Friday, 26 June 2026

Album Review: Righteous and Rich by Saint Jude and Mark L

 

Righteous and Rich

By

Saint Jude & Mark L


 

A little while back I was contacted by UK producer Mark L regarding reviewing his recent EP Saints Without A Church with London based lyricist Saint Jude. This EP was a cracking listen but, sadly I did not get around to reviewing it due to the tumultuous storm that is life right now. So, when he sent me their forthcoming album Righteous and Rich, I knew I had to get this one on the blog.

Mark L is originally from Cwmbran Wales, but now calls Southampton his home, and you all know I like to get Southampton based Hip Hop on the blog when I can as it was my birthplace and it’s always good to connect with your home.

The album is centred on a core philosophy of "Can you live with two masters, the gospel and the grind?" It explores the friction between spiritual alignment and the hustle of daily survival. The sound promises to be a modern gospel inspired vibe, so it will be interesting to see how this one speaks to me.

Without further ado, let’s get into it…

  

The ten-track album kicks off with the title track Righteous and Rich, which features Southampton legend Jonathan Fashole-luke on the keys. The sound brings that gospel vibe from the start with soft etheric vocals underpinning the beat which is backed by keys and organ notes which give this one a thoughtful edge. As you listen, you realise there is a conflict of emotions here, even a conflict of the spirit as the question is posed that can you both righteous and rich? In a world where most of the rich seem to have their fingers in dark pies or made their money from the exploitation of others; while the righteous among us always seem to struggle to make ends meet, as it seems that being right and focusing on a spiritual outlook does not make you rich, in a monetary sense. Perhaps the question is answered here already as being rich in your spirit takes you to a level that money never can. With that thought rooted in our awareness, Move This Pack drops with a sound that mixes a drumbeat with piano, organ and more to bring a vibe that takes you a place that brings the daily grind into focus. This one looks at struggles of a working life mixed with trying to keep yourself focused on giving your family a good life while doing your best to be who you are not crumple in a heap while doing it. Life throws so much at us, in terms of the food we eat and help we receive, or don’t, that just living is a job in itself and keeping a work/life balance is tough. Filthy Rich has a sound that mixes organ vibes and a sharper drum sound, alongside some cut up horn sections. The overall sound is light but, the lyrics have an edge that seems to speak on the light-hearted nature of someone speaking on making their money in ways that makes that money as filthy as ways in which it was made. This is the sad truth that some treat making money and getting rich like a game, where even murder is treated as just one of those things, a stepping stone on the way to becoming rich.

The Break Up has a darker edge to both the sound and lyrics. The sound plays with your mind while the lyrics seem to speak from one mans thoughts of life and the things that he has to do. This goes beyond just that to his thoughts on how his relationship breaks up and how the events around that situation hit hard and cause him to question everything. The thing is, by the end of the track you are left with just his thoughts and what he said about everything, with just one version of events it is hard to find a balance wonder about all the things that triggered this, who was right and who was wrong. Ja Blood has a sound that brings in a more relaxed beat, but with this sung element that puts you in mind of part of your soul screaming out. There is a sense of turmoil within this one as it looks at the fabric of society, questioning everything as if someone is having a sudden awakening and looking at the everything, suddenly unable to understand who is right and who is wrong, and their own status within this. MSB, which stands for Mind Soul Body, comes with a heavy beat mixed with piano and strings, giving this a sound that has a head nod vibe, getting you moving as the lyrics seem to float into your awareness. This one has an air that suggests that it all about being yourself, free from what anyone expects, free to be who you are and free to think and speak on what comes from within, event if that goes against the societal norm. The mind, soul and body are yours and you should not let anyone take them from you.

Testify has a far more chilled jazzy vibe to it, something that gives it a more uplifting sound. This is a short track but, says a lot in that time as it says that life as an ordinary person should not be so tough, something that we can all agree with. No matter your spiritual outlook on life, the daily grind is hard, as there is no balance in our work/life. Everything is a struggle just to survive and somehow, we do our best to stay positive and look to a brighter future. The Bullet brings a sound that almost softens the beat to the background as xylophone notes and sung vocal elements take to the forefront giving this an air of reflection. Here we are back to the daily grind of life and the struggles that ensue with each step we take. But there is also an element here that looks toward creating balance and finding a brighter way to navigate the gritty aspects of everyday life.

We come to the penultimate track of the album with The Sitcom, where bass notes, flute, strings and more back a more chilled beat, giving this thoughtful air. This one seems to be all about making the best of a difficult situation. There are always times in life where you think, with everything going on, you couldn’t write this! Life never seems to reflect the fun times we see on the TV screens in those popular sitcoms, but we still do our best to bring some light-heartedness into our lives, even though there are times when it seems like nothing will take away the pain or clear the clouds from the sky. The album ends with Father Time where the piano notes and sung elements, bring a sound that lightens our thoughts and gives the sense of a light at the end of the tunnel. The lyrics reflect this outlook too, with uplifting vibes that put you in mind of brighter days, summer times vibes and enjoying life once more. Time might pass us by as we walk the path of daily life, but as we walk that path, father time eventually brings us sunshine and clear skies, where we can breathe again and smile…

 

What you notice about this album is that it looks at a number of aspects of daily life, such as the daily grind or hustle, inner turmoil, and then how it affects us and our relationships, but deeper than that it looks at whether you can function in this way but, still have a spiritual aspect. The interesting thing is, as I pointed out above, that the overall question this album poses, is almost fully answered in the first track. Now, I might have got that impression from the fact that life is not being particularly kind to me and my family right now, but as low as these situations make us, there is always these little reminders that pop up to remind us that clearer skies are coming. Now, your own religious or spiritual beliefs might change how you see the messages but, they are there, and that is why I think, if you read between the lines, that answer is there for you.

Once you have the answer, the album then choses to show you everything that can impact your life, almost reinforcing that through all the hardships and struggles, there is one thing that will never change, and that is the fact that you can always tip the balance by belief in a higher power, be that God, The Universe, or whatever you belief system shows you.

Saint Jude and Mark L do not shy away from mixing gritty visions of daily life and personal struggles with inspirational and uplifting quotes that give you a sense that brighter days are ahead. There is also this feeling that its not always easy and at times you will feel like there is no end to things but, ultimately, the skies will clear once more.

Saint Jude brings tight wordplay and differing flows and his own lived experience to give you auditory visions that allow you to draw on your own experiences by triggering your mind to look at what you are hearing and then, almost instantly, flicking to what personal experiences closely match that. Which is something that helps the listener when going deep into an album such as this. That wordplay is helped by the skilled production from Mark L who mixes Hip Hop and other vibes with that Gospel sound to bring a sound that has a fresh air to it but also speaks to a deeper spiritual side of you as well.

Righteous and Rich is one of those albums that will speak to so many. It will show you that having a belief in a higher power can not only bring you that sense of righteousness but also make you rich far beyond what money can bring. That is not to say that you don’t need money, but it has its place and coming from a place of being rich on the inside will help you see the place of external richness.

Righteous and Rich is released on 29th June.

My humble thanks to Mark L for sending this one my way and giving me the chance to bring you my personal take on it.

 

I’ll be seeing ya.

Steve.


LINKS

Saint Jude and Mark L Bandcamp (Check here for the drop on 29th):

https://saintjudemarkl.bandcamp.com/music


Saint Jude and Mark L on Instagram:

https://saintjudemarkl.bandcamp.com/music


Saint Jude and Mark L YouTube Channel:

https://www.youtube.com/@SaintJudeMarkL


VIDEOS

Righteous and Rich Promo




 

 

 

Sunday, 21 June 2026

Single Review: Shoe Fits by Tash

 

Shoe Fits

By

TASH

 


It’s been a while since I dropped a single review so, I thought I’d get this one sorted as it has been one that I have put back due to time constraints.

Shoe Fits is a recent single release from TASH of the Alkaholiks and is the first release from an upcoming EP Attention Is The Drug, to be released through AlkaRhythm. The single is also produced by Sbvce.

Now, being a Hip Hop head, I have listened to the Likwit crew on and off over the years, and they have dropped some solid joints over those years. so, it’s a pleasure to be able to bring you my take on this single. I also have to give props to my man John Dugan (JD Hip Hop Reviews) who brought my attention to this one, otherwise it might have been one I missed.

So, lets get into this one…

Shoe Fits see’s Sbvce bring us a heavy bass drum driven sound with claps and keys to give us a sound that vibrates your mind from the get-go, getting you bouncing and nodding along. Tash uses his slick wordplay to bring us a highly enjoyable track that speaks on being comfortable in your own skin. The phrase ‘If The Shoe Fits’ is one of those phrases that can used both ways as a compliment or criticism, implying that something which is said or suggested about someone is true and they should accept it as such. So, while it can be used to promote humility and self-awareness, it can also be used in a derogatory fashion as well. Here TASH is simply saying that you should be comfortable as you are, be the person you want to be, so ‘If The Shoe Fits, Wear It’, it’s as simple as that.

The message in this track might be plain and simple but. It’s not one that is often put across in such a matter-of-fact way. TASH gives us the message plain simple and invites us to wear it as we see fit. It doesn’t matter what others think, it’s how you feel that counts. You have to be you, in the best way that makes you happy, and that is the key to this, you being the best expression of your true self and not something that comes from peer pressure.

It’s good to have that Likwit sound back with some new vibes and giving us something to think about as well as enjoy along the way.

Shoe Fits is out now.

I’ll see ya next time,

Steve.


LINKS

Listen to the Track Here:

https://open.spotify.com/album/2F5BqGTV8ZC0joWI6mjBgJ

 Official TASH Website - Listen and grab the DJ Pack:

https://theofficialtash.com/home


TASH Socials:

https://www.instagram.com/tash_of_tha_alkaholiks

https://www.youtube.com/@Tashofthaalkaholiks


VIDEO

Official Shoe Fits Video



 

Friday, 19 June 2026

EP Review: 3.1 by Cheebo

 

3.1

By

Cheebo


 

As I continue to rearrange things due to the pressures of life right now, this week I am bringing you the latest release from the upcoming label out of Australia, Empty Hand Records.

This latest release is an instrumental EP from UK producer Cheebo, who hails from Bournemouth. This one promises to bring us some 8 bit sounds that will take us back to the golden era of the 90’s. 3.1 is an EP that forms the first of a trilogy of releases from Cheebo on Empty Hand Records too. So there is much to look forward to.

Now, I do love a good instrumental sound as it allows me to be a bit more flexible with my interpretation, something that I really enjoy doing. I have to say that I’m not that familiar with Cheebo as a producer, so this is gonna be a great introduction for me. So, I think the best thing for me to do is to drive into this one and see where it takes me.

Let’s do this…

 

It all kicks off with 369 which is the intro to the EP and this one has a nice, chilled sound that has a funky jazzy vibe that seems to create this feeling inside that soon takes over your whole body making you want to move. The vocal samples here also set the stage for the EP and give you an insight into Cheebo as a producer and what inspires him to create the music, he does. So, now everything is set up for us, it’s time to really get into this with Get The Rolex. Here the drums and bass give us this funky vibe, but over that is this electronic sound that just tweaks your nerves enough to keep you focused and not drift off. There are vocal samples and cuts here to that do take you back to those 90’s era sound where it was all about the money and the status that items like the Rolex would bring. There is also this little thought at the back of my mind that is saying to me that this really feels like a great track to be blasting from your car, not sure why, but its there all the same.

Next up is Track Thirty Three which has this deep bass and drum sound that makes your whole body vibrate. There is this faint backing vibe that has keys and strings giving it a light orchestral feeling that reminds you of the seventies samples that have been used in Hip Hop over the years. But, this one will not just get you nodding, but will fire you up, getting those adrenaline levels pumping too and yes, I have to say it, this one will definitely sound wicked bumping out of those speakers, in your car or wherever you choose to turn the levels up. We are already hitting the EP’s penultimate track now with Kick Hat Snare, a track that has a LoFi Hip Hop sound that focuses on those particular drum sounds, turning them, with the help of some other samples, into this chilled out sound that gives you a little pause to sit back and just enjoy life for a few minutes. It really shows how simple drum patterns have been the life blood of the Hip Hop sound, and if you know how to use them correctly, there is little that can’t do with it, creating any sound and vibe along the way. It already seems way to soon to be coming to the final track of the EP, yet here we are with What I Do. This one has this slick drum sound over which is this big sound that mixes organ notes, vocal samples and more to create is big sound that seems to wrap you in its energy. Once you are in there, those vocals just seem to be almost subliminal, giving you uplifting vibes that point you towards looking for a future where success is main aim and making something of yourself…

 


I have to say that this one seemed to be over way to quickly, and yet, in that time it not only took you back to that 90’s era vibes but, it encompassed a number of different vibes. From feelings of high energy and bumping sounds loud in your car, to a more chilled element that was uplifting and fuelled thoughts of personal growth and success. 3.1 did takes me back thirty some odd years, but it also kept me rooted here in the present, in way that made me think about those times and how far I have come since. It had this underlying vibe that seemed to speak to you on different levels, and without a doubt, it had me thinking what a ride it’s been since the 90’s.

Cheebo is certainly a talented producer who knows how to translate what speaks to him musically, into something that will engage the listener in a way so as to give them something to enjoy and will also elicit deep thoughts about there own experiences. That is what I love about good instrumental sounds, they take you wherever you need to go in the moment.

Cheebo also does a great job of taking a sound that is rooted in classic Hip Hop vibes and then dropping these elements of funk, jazz and even orchestral notes and sound that have that soundtrack energy about them. He them mixes them all into tracks that take you back, hype you up and then chill you out, all in the space of about fifteen minutes. Masterful stuff.

3.1 is another solid release from Empty Hand Records and cracking introduction to the work of Cheebo. This one really sets up the next two releases of the trilogy as something look forward to. I know I will definitely be watching for what's coming.

My huge thanks to Speaks at Empty Hand Records for giving me the chance to give my insights into this one.

3.1 by Cheebo is out now.

 

I’ll be Seeing ya…

Steve


LINKS

Grab your copy of the EP here:

https://emptyhandrecords.bandcamp.com/album/31

Cheebo Socials:

https://www.instagram.com/ch33bo3/

https://cheebo.bandcamp.com/music


Empty Hand Records:

https://www.facebook.com/emptyhandrecords

https://www.instagram.com/emptyhandrecords/

https://www.youtube.com/@emptyhandrecords/featured

 

 

 

 

 

Friday, 12 June 2026

Album Review: Prelude To The Mantis by Chino XL

 

Prelude to the Mantis

By

Chino XL

 


It is humbling to be able to bring you my take on an album by an artist such as Chino XL, who has become one of the most outstanding lyricists of the modern era.

Born in the Bronx in 1974 he grew up in New Jersey. He started his musical career as one part of the duo Art of Origin alongside DJ and Producer Kerri Camar Chandler and go on to release his first solo album Here To Save You All in 1996. He also broke into acting with appearances in Reno 911, CSI: Miami and the movies Alex & Emma and The Beat. During is career Chino XL featured on many tracks alongside some of Hip Hop’s greats such as the likes of Rakim, RA The Rugged Man, Immortal Technique, and Kool G Rap. Chino sadly passed away in July 2024 to suicide, and my heart goes out to his family as this is a pain I know only too well.

I could easily write an entire blog post around Chino XL, his achievements and the respect he has across the world, but I feel the best thing to do is to let his art do the talking. Prelude to the Mantis is his fourth posthumous album and a follow-up to Ascen7ion. The album features a host of production credits including Nick Wiz, Apathy, VoodooLion, and Johnny Slash. Plus, some incredible feature artists: KXNG Crooked, Rittz, Statik Selektah, TechN9ne, Apathy, M-Eighty, Copywrite, Cappadonna, Planet Asia, Canibus, and HRSMN (Ras Kass, Killah Priest & Kurupt). The album is also executively produced by Chino’s daughters Lyric & Bella.

With that said please join me for a journey through the Prelude to the Mantis

 

The album is some twenty-two tracks deep, which also includes one remix. The Mantis kicks things off with a heavy beat backed by guitar notes, produced by Johnny Slash, that give this a sound that immediately sets the tone, providing a solid platform for Chino’s vocals. Here Chino’s technical and cerebral wordplay hits with a power that infiltrates your mind and gives you but a glimpse into his own mind. With the tone of the album set and the bar raised, Blue Bird, which is produced by VooDooLion, hits with a sample from the Blade Runner Soundtrack, which gives this deep reflective tone, even when the heavy beat kicks in. This one is packed with intense personal narratives and reflective tones that touch you deeply and allow you to understand that Chino knew who he was and the depth of his own struggles, channelling that energy into the music he created. I Know is produced by Nick Wiz and this sound that is infectious first getting your head moving before the rest of your body follows. Here Chino asserts a dominance in the rap game with lyricism that challenges you listen and keep up with every bar as it drops. There is no question here as to who you are listening to, this is Chino XL. Steezy has a more modern sound with heavy bass, electronic sounds and a high paced ticking that tweaks your nerves. The overall sound has a club vibe while Chino unloads fast paced vocals that seem to mash up brain cells before a more soulful bridge gives you a brief respite.

Terminally Ill sees Tech N9ne, Rittz, Kxng Crooked and Statik Selektah step up alongside Chino. The beat is heavy with big bass notes and that modern sound coming through once more. Here we have top tier emcees dropping verses that not only showcase their lyricism as they trade verses that give insights into their personal journeys and battles along the way. This is a posse cut for the modern era that hits hard with a no fuck’s given brutality to boot. Next, Apathy joins Chino and both produces and features on Blood, Sweat and Tears. The beat has a pounding sound that creates an energy that begins in your ears and explodes from there. The lyricism is fast paced and intense looking at the sacrifices you often have to make, but also that by consistent perseverance, the right steps forward can be made. Guillotine has a more laid-back vibe and sees Chino focusing on execution as the metaphor. This might only be a short verse but says so much and makes you realise that in the rap game, there is often no room for mercy. Loving You features M-Eighty and Chino over a sound that is piano heavy with a pounding drum beat that gives a big sound that vibrates throughout you. This one looks at love as a selfless energy between two people. Something that transcends the struggles and hurdles of life to always keep you together as one. Shots Through Ya Vehicle is produced by Anno Domini (Germany) and has a heavy sound where piano and flute note come to the forefront, giving this one a reflective air. Chino drops heavy rapid-fire lyrics that hit with an intensity that you might expect from vocal drive-by. With aggressive delivery and complex bars that leave no room to relax in.

Chi Chops hits with a heavy beat and piano notes giving this a sound that carries you along with the vocals. Here Chino gives us a showcase of his technical skill as he builds vocals around chopping down his competitors with lyrical skill. Acapella is exactly that as Chino gives us a short verse that hits like a freestyle battle rap that highlights his wordplay and delivery without the need for a beat. Next up is Basquiat which hits with a heavy boom bap sound with a big orchestral edge which gets you moving. Chino gives us a display of abstract artistic metaphorical lyricism that frames the art of creative destruction in the rap game. The title suggests that Chino’s creative expression in Hip Hop could mirror that of New York Neo-Expressionism artist Jean-Michel Basquiat. Triple Seize is produced by Terminal 3 Productions and sees Chino joined by Kxng Crooked and Copywrite. The heavy sound brings rock guitar notes to the forefront giving this one a raw sound that vibrates through your body. Here we have three emcees dropping the kind of rhymes that threaten to blow your mind from the inside-out as the wordplay brings intense mental images into clear focus.

Paradigms once more brings piano notes to the forefront, this gives this one an energy that makes you reflect on what you are hearing. Chino brings complex and deep lyrical wordplay that seems to focus on mindset and a visceral lyrical display that pulls no punches what comes to taking on competitors. The Rapture hits with an eerie sound that has a Hip Hop horror vibe about it, putting you in mind of the horrorcore sound; and Chino is joined by Cappadonna, Planet Asia and Kxng Crooked on this one. Here, each emcee delivers top notch verses that are packed with the kind of wordplay gets you fired up and bouncing, leaving you wanting more with a huge smile on your face. Next up is Chemistry which has a more modern sound it with a more relaxed sound opposed to the rapid vocals from Chino. This one focuses on free-flowing rhymes which puts you in mind of freestyle rap. No written words to read from just what comes to mind instinctively in the moment. Lyrical powerhouse Canibus joins Chino for We Just Spit Bars. The beat is heavy with guitar notes and cuts giving this one an infectious sound that gets you moving. Chino and Canibus trade verses delivering the kind of bars that not only bring a huge smile to your face but also leave you feeling mentally exhausted by the end.

Cruel World has a sound where keys take the forefront and the beat is sparse, sitting in the background giving this one an easy listening sound that brings the vocals to centre stage. This one might have multiple interpretations, but as I listened to this one there was a lot that spoke of hardship and negativity, there was also much that spoke on internal struggles. The complex metaphorical images created as you listen will tease just what you see in the world around you. The HRSMN (Kurupt, Ras Kass & Killah Priest) ride in to join Chino for Champion. The sound is gritty with a ragga edge to it, which is reflected in the bridge lyrics. Here we have four emcees trading verses that seem to focus on celebrating their individual success as artists, but also, collectively as four horsemen, utilising clever use of metaphorical imagery. The penultimate track here is On My Grind, a single verse where Chino delivers incredible metaphorical imagery that focuses on Chino doing what he does best. However, the verse is cut, rather abruptly and the Grand Finale is the final track of the project. The sound is a heavy beat that is backed by this almost haunting sound. Chino brings rapid flows and deep wordplay that references spiritual and religious aspects. This brings a powerful statement to close the project and giving you much to reflect on.

There is still one track to go though, a remix of a track that featured on another posthumous album, DJ Fokus Presents… Chino XL – Map Of Bones. Still Sailing (Vodka Gravas Remix) has a laid-back beat which is backed by chilled keys which give this one a reflective edge. Chino brings a symphonic edge to this one which sees him looking back over key moments from his life, moments which helped define the person he became and the messages he delivered within his music. This has an inspirational and uplifting vibe that is a great way to celebrate his memory.


Photo taken from the Official Facebook page of Chino XL.

 

When trying to think of the overall impact of this album, there is a lot to consider here. First up is the fact that this is like a celebration of Chino XL, his music, and the man that he was. It is also has this element that is like a thank you to the fans, as we are given some verses that might have been from unfinished tracks and give us the chance to enjoy those moments; and reflecting on this does bring some deep feelings to the surface.

Many of you will know that in 2020, I lost my youngest daughter in same way that Chino’s family lost him, and when I think of the ways that I have celebrated her memory over the years, I can really feel the energy that runs through something like this album. Celebrating a person’s memory is not always about the things you do to remember them, but also about how you can help others to celebrate their memory too, and in keeping the music of Chino XL alive, his family are celebrating his life and his music in so many ways.

Prelude to the Mantis showcases the incredible talent that Chino XL was. The way he used metaphorical imagery to put across his messages or to just display his writing is almost second to none, and he is, without a doubt one of the greatest lyrical talents in recent years. To be honest, I wonder if my words can adequately put across exactly how talented Chino was, as the way he used his lyrics and cerebral imagery was almost too much for just words to speak on. You have to listen to his work to get a real sense of the quality of his work.

This album brings Chino XL to centre stage but, it also brings together a wealth of Hip Hop artist to stand shoulder to shoulder with him, putting their own stamp of respect onto this project. The production values are also top notch here too. I always mention that some of the more modern sounds are not always my cup of tea, but that is person preference. What is does show is that Chino XL was the kind of artist who was easily able to embrace different styles and sounds within Hip Hop music and to show that he could seamlessly speak to a wide audience with his music.

Prelude to the Mantis is a solid album that not only showcases the incredible talent that Chino XL brought to the world, but it encompasses the deep messages that he interwove into his music. He may have left this world too early in our eyes, but that was his choice, and he left us with a legacy in music that will be enjoyed and seen as a beacon to so many. You might not think it, but there is a light he left us with, and we celebrate him for that.

Rest In Beats Chino XL, Derek Keith Barbosa, 1974-2024 One Love.

 

My humble thanks to John Dugan (JD Hip Hop Reviews) for putting this one my way.

I’ll see you all next time.

Steve.


LINKS

Get you copy of the album here:

https://www.1332records.com/product-page/chino-xl-prelude-to-the-mantis

Stream Here:

https://open.spotify.com/album/7ACE9KmRDