With this one the get the sense that Joe is basically saying that there comes a time when you have to stand and face what’s in front of you or maybe what’s within you?  Whatever it is that you stand and face, and for whatever the reason is, even if it is for a life of peace, you need to stand and face it for you, because you can’t face it for anyone else. This is his and your high noon, the point that everything has been flowing towards…

 

There is no doubt here that Smoke On The Water is a solid masterclass from Joe Blow. It has everything you could want from witty rhymes to complex wordplay, with polished flows too boot. Joe perfectly demonstrates why he is a veteran in the game. He does not let up or play safe but, gives everything 100%, giving us a release that stand up as one of the best so far this year; and if we are speaking of it being one of the best, then can’t overlook DJ Jaffa on the cut, who always delivers,  or incredible soundscapes from AckoBeatzuk, who has delivered a variety of sounds, all of which are rooted in the Hip Hop sound.

There really is not a whole lot more I can say that what I have already done so but, if you enjoy this one as much as I did then you will find yourself coming away from that with adrenaline buzzing through your veins and a deep desire to listen again while searching through Joe’s back catalogue on Bandcamp to see what else you can sink your ears into. This EP does do that; it makes you want to hear more from all involved. But what it does more than anything is to well and truly cement Joe Blow’s status into the annuls of Hip Hop history, not just in Wales or the UK, but into Hip Hop as a whole. It’s a bold statement I know but, there is just something about that witty, no nonsense style that says he deserves to be there.

So, if you have not heard this one yet, then I humbly advise you to give it a listen now, because you won’t regret it and will probably love it.

My humble thanks go to 4DEE for giving me the chance to bring you this one. Also, a huge sound out to Wordplay Magazine for the insights I gained through their interview with Joe.

 

I’ll see ya next time.

Steve.

LINKS

Get the EP from Bandcamp Here:

https://joeblow1977.bandcamp.com/album/smoke-on-the-water

Joe Blow on Spotify:

https://open.spotify.com/artist/

Joe Blow on Insta:

https://www.instagram.com/joeblow01/

Smoke On The Water YouTube Playlist:

https://www.youtube.com/watch

VIDEOS

Ride or Die (ft DJ Jaffa)

High Noon (ft DJ Jaffa)

 

 

 

 

Triple Single Review: Boswell Thomas & >ARRO / Jonie D / Unity

 

Singles Reviews

By

Boswell Thomas & >ARRO / Jonie D / Unity

 

As I begin to wind things up for a well earned break, I thought I would treat you to reviews of three singles I have had in recently. Normally I would do each one separately but, there are times when you just have to get these things done and so, here are three hot new singles from across the UK.

 

 

Holdin’ Court

By

Boswell Thomas & >ARRO

 

Holdin’ Court is the debut from the duo of Producer Boswell Thomas and Emcee >ARRO, which is released through the awesome Nuke Fam Records. It was originally released back in April and the first thing to note about this is the solid upbeat feel of this one. Boswell brings this thumpin’ beat over which is this mix of synth vibes which gives the track this sound that has a summer banger feel and raises your positive vibes, it just has one of those feels that you want to bounce to with a broad smile on your face.

>ARRO brings us slick vocals that allow you to hear every word as he drops some solid bars that introduce us to both himself and Boswell. He gives us a deep dive into just who they are, what makes them tick, and what they are here to do in the game. What you get from this is a sense that these guys have been there, maybe set back from the forefront of the UK Hip Hop scene but, that has allowed them the time and space to practice and hone their respective crafts ready to drop this one, just when the time was right, giving us a chance to see that they have the skills to walk-the-walk as well as talking the talk.

Holdin’ Court is a solid debut by Boswell Thomas and >ARRO that is released through one of the UKs top underground labels, the perfect platform to let these guys do their thing and bring the UK some hot new Hip Hop sounds to get us all rockin’.

 

 

Journey

By

Jonie D

 

Jonie D is no stranger to the blog. He is one of the KAOS Crew and featured here with the release of their Over The Iron Bridge album back in March 2024. Jonie D is now back with this single which comes hot on the back of his last solo album SENA (2024). Journey features production from Diaz TowerZ, who also produced a remix album of the KAOS Crews Over The Iron Bridge.

 Diaz TowerZ brings a heavy beat that is backed by this, electronic sound that is almost softened into the background. This creates this sound which has a soulful edge with a vibe that brings a reflective energy to it, carrying you along as you listen intently to the lyrics.

Jonie D gives us a look at how the lives of people can flow in different directions as they navigate the unpredictable nature of the river of live. As you listen to the words, and perhaps even read the lyrics that are there on the Bandcamp page, you realise that these lives could be those of anyone around us, they might even reflect parts of your own lifes journey; and this sets up that reflective edge perfectly, giving you the push to actually sir back and look at where you are now and how you came to be here.

This is one of those tracks that touches you in different ways, as it allows you to just listen and enjoy the flow, or actually allow yourself to get immersed deeply into the words, feeling them as Jonie D expertly weaves intricate and conscious bars that are more than just words alone.

 

 

Ripple

By

Unity

 

I have featured Unity on the blog before, most recently with her EP with Zee Rock, The Witching Tree (2023). Unity is now back with her latest single Ripple. Ripple is the first single from the forthcoming project with Cardiff legend DJ Jaffa ‘Where We Belong’.

DJ Jaffa provides the production and the cuts on Ripple, giving us a chilled out Hip Hop vibe that mixes a solid beat with some mellow guitar vibes. Putting you in mind of warm summer days spent by the sea or walking among the trees as a light breeze takes the edge off the heat that beats down from the sun above.

Unity uses this chilled out vibe to showcase her poetic lyrics that seem to connect with you and put you into dreamy almost meditative state of mind. Her words here speak od a deep connection with nature and really letting the beauty that you see around you, sink into the very essence of your mind, body and soul, feeling how it touches you in different ways letting emotive energy and inspiration flow from deep within. That inspiration is another key factor in the track which also inspires you to connect with your own personal creativity. We all have that within us and its all about feeling those good times, seeing the beauty around us and letting that bring forth our own creative side.

This is something that I can personally associate with after finding my own creative side after being inspired by connecting with myself, music and the people and nature around me here in somerset. So, I know we all have it deep within us as I never thought I had a creative bone in my body. So, you too can find your creative side and see where it takes you.

 

So, there we have three singles, that on the face of it, are very different but, what they show us is the wealth of talent that is across the UK. Although these three tracks seem different in their production, flows and delivery, what they have in common is that each speaks, between the lines maybe, on creativity and a connection with what is in the world around us. That connection might be music, it might be nature, or it might even be how we live our lives and reflect on them but, there is connection there all the same.

This also, for me anyway, shows how music, in this case Hip Hop, can unite us all in a shared love of something that inspires us all in the same way. I say this because it is something that I have always been inspired by within the Hip Hop community, and that is that shared love of this music and culture brings us all together, it does not judge us for who we are, where we are from, or the colour of our skin, and that is something that I find deeply inspiring in a world where we are literally encouraged to be separate from those around us. Remember, we are all the same colour underneath, and we all bleed the same. Think of that as you listen to these tracks.

I will leave it there and just thank The artists for the chance to bring you these singles.

I’ll see you next time.

Steve.

LINKS

Boswell Thomas and >ARRO

Get Holdin' Court Here:

https://ditto.fm/holdin-court

Socials

https://arro-raps.bandcamp.com/

https://www.instagram.com/mrboswellthomas/

https://www.instagram.com/arro.raps/

https://www.instagram.com/nukefamrecords/

https://nukefamrecords.bandcamp.com/

Jonie D

https://jonied.bandcamp.com/

https://www.instagram.com/jonie_d_/

UNITY

Everything Unity Here:

https://linktr.ee/millimagic

https://www.instagram.com/artbyunity/

https://unity9.bandcamp.com/

 

VIDEOS

Ripple - UNITY

EP Review + Bonus: The B-Line EP Vol.5 & Sunshine Single by Specifik X Chrome

 

B-Line EP Vol. 5

By

Various Artists

Bonus – Sunshine by Specifik x Chrome

 

Now this review is probably gonna come as a surprise to most people as I have not told anyone I’m doing this one. The B-Line EP series has been going since way back in 2013, and I happen to own volumes 3 and 4 which were gifted to me by Specifik at the first ever Rope-A-Dope for being the unofficial photographer on the day. It is the B-Line EP series that gave me one of my favourite UK tracks to date, Painkiller by Chrome and Illinspired ft Whirlwind D and Super JB which featured on Volume 4.

These EP’s have always been packed with top notch Hip Hop bangers to really get your adrenaline levels ramped up, giving you an insight into the some of the cream of the underground UK Hip Hop scene.

As a bonus I am going to give you my take on the hot new single Sunshine from Specifik and Chrome, so keep reading for that little bonus. I’m not going to give you any insight into who features on this one so read on for the lowdown.

So, without further ado, let’s get into it…

 

It all kicks off with a track that has been resurrected from the early 2000’s, Microphone Mathematics comes from the one and only Krash Slaughta and features Louis Falasha, Remark and Bandog. As you can probably guess this one hits max levels from the get-go as Krash hits us with a pulse pounding mix of horns and an infectious beat, alongside a wealth of cuts, scratches, and much more getting your body moving and your head nodding. This one is a trat for the eardrums and gives you exactly what you expect by adding three mics together, then multiplying by two turntables, dividing between four legendary figures, and subtracting nothing at all. Working this all out means the answer is total enjoyment and the freshest thing since sliced bread. If you were in any doubt as to whether things might ease back after that, think again as a huge beat explodes in your ears for Molar Rameses from Beattrix featuring the man Junior Disprol. This one has your adrenaline levels pushing past the red levels as Junior Disprol seizes your mind and rips your awareness apart with the kind of lyrical mastery that is second to none. All the while the beat kicks, the cuts slice, and the samples bring in the one Kool Keith. All in all, this one pushes your heart to the point of bursting with its shear hip hop purity. Now its time to bring the pulse levels down a little but, increasing the energy that vibrates through the body as Specifik and The Doozer bring us The Grift with beat that literally shakes the walls and the very core of your being. The guitars add a nice little edge while the beep monitors your heart rate. This one has The Doozer laying it all about those who engage in the swindling of the masses. Dropping little nuggets of information that form a larger scale misdirection, sucking people into their propaganda without even knowing it. The message here is really not to trust anything to hear in the media or from sources that stand close to the powers that be. Next up is Whirlwind D, Franky Roar and Djar One with International Swagger. This one has a heavy but laid-back beat with an orchestral backdrop that puts you in mind of some James Bond, espionage vibes, while the cuts hit with laser like precision. Whirlwind D seems to slip into his Double Agents persona here delivering intricate and intellectual lyrics that appear to show the trio promote their Hip Hop swagger while keeping their cloak and dagger exploits well and truly in the shadows; their one focus to prove to the world that Hip Hop lives through B-Line Business. The A-Side rounds off with Dancin’ With Life by Chrome. Time to take things to a more funk fuelled vibe as the multi-layered beat gets the energy levels pounding big time with a huge dancefloor sound. Listening to this one is not just infectious but, it takes over your whole body and mind, helping you understand that, through the music, you can feel how it intoxicates us all the same, making us move to the beat and feel the positive vibes that can easily unite us all.

Take to flip the wax over and continue this ride with Paul Nice (Fabreeze Brothers) featuring AG (D.I.T.C. & Show and A.G.) with For Old Times Sake. A pounding beat and big horns combine with razor-sharp cuts to bring the kind of sound that gets the head nodding from the get-go and screams Hip Hop from the roof tops. AG brings that golden era Hip Hop lyricism, with a hint of braggadocio for good measure, making it known that sometimes, you just gotta do things one more time for old times’ sake. This kinda speaks for itself right here so enjoy. Now, you might think its gonna be hard to follow that but, now its time for the UK’s legendary Evil Ed to step up with Every Time, which features Habitat, Chrome, Cappo and Donnie Proppa, and that line up alone gets the pulse racing. The beat is heavy with a dash or two of cuts and a chilled out horn sound that gets the head nodding while bringing a focus to the lyrics. The message in this one is pretty simple and is all about the universal language of Hip Hop. The message is in the combination of the lyrics and the music that all comes together in one cohesive moment, just as the diverse peoples of the world can all come together, and it is the universal love of music that does it every time. Next Up is Miracle and Deeflux with I Forgot, bringing a heavy funk vibe to proceedings with a wicked beat with guitar and keys, combining with slick cuts for the kinda sound that gets you swaying. This one might sound like a little journey into one person’s forgetfulness but, there is a deeper part to this if you really listen to Deeflux. It speaks on how forgetfulness can be a precursor to something much more challenging for a family and it is important to be aware of this, because things such as dementia can affect us all so deeply. After such a deep edge to the last track, the B-Line EP Vol 5 rounds off with a due who got together back before B-Line Recordings, Specifik and Project Cee with The Medley. The beat on this one really takes you back to those early days. This one takes you places you might have forgotten as Specifik lays down some slick breaks that many of you will remember while Project Cee gives us the kind of lyrics that remind us of why we fell in love with Hip Hop in the first place. The Medley, which was originally recorded back in 2002 for live shows only between 2002-2004, is a reminder of what can be achieved by those who have a deep love for the music and what to create something out of that love for those who share that love, the love of Hip Hop…

 

What the B-Line EP Vol. 5 does is to take you from the shores of the UK, across the pond and back again. It gives you the kind of experience that, felt to me like experiencing the live Rope-A-Dope events on vinyl, it really had that vibe about it. It was a treat for Hip Hop music lovers that really felt like B-Line Recordings was putting out something for the fans as much as anything. This EP does not just celebrate UK or US Hip Hop but, brings you the kind of listening experience that leaves you breathless and wanting much more. This EP has the calibre of artists that gets you excited just by reading the hype sticker on the cover, just as each one has done over the years and yeah, I must get Vols 1 and 2 sometime too.

I’m not gonna say too much about this one because, for me, the EP speaks for itself, and I have probably said enough about it already. So, it you have heard this one already, then you will know exactly what I’m talking about, and if you have not heard it yet, then why not? You need to get on this one now, because this release is what B-Line Recordings is all about, giving you, the listener the best audible experience you can get, and reminding you that Hip Hop music is alive and well here in the UK and beyond.

The B-Line EP Vol 5 is available now and there are still a few vinyl’s out there so jump on this one quick.

 

Now it’s time for that bonus review of the latest single release from B-Line Recordings, Sunshine (Gotta Get Away) by Specifik x Chrome.

This one has a nice heavy beat with chilled out Guitar, bongos, Horns and more. When all combined this one has such an upbeat sound, especially with that sung chorus, that really does put you in mind of those summer vibes, listening to dopest beats. Chrome reminisces and takes us back to the eighties with memories of breakin’, electro beats, and playing your tapes so much they got distorted or broke. There will be many of us older heads out there who will be touched by this one, it reminds me of the days we would hop on the train from Southampton to London, to check out all the big stores for new trainers and then tour the independent and second hand music stores, trying to find the latest releases or something we had been wanting for a while. We even tagged the trains and buses along the way, because that’s what we did back then, those were the days…

Specifik and Chrome have really knocked this one out the park and created a single that is not just something that has that summer anthem vibe but, it really takes you back to a time when you were younger, had little to care about except what Hip Hop culture was all about.

For me, Sunshine (Gotta Get Away) takes the biscuit as the number one summer track. It is also out on a very limited run of 30 7” vinyl, so catch one of you can (Think these are now all sold out! Sorry Peeps).

 

I have to give huge shouts here to Shaun Dowling at Hip Hop Be Bop for giving me the chance to bring you my take on the EP and to Specifik for the single promo, which I just had to include here.

 

So, till next time, Enjoy the sunshine and the B-Line Business.

Steve.

LINKS

Grab Your Copies of Both Below:

https://thecoldkrush.bigcartel.com/product/various-artists-the-b-line-ep-vol-5-12-b-line-recordings-bln041

https://hiphopbebop.com/product/various-artists-the-b-line-ep-vol-5/

https://thecoldkrush.bigcartel.com/product/specifik-sunshine-gotta-get-away-featuring-chrome

Specifik on Bandcamp:

https://djspecifik.bandcamp.com/

Chrome on Bandcamp:

https://chrome.bandcamp.com/music

VIDEOS

Sunshine (Gotta Get Away)

 

 

 

 

Album Review: Revolutionary by Kema Vs Kings

 

REVOLUTIONARY

By

Kema Vs Kings

 

Revolutionary is the debut offering from the duo of Kemastry (CMPND) and producer King Boyden.

Before I get into things, here is a quick low down, for those who don’t know, about Kemastry and King Boyden.

Kemastry (Brighton) was a member of the pioneering Brighton based Team Dreebs and also the VooDoo Collective. He formed CMPND in 2018 alongside Wundrop and Vitamin G, and shortly after this they were signed to High Focus Records.

King Boyden (Oxford) is a Hip Hop producer who dropped the Suave Es Todo mixtape back in 2013 which featured, among others, Cappo. His production has also featured on a number of releases by  Inner Peace Records in the UK.

Now you have some idea of who these guys are, lets get to the task at hand. Revolutionary dropped back at the beginning of March this year (2025) and comes on the back of Kemastry facing jail time for criminal damage during a protest against Elbit Systems, the largest manufacturer of arms for Israel. It was these sustained protests that eventually let to the company losing its UK export licence.

The inspiration for this release comes from some deep sources and is noted in the press release material: Drawing inspiration from Kendrick Lamar’s Section 80, Huey Newton’s Revolutionary Suicide, the passion and power of Fred Hampton’s teachings, the nihilistically enlightened philosophy of Jim Carrey, conversations on apathy between Earl Sweatshirt and his mother, and the spiritual wisdom of Kekishrew Sidhwa’s Zoroastrian beliefs, Revolutionary is an attempt to inspire revolution and offer solutions to both simultaneously rebel and find peace.

With such a huge focus on huge subjects such as BLM matters, Police brutality and the drive to free the Palestinian people, alongside some incredibly powerful philosophical and spiritual beliefs and beyond, you really get the feeling that this album is going to be a very powerful release, and that’s even before you actually listen to it!

Alongside the production from King Boyden there are a few features to note from CMPND crew mate Vitamin G, Rawz and DeSide.

With all that said, its time for me take a deep dive into Revolutionary and give you my thoughts…

 

The album is only six tracks long, which some might feel is only EP length But let’s not judge here and get straight into it with Stankotic. This one features Vitamin G and Rawz alongside Kemastry, bringing us a deep beat that is back with some melodic piano vibes which gives this the kinda sound that grips your focus while still letting you nod your head. This one really seems to speak on the who so many people are just apathetic to the struggles of others. But its not just the struggles of others, it is also how those in a place of power conduct themselves and paint themselves as having a valid reason for doing what they are doing, even if they are perpetrating a genocide against an entire nation. They make themselves look to be the victim and therefore to validated in what they are doing. These types of behaviours go on at all levels of ruling and governing bodies throughout the world in the so called developed world. Its time to be mindful and to drop the apathy, then we can really see the truth of what is going on around us. Up next is Section 80 (I am Revolutionary) which has a proper head nod vibe to it with horns in the background carrying you along and giving the sound a deeper edge. Section 80 refers to the powers police have to stop and search you if they suspect a crime might be, or about to be, committed. But, this track goes beyond that at looks at society and all of the things that happen or are perpetrated against us, that can push us to the point where we say enough is enough, its time to stand up and make our voices know, and when you do this, you revolutionise your thinking and you seek to revolutionise what happens in society around you and they way you are treated, and you become revolutionary. Pantarei switches the sound and the flow, taking on a more modern type of sound with keys taking the forefront and a fractured beat that only pushing forward to bring more strength to the words. This one is almost a spoken word track where the focus looks at the flow of life and how everything appears to be collapsing around us. Society exploits the most vulnerable and marginalised among us, with those who have the money, keep the money and make everyone else pay, eventually pushing many to the point of no return in many ways. One way out of this is a way that is juxtaposed to what you hear but, is the very definition of the title of the track. Pantarei comes from the philosophy of Heraclitus, the 6^th Century Greek philosopher, and is all about the flow of life and the fact we are all constantly changing, and by that definition we can change for the better just by changing our thoughts, our intentions, and focusing on a better future, if we don’t do this, then life will continue on a downward spiral to its ultimate end.

Happily brings an upbeat vibe from a solid head nod beat and a background of xylophone notes bringing a chilled element. That upbeat vibe from the beat is mirrored across the lyrics, as Kemastry delivers a couple of verses that speak to you on a higher level, asking you to look past all that negativity that invades your life every day; and to really live you live in the best way possible, being the greatest expression of your true self. Let go of the apathy and the agony and find that spiritual expression of who you truly are and let that be your guide on the path of life. The positivity continues with New Dawn, where DeSide joins the journey with us. Here the chilled beat, keys and guitars all combine to bring a sound that reflects the fact that the sun has broken through the dark clouds and in now shining upon us with a loving warmth. This one has a reflective vibe to it, looking back at all the struggles and the hurdles that life places in front of us, and speaking on how we overcome those that truly show who we are as a person and the strength and resolve we carry to express our true selves. Beyond that is shows who we as a part of the one true people, the one true tribe that live on this earth. It is a selfish lust for power that has created divide and separation but, when you truly consider everything, we are all one. Rebel (Ms Hills Outro) is the final track of the album and brings a chilled kind of sound where the keys and faint sound of horns lift you up before the soulful vocal sample carries you to a place where you listen intently to what is being said. Here we are treated to the words that define what it is to Rebel while simultaneously finding peace. This may seem like a strange concept to understand but, speaking out and standing up for what you truly believe, does not always mean fuelling the fire of rage and taking a violent stance to make your point; you can still Rebel from a place of inner peace, because then you will be able to find the most powerful way to make you point heard without harming anyone, and this will make a point that can be felt the world over, in all the hearts of those who can feel…

Now, normally in summing up I would begin by talking about the impact the music and words had on me but, I just want to take a slight detour here. There has been a lot of talk, recently, about albums being released that have a short overall runtime with multiple short tracks; and I am sure that some might say that about Revolutionary. However, whether you consider this to be an album or EP length, one thing that is without doubt here is that Revolutionary packs more into its six tracks and twenty one minute runtime, than many full length albums do. Kemastry packs so much into this album you forget the timings because it is speaking to you on a higher level, one that stays with you long after the last bar has been laid down.

There is an impact here that will not fail to touch you, the depth of the words and the emotive nature of the beats, will have you returning to this one time and again. Revolutionary is infused with a passion and a strength that you can literally feel in the depth of your being. It will get you thinking about the world around you and those who are the victims and those who are the perpetrators. It will have you thinking of how you can best take a stand while still feeling and promoting a supreme level of peace, and it will also make you realise that there is a time for taking action, which is not always with a show of force, but that’s not to say that the use of force does not have its place for the revolutionary who is seeking to make a point.

Kemastry brings some deeply emotive story telling with intelligent wordplay that entertains as much as it instructs and supports. The realism here that comes from personal experience, something that is invaluable when you are speaking to people about the subjects that the album touches on; that authentic energy helps you feel how much this one comes from a place deep inside and is delivered with a desire to help people as much as it does to serve as an open book on how to find peace but still be a revolutionary.

The words are the backbone and the brain of this album, but the body is the solid production from King Boyden, who brings classic Hip Hop production tinged with elements of modern vibes and many other influences which all combine with Kemastry to give us a spiritual revolutionary figure, infused with everything that is needed to be a true wise man in the world. That wise spiritual creation brings together those other elements, who guest on the album, who each bring a depth of storytelling that further strengthens and deepens what this album achieves.

Revolutionary is one you do not want to miss. It is an album that opens you up to knowledge and a new way to stand up and speak up on the injustices that you see around you.

There is also a zine that is available alongside the album. It features artwork from China Rose Jordan (who also did the album artwork) and inspirational quotes and insights from Kemastry. It comes with a digital copy of the album too. So, be sure to check that out too if you can.

Revolutionary is out now and is waiting for you to listen in.

 

My humble thanks to Kemastry for giving me the chance to bring this one to you.

 

I’ll see you next time.

Peace out.

Steve.

LINKS

Get your copy on Bandcamp Here:

https://kemastry.bandcamp.com/album/kema-vs-kings-revolutionary 

Kemastry Linktree:

https://linktr.ee/Kemastry

Kemastry on Insta:

https://www.instagram.com/donald_surfaces/

 King Boyden Socials:

https://www.instagram.com/king_boyden/

https://www.facebook.com/KingBoydenBeats

VIDEOS

Rebel (Ms Hills Outro)

 

Album Review: Lunar Lounging by Jakk Dexx

 

Lunar Lounging

By

Jakk Dexx

 

Lunar Lounging is the debut album from UK DJ and Producer Jakk Dexx and is released through Weaponize Records on 30^th May this year.

Now, I’m not gonna say too much about this before we get into it but, it promises to be an album that is a huge introduction to his unique style of futuristic, electronic and experimental sounds that are rooted in the boom bap vibe. Dexx has also brought in a huge line up of talent from the UK, Australia, USA and more, making this a debut that is truly international offering.

With all that said, lets sit back and strap ourselves in for a trip beyond the confines of our planetary body.

As you slowly lower the needle onto this one, there is a brief respite before the rocket motors engage, and we are on our journey with Shelling. This one features a massive line up of Tenth Dan (AUS), Stinkin’ Slumrok (UK), Caesar Crow (AUS), Tanglemandan (UK), and DJ Grazzhoppa (Belgium). Lift-off seems to be from a boost of a different kind, and we transition from this earth in a mind-bending way as the drumbeat gets our heads nodding and the background deep electronic vibes carry us along with a sound that seems to have an air of trepidation. The wordplay and lyrical dexterity here bring us, not just a demonstration of skill, but opens our minds ready for the journey’s continuation, and all the while the bridge is full of cuts that hit like a lightsabre, slicing deeply into our awareness. Probably True takes us beyond the atmosphere with a beat that has you sitting back in your seat, chillin’, while the plethora of electronic vibes and other sounds drift though your mind like the stars as they pass by. Jack Jetson (UK) and Citizen Nuggz (UK) bring us a couple of verses that make us realise that the fuel for our journey is not just liquid, but a tightly packed herbal fuel that helps the mind transcend the physical. Here the message is pretty simple, you might have heard things going around and if you have heard them then are probably true. No need to think too hard here just let the music and the words carry you and speak to you on whatever level you need. Formi (UK) joins the journey here for The Guy, where the beat takes on a more classic boom bap funk fuelled feel with horns, keys, bass guitar and more, giving you a bit more adrenaline to get you moving to the groove. This one has this vibe that seems to speak on those who make themselves out to be more that they are, they might think they are the guy but, right here and now, there is just one guy, and he is dropping the flavour right here.

As our interstellar journey nears the moon Wundrop (UK) joins us for Bricks & Mortar where a melodic beat and orchestral vibes draw us in and the electronic elements first make you feel like you have been transported underwater before switching to a rapid sound that tweaks the nerves, these sounds switch back and forth, testing the limits of our mind. Wundrop speaks frankly on life and how it goes around him as he prepares himself for the next stage of his journey, constantly working and remaining focused on what’s important and pushing forward. Warheadz has plodding drum beat that is backed by keys, strings and electronic elements that seems to sit between a sixties funk vibe and outer space futuristic vibes. As your mind drifts on this, Adam Koots (AUS) steps up spinning metaphors and similes that twist and turn in your mind, giving us a look just who he is and how he conducts himself and that’s all you need to know really but, you get the feeling you could sit and listen to him speak for the rest of the journey if needs be. An outtake from Fear and Loathing in Las Vegas gives you some idea, or perhaps no idea where we are on our journey as the beat drops in and the bells and electronic elements have our minds realising that we are just floating through the cosmos, In The Bag. Citizen Nuggz and B Wun (UK) open the bag and school us to all the things we need to help us make the most of this journey as we move beyond space and time and slide more into the mind and where that takes us when it is given the space to be truly open and tap into other realms. Brew Break brings us to the halfway point of our trip. This is a classic cut n’ paste style interlude that puts us once and for all into orbit around the moon. Giving us time to enjoy all those elements and have a chill while grinning all the while; Oh, and its up to you if you chose to enjoy this with a real brew or not…

As we float around that celestial body, looking back down on the earth, out mind cast back to bit of Summer Madness, where the beat takes a more uplifting sound with an up tempo beat and fresh sounding horns, bringing you the kinda beat that just makes you wanna move. Mysdiggi takes the mic and spins us some fun stories that we have no problem in visualising and enjoying. Mashed Potatoes keeps that upbeat sound going with a head nod beat and keys that just bring a highly enjoyable sound. Jack Jetson and Sublingual spin us bars with more food related similes than you can shake a stick at. At this point of our journey there is a good chance that this one is gonna give you the munchies if nothing else. Tenth Dan returns for The Meg, where beats drops in a little harder while the electronic elements bring a light-hearted sound, and that sound works so well with the lyrics that come with more than a hint of bravado and maybe a sprinkling of braggadocio too as Dan looks at how you don’t have to look a certain way and have certain things to be better than others. Those that look good and have all the expensive things are not necessarily the best at what they do, they just have things that make them appear that way, while others have a natural talent that stands them on the shoulder of giants.

As we float through the cosmos, we realise that we have broken free of the moons orbit and are now getting Carried Away with a proper head nod sound and electric guitar vibes that are both energetic and chilled at the same time. Citizen Nuggz steps up, telling us how it is for him and how he gets carried away gripping a page of paper and allowing his imagination to run away with him and the places that takes him to. It seems that we are now fully Space Trippin and the sound for this one is a full on banger with cuts and the kinda sound that gets the adrenaline pumping and the head nodding. Prev Marco (USA) is our captain for this leg of the trip, laying the cards on the table and giving us a reason to trust him as rap pilot, as the cosmos is just another step, another place to conquer and he has the skills and the dedication to do it. The final track of the album brings to Lesson One, this is a more relaxed affair with a heavy beat, electronic elements and a classic piano break, giving us another banger that has you thinking that this trip never needs to end. Lemon Larry (AUS) drops us a solid display of just who he is and the skills he has but, there is a little more to it than just a display of wordplay and lyrical dexterity, there is a lot here about respect, something that, once you have listened to this album, you will have a great deal of for Jakk Dexx and all the guests.

At this point you will be thinking that we are just going to be left here, floating through space until perhaps we float by earth, once more, and maybe we that float back down to solid ground? But no so fast, if you grabbed the digital download, then your trip ain’t over just yet. Because you now have Astro Travelling as a seven minute bonus track. Here we have Jakk Dexx dropping a chilled drum beat with organ and synth sounds that carry us along on this journey out to the moon. We are treated to a wealth of answerphone messages from the guest artists, all trying to get hold of Dexx, who is clearly away from his phone enjoying the serenity of the moon while Lunar Lounging, no need to come back to earth now…

What is clear here is that we need Jakk Dexx to return from his Lunar Lounging because this is one wicked debut that is screaming out for a follow up already.

Overall, this is a truly impressive debut offering. The beats are all between 72 and 94 BPM, so they are chilled enough to allow to sit back an enjoy but, also there is enough energy in the sound to fire you up at the same time. It might not have you jumping around but, it will definitely have you chilling on the dark side of the moon, wishing you could be float through the cosmos for eternity, viewing all the wonders that exist beyond our atmosphere. Jakk Dexx has created a smoked out sound that seamlessly incorporates these electronic and experimental vibes with a solid grounding in the classic boom bap Hip Hop sound. I see no reason why you could not completely trip out to these tracks as instrumentals, as much as you do to the vocal versions.

Bringing in the international line up of emcees is top notch. It is heavy on the UK side of things but, with those from Australia and the US too it is a perfect display of just how Hip Hop can unite us across borders and seas. Every emcee here looks to be on top of their game and I was as impressed with those I was not familiar with from AUS, as I was with everyone else. The quality of wordplay and lyricism on display here is a credit to all involved.

I could not finish up this review without mentioning the use of cuts. Jakk Dexx and DJ Grazzhoppa bring that final element of the Hip Hop music to bear here. I always feel that a Hip Hop album is lacking a little without cuts, so it good to hear proper cuts used to such good effect. Recently I have seen many people talking on how the DJs within Hip Hop seem to be treated as a secondary element. But the DJ was one of the founding elements within the Hip Hop sound, so the DJ is more than just back up, the DJ is Hip Hop, let’s not forget that.

Lunar Lounging is not just an experimental Hip Hop album. It shows the quality of what can be done by a DJ / Producer who is willing to step outside the box and bring in elements that do not fundamentally change the sound but, give it extra depth and dimension that allows the listener to truly experience the concept or vision that is the core of the project.

Lunar Lounging drops on Weaponise Records on 30^th May 2025. I suggest that you don’t sleep on this but tune in and take a journey alongside Jakk Dexx.

Time for me to come back down to earth,

See ya next time.

Steve.

LINKS

Grab a copy of the album Here:

https://weaponizerecords.bandcamp.com/album/lunar-lounging

Jakk Dexx on Instagram:

https://www.instagram.com/jakkdexx/

Jakk Dexx Linktree:

https://linktr.ee/jakkdexx

Weaponize Records Website:

https://weaponizerecords.bigcartel.com/

Weaponize Records Socials:

 https://www.instagram.com/weaponize_records/

https://www.facebook.com/profile.php?id=61551812373834

https://www.youtube.com/@WeaponizeRecords

 

VIDEOS

In The Bag ft Citizen Nuggz & B Wun

Mashed Potatoes ft Jack Jetson & Sublingual