Showing posts with label Jonie D. Show all posts
Showing posts with label Jonie D. Show all posts

Friday, 27 February 2026

Album Review: Manners and Respect by Kaos Krew

 

Manners and Respect

By

KAOS Krew

 


Marking the final album which I have in my list that came to me last year, It’s good to have Jonie D, TJ Chill and Peekaboo, aka KAOS Krew, back on the blog with their most recent album Manners and Respect. This is their fourth studio album which is produced by Jonie D.

As noted in the press release, Manners and Respect is an album that reflects the Krew’s trademark blend of roots-conscious lyricism and grounded production. They also note that the album stands as a testament to longevity, message, and the timeless power of true-school artistry.

Those few words alone will speak volumes to those true school heads out there. They also give someone like myself plenty to think about as I get ready to do a deep dive into the album.

So, Let’s get into it…

 

Manners and Respect is a twelve track album that was released in November of last year (2025). It begins with the albums title track Manners and Respect. A heavy drumbeat and acoustic guitar give this one a mariachi feel, especially when the horns kick in on the bridge, giving you cause to nod your head along to the beat. As you listen to this one you really get the feel that not only is this one setting the tone of the album but, there is the fact that both manners and respect go hand in hand. Something which is true in so many aspects of life, you need to have respect for those who have come before you and paved the way. When you find yourself in the presence of these people it is only right that your respect is matched by your manners in how you behave. This might initially be something you think of in the rap game but, it goes beyond that, far beyond. With you now in the correct frame of mind, up next is Don’t Play That, The solid boom bap sound here is backed by guitar notes and a classic computer game loading sound, from back in the eighties. The heavy sound here has an energy that fires you up from the get-go. There is an edge to the lyrics here, one that speaks a lot because, in life there are a lot of things that you should not play with and a great many other things that it is ok to play with. Here the Krew detail some of the things you should never play with, just as they don’t play around with their music; in not playing with their music, they invite you to step up, because this is one of the things you can play with and enjoy in life. Lickshot hits with a funk fuelled vibe on the beat, mixed with strings and guitar vibes that all merge to bring you a big upbeat sound. Here the only shots being fired are those of the verbal kind, and the Krew do a cracking job of unloading some high calibre wordplay with pinpoint accuracy, giving the listener plenty to enjoy and bounce to.

Patrizio is a word of Italian origin, meaning Nobleman, and puts you in mind of Jonie D’s Italian roots, before the tracks even begins. The sound hits with a solid beat backed by bongo’s, harmonica and vocal samples which all combine to bring a sound that has an infectious feel to it. As you listen to the vocals, the wordplay has this tendency to take you off in different directions as the Krew speak on AI and subjects that make you wonder just what nobleman is, are we all not noblemen in some way, shape and form? We all have our standing in life and how we conduct ourselves and present ourselves says a lot about who we truly are. Now, I’m not saying that I might have nailed the meaning behind this one but, there is this feeling that it says a lot about who we are and how we see ourselves that truly gives us that noble standing, and not necessarily because we were born into some so called bloodline. Stains brings us a wicked boom bap sound that gets you nodding as soon as it hits, but there is also a deep edge to the sound too. This one deals with the stains that are left by the things we do, be that on a personal level or those of a country. All actions have a consequence and very often those consequences leave an indelible stain on your reputation as a person or as a nation. Sometimes these stains can’t be avoided, but there are many times when the choices we make are the difference. With those thoughts still raw in our minds, Cap brings another sound that has a heavy beat with guitar vibes and vocal samples that gives this one thoughtful storytelling air about it. The Krew goes in deep on this one giving you much to think about, because a cap has many meanings. We use caps to cover things, stop things, even signify the end or the limit of something. When you consider all these different meanings and listen to the track, you realise that the Krew is diving deep into everything that happens from a more personal level, as you cover you head or face with a cap, to looking at more of what happens in society around us. Everything affects us in some way and not all of it can be avoided.




Halfway through the album and already the KAOS Krew has given us much to enjoy and ponder along the way. So, what will Reality bring to the table. This one hits with a heavy bass reggae sound which vibrates through your entire body. This one is a look at the fact that reality is like a double edged sword, it can reflect how we are feeling and help raise us up but, there are also the times when it appears to be completely at odds with how we are feeling! The thing is, not to let that stark reality to affect you, but to give you a reason to see it and use it to your own ends. Next Plateau continues a sound that has that Hip Hop reggae vibe with drums and horns. The title might immediately put you in mind of the classic NYC Record label but, for me, this one had a different feel that seemed to speak on always looking to raise yourself up, even the face of adversity. You can feel comfortable, for a time, but sooner or later you need to test yourself, push yourself on to the next plateau, a place you can feel safe until ready to push yourself once more. Next up, the Kaos Krew bring us a Big Sound with heavy drums and bass, in fact saying this one is Big is totally on point here. The idea of things being big, continues in the lyrics where all things big are explored and reinforced. There is a feeling that this one has a slightly light-hearted edge to it as well as pounding your ears.

As we head into the final quarter of the album, Funky brings the kinda intro that hypes you up, after this the beat is solid head nod with some nice bass notes and wicked samples to boot. This one sees the Krew dropping some slick wordplay to get you bouncing and grinning. This one is an example of the kinda lyricism the guys can drop when they are not focusing on deeper subject matter. The penultimate track is Diamonds. Here we have a heavy reggae sound of keys behind the heavy beat, which gets you moving with the energy it brings. The brings us a track that looks at everything that is or could be considered to be a Diamond. From the description of an actual diamond, to tracks and more that are some special they given that diamond status. The Album ends with Ajer, a word that has a number of meanings including reward or prize. The sound has that acoustic guitar sound accompanying the heavy drum beat, giving this that mariachi vibe once again. Here there is a distinct link to the idea of a prize or reward, but also there is also much to be said about just what drives someone to seek the prize and what the ultimate reward might be. Too many times, we see that people seek money for their own ends. Billionaires gain and keep wealth they can never spend while so many people live in poverty. On the flip side of this you have the likes of the Kaos Krew whose only prize is to be the best they can be, at the top of their game, and the same can be said of a great many of us, and it is something I see so often when I review music that artists are not doing it for the monetary gain but, for the love of what they do. I guess that is key here, what are you seeking and why are you seeking it…

What is immediately noticeable with Manners and Respect is that the KAOS Krew, once more bring us an album that is packed with intelligent subject matter and wordplay. Every track, even those that have that display of wordplay and less heavy on the subject matter, has this lyrical edge that just seems to hit a little deeper than most. They almost spin their wordplay in a way that makes you constantly second guess what you hear, something that gives you reason to replay every track in order to help you grasp exactly what is being said. The impact is quite intense at times, which works so well with the depth of what is being said.

This is the kind of album that shows the range of what KAOS Krew is capable of, delivering tracks that speak to the soul as much as they speak to your adrenaline levels. There is a lot here that we can all associate with as much of it focuses on subjects that we all see and face every day of our lives, and this is why they feel so deep and seem to hit us on many levels. There is that underlying tone to the album that focuses very much on the idea of everyone behaving with manners and respect in everything they do, because we live in a world where so any of those in positions of power look down on most of the population, only giving a level of manners and respect to those they consider their equals or more.

Jonie D brings some quality production here too. Drawing on a number of different inspirations to create a sound that has its roots in real Hip Hop but, also brings enough variation to keep you guessing at times. Every track has a sound that brings its own energy and hits in different ways. Being both highly enjoyable and emotive at the same time, considering what frame of mind you are in and how you want to hear it.

As I have already noted the lyrics and wordplay is intelligent and at times complex, delivered in a way that means you have to focus to get the full impact from their delivery. Something that brings that element of longevity to the album as it not one of those you are likely to tire of quickly.

The full impact of the album is something that you need to experience for yourself. So, if you have not checked this one yet, then I highly recommend that you have a listen soon, because Kaos Krew are not to be slept on.

 

Manners and Respect is out now, and I give my thanks to TJ Chill, Jonie D and Peekaboo for the chance to bring this one to you.

 

I’ll see ya next time.

Steve.


LINKS

Grab your copy here:

https://kaoskrewldn.bandcamp.com/album/manners-and-respect

KAOS Krew Socials:

https://www.instagram.com/kaoskrewldn/

https://www.youtube.com/channel/UCgx1VZOcV5Qn9g4XmODXfvQ

https://www.youtube.com/@OriginalRockerzChannel

Read the review of Over The Iron Bridge Here:

https://infinitesoundsuk.blogspot.com/2024/03/album-review-over-iron-bridge-by-kaos.html


VIDEOS

Manners and Respect



 

Friday, 23 January 2026

Album Review: 3 Days, 8 Beats, 1 Take by Jonie D

 

Three Days Eight Beats One Take

By

Jonie D


 

Jonie D has featured on the blog before with Kaos Crew and most recently with his single Journey, back in July 2025. It is good to have him back with his latest solo project Three Days, Eight Beats, One Take, which was originally released back in October 2025 and is produced by LSK.

The Derbyshire based emcee also has some Italian roots and descries this album as follows:

This one is personal and built on the sounds and the movies we grew up with. Each track reflects where I’ve been, what I’ve seen, and what I’m still figuring out after more than 30 years in music and 50 years on our planet. The lyrics are for anyone who’s ever had to stop and take a look at where they came from and where they’re headed. This project means a lot to me, and I can’t wait for you to hear it. 381 is known as the Angel Number and is a combination of the energies and vibrations of 3 (creativity, & self-expression), 8 (achievement), and 1 (new beginnings).

From those few words, you really get the feeling that this is going to be an album that hits some deep notes, especially with the very personal and spiritual aspects.

So, lets get straight into it…

Our journey with Jonie D begins with Call Me and an Intro that gives a brief look at that Italian heritage. The sound of this one has a chilled edge to the beat, this is backed by bass and organ notes that hold that chilled edge, also bringing a sound that has this thoughtful vibe. Plus, I’m fairly sure the chorus comes from Peter Gabriels Sledghammer. The vibe of the sound works so well here as the track is very much a dedication to his children and his love for them. As a father myself, I can feel everyone of these words and being there for your children, just at the end of the phone, mirrors my own sentiments when it comes to my own children. This is such a great way to kick off the album with a hugely personal track that gives the listener a deep look at what to expect, while also touching you deeply. It also leaves you wondering where Jonie will take us next with Apollo. This one has a heavier beat which is backed by horns and keys that give this one a ragga vibe, getting you moving. This one has a broader feel to it, as it looks at the world around us now but also sees Jonie taking a look back over live and some of the key things that have moulded who he is. The reference to Apollo here shows how he remains focused, precise and controlled in how he approaches life and what is important to him. Those ideals of focus, precision and control were all key aspects for the NASA Apollo missions.

Next up is No Strings Attached, which hits with a laid-back sound made up of bass and a solid drum beat. There is also no reference to growing up watching the likes of Thunderbirds and other Gerry Anderson produced TV Series. This one is all about relationships that have no strings attached. However, living that way can have an impact on the other person in the relationship who might see things as more that they are. There is also another aspect to this one, which is about not being a puppet to anyone and having your own autonomy when living your life. I also liked the addition of the sample from Smokey Robinson and The Miracles, The Tracks of My Tears, which adds a nice little, almost light-hearted edge to things. Loose Cannon comes with a nice soulful edge over the heavy drum beat, getting your head nodding as you listen. That soulful vibe lends itself nicely here as Jonie looks at how we change over time, from someone who might have been a bit of a loose cannon at one time, to someone who has truly found themselves through education, self-exploration and perhaps a dash of spiritual enlightenment along the way. This one reminds us of how time and aging, with all that brings with it, does change the essence of who we are, as does the knowledge and lived experience we carry along the way.




As we cross the halfway point of the album our focus is brought to Time, where the sound mixes a solid Hip Hop beat with a sixty’s guitar riff loop, giving this one a vibe that switches up the adrenaline levels just a little, encouraging the head nodding to get a little more heavy along with it. Here Jonie takes us on a ride that looks at the things that we often find difficult to explain or come to terms with as we navigate the journey of like. From the funs and games we had in the past to wading through the pressures of modern day living, there will always be times we wonder how we got here or how we will through the present and into the future. Roses brings another upbeat sound with a beat and keys that bring that ragga sound once more. The light feeling of this one really fuels some good vibes within as you listen. This is one of those tracks, that for me, might mean something different to different people. It says a lot about how we move through life dealing with the struggles from the past and the present, but ultimately, we are aware that within all this, there is somethings beautiful. Like, holding on to roses we see the beauty that they bring, but there is also that awareness that holding onto them brings pain from the thorns that cut our hands. It is that understanding that there is always pleasure and pain through life, we just have to choose the weather the storm in order to see the blue skies that will come.

We move into the final two tracks of the album with Tell It, which brings a heavy beat with keys that has a sound that keeps that upbeat sound going, getting you moving, but maybe in a more mellow way. Here Jonie does exactly what the title suggests, telling it like it is. This is like sitting with a good friend or perhaps with your children, giving them an unfiltered and honest view of life. We pick up so much knowledge as we move through life that there comes a time when we can only speak on where we have been and what we see that comes forth in a way that has no rose tinted glasses but, just how we see it from our hearts. Because, as we grow, we understand that the truth is the only way forward. The album ends with Higher Plane, The sound mixes a laid-back beat with guitar vibes that give this one a more thoughtful and reflective edge, a sound that seems to touch and vibrate through all seven chakras. Now, I might not be on point with this one but, it really made me think about all those people that touch or lives as we walk life’s path. There are times when we meet someone who touches us deeply and we feel that person will always be with us, but they only stay for as long as it takes for them to teach what we need to know. We might not even realise what the lesson is, it might make us feel like life has kicked us in the teeth or deserted us. But there is a level, a higher plane if you will, where we understand what happened and why, and on a level that stays with us forever.

 

Now, I do love it when you listen to music that just allows the words to flow out of you and Three Days, Eight Beats, One Take is definitely one of those. It is probably because of the deeply personal nature of the entire album that allows that to happen. Every track here has a vibe that touches you, from LSK’s emotive production to Jonie D’s wordplay and deeply personal aspects that are locked into each track. It just allows to listen to each and every word, every bar, every beat, and then to allow that to draw out something from within your own lived experiences that allows you to perfectly associate with what is being said.

There is such a wealth of knowledge and personal experience here from Jonie D that makes you understand just how much this album must mean to him. At the same time, it helps you realise how much your own experiences mean to you.

This album has been crafted in such a way that it is not just another Hip Hop album. Yes, as you listen to it, you feel that the roots of the sound are well and truly in that Hip Hop vibe, but there is also more to it. Jonie’s vocals are clear and spoken in a way that allows to hear everything, so as to let the emotive elements sink in, regardless of the flow he uses. LSK’s production, in its sounds, mirrors the emotive nature of what Jonie is putting across, in such a way as to perfectly open up your mind to allow the messages to seep into the very core of your being.

There is a spiritual aspect to the album, which is unavoidable in way, because when you put so much deeply personal information and feeling into a project like this, the music and words become more than just a source of enjoyment, the sound and vibration touch you on a level you might not even realise. But it any track on this album brings up some deeply personal feelings then, you already understand on a deep level.

Three Days, Eight Beats, One Take is one of those albums that you might not put high on your list of classic albums but, it is definitely one you need to listen to and let it sink in and speak to you.

The album is out now on streaming and with some limited vinyl copies available too, so don’t sleep on it.

My huge thanks to Jonie D for allowing me to bring you my humble take on this album.

 

I’ll see you next time.

Steve.

 

Footnote: There is something I want to add here. Now, I always forward my reviews for fact checking before I drop them online, and part of the response I got from Jonie D, is worthy of note here.

There is also some additional information regarding the album title, which is this; The album was recorded over three days, with eight beats and using one take. Jonie D had the following to say about the process:

You hit it on the head with the 'the roots of the sound are well and truly in that Hip Hop vibe, but there is also more’. We kept the 1 take idea to keep it as honest as possible and when we finished it (in 3 quite emotional days) we felt much of what you’ve written. 

When I get feedback like this it really helps me in knowing my reviewing process is spot on. But more than that, that little line about the process of recording the album gives a huge insight in what it is like for the artist, producer, engineer etc in bringing a project like this to the listener.

I hope that gives you a little more of an insight into things from this side.

Steve.

 

LINKS

Here is One link for Jonie D, Inc Bandcamp for the Album:

https://linktr.ee/JonieD


Get the album on elasticStage Here:

https://elasticstage.com/jonied/releases/3-days-8-beats-1-take-album


Jonie D YouTube Channel:

https://www.youtube.com/@JonieDChannel/videos

 

 

Friday, 11 July 2025

Triple Single Review: Boswell Thomas & >ARRO / Jonie D / Unity

 

Singles Reviews

By

Boswell Thomas & >ARRO / Jonie D / Unity

 

As I begin to wind things up for a well earned break, I thought I would treat you to reviews of three singles I have had in recently. Normally I would do each one separately but, there are times when you just have to get these things done and so, here are three hot new singles from across the UK.

 

 

Holdin’ Court

By

Boswell Thomas & >ARRO

 


Holdin’ Court is the debut from the duo of Producer Boswell Thomas and Emcee >ARRO, which is released through the awesome Nuke Fam Records. It was originally released back in April and the first thing to note about this is the solid upbeat feel of this one. Boswell brings this thumpin’ beat over which is this mix of synth vibes which gives the track this sound that has a summer banger feel and raises your positive vibes, it just has one of those feels that you want to bounce to with a broad smile on your face.

>ARRO brings us slick vocals that allow you to hear every word as he drops some solid bars that introduce us to both himself and Boswell. He gives us a deep dive into just who they are, what makes them tick, and what they are here to do in the game. What you get from this is a sense that these guys have been there, maybe set back from the forefront of the UK Hip Hop scene but, that has allowed them the time and space to practice and hone their respective crafts ready to drop this one, just when the time was right, giving us a chance to see that they have the skills to walk-the-walk as well as talking the talk.

Holdin’ Court is a solid debut by Boswell Thomas and >ARRO that is released through one of the UKs top underground labels, the perfect platform to let these guys do their thing and bring the UK some hot new Hip Hop sounds to get us all rockin’.




 

 

Journey

By

Jonie D



 

Jonie D is no stranger to the blog. He is one of the KAOS Crew and featured here with the release of their Over The Iron Bridge album back in March 2024. Jonie D is now back with this single which comes hot on the back of his last solo album SENA (2024). Journey features production from Diaz TowerZ, who also produced a remix album of the KAOS Crews Over The Iron Bridge.

 Diaz TowerZ brings a heavy beat that is backed by this, electronic sound that is almost softened into the background. This creates this sound which has a soulful edge with a vibe that brings a reflective energy to it, carrying you along as you listen intently to the lyrics.

Jonie D gives us a look at how the lives of people can flow in different directions as they navigate the unpredictable nature of the river of live. As you listen to the words, and perhaps even read the lyrics that are there on the Bandcamp page, you realise that these lives could be those of anyone around us, they might even reflect parts of your own lifes journey; and this sets up that reflective edge perfectly, giving you the push to actually sir back and look at where you are now and how you came to be here.

This is one of those tracks that touches you in different ways, as it allows you to just listen and enjoy the flow, or actually allow yourself to get immersed deeply into the words, feeling them as Jonie D expertly weaves intricate and conscious bars that are more than just words alone.

 

 

Ripple

By

Unity

 


I have featured Unity on the blog before, most recently with her EP with Zee Rock, The Witching Tree (2023). Unity is now back with her latest single Ripple. Ripple is the first single from the forthcoming project with Cardiff legend DJ Jaffa ‘Where We Belong’.

DJ Jaffa provides the production and the cuts on Ripple, giving us a chilled out Hip Hop vibe that mixes a solid beat with some mellow guitar vibes. Putting you in mind of warm summer days spent by the sea or walking among the trees as a light breeze takes the edge off the heat that beats down from the sun above.

Unity uses this chilled out vibe to showcase her poetic lyrics that seem to connect with you and put you into dreamy almost meditative state of mind. Her words here speak od a deep connection with nature and really letting the beauty that you see around you, sink into the very essence of your mind, body and soul, feeling how it touches you in different ways letting emotive energy and inspiration flow from deep within. That inspiration is another key factor in the track which also inspires you to connect with your own personal creativity. We all have that within us and its all about feeling those good times, seeing the beauty around us and letting that bring forth our own creative side.

This is something that I can personally associate with after finding my own creative side after being inspired by connecting with myself, music and the people and nature around me here in somerset. So, I know we all have it deep within us as I never thought I had a creative bone in my body. So, you too can find your creative side and see where it takes you.

 

So, there we have three singles, that on the face of it, are very different but, what they show us is the wealth of talent that is across the UK. Although these three tracks seem different in their production, flows and delivery, what they have in common is that each speaks, between the lines maybe, on creativity and a connection with what is in the world around us. That connection might be music, it might be nature, or it might even be how we live our lives and reflect on them but, there is connection there all the same.

This also, for me anyway, shows how music, in this case Hip Hop, can unite us all in a shared love of something that inspires us all in the same way. I say this because it is something that I have always been inspired by within the Hip Hop community, and that is that shared love of this music and culture brings us all together, it does not judge us for who we are, where we are from, or the colour of our skin, and that is something that I find deeply inspiring in a world where we are literally encouraged to be separate from those around us. Remember, we are all the same colour underneath, and we all bleed the same. Think of that as you listen to these tracks.

I will leave it there and just thank The artists for the chance to bring you these singles.

I’ll see you next time.

Steve.


LINKS

Boswell Thomas and >ARRO

Get Holdin' Court Here:

https://ditto.fm/holdin-court

Socials

https://arro-raps.bandcamp.com/

https://www.instagram.com/mrboswellthomas/

https://www.instagram.com/arro.raps/

https://www.instagram.com/nukefamrecords/

https://nukefamrecords.bandcamp.com/


Jonie D

https://jonied.bandcamp.com/

https://www.instagram.com/jonie_d_/


UNITY

Everything Unity Here:

https://linktr.ee/millimagic

https://www.instagram.com/artbyunity/

https://unity9.bandcamp.com/

 

VIDEOS

Ripple - UNITY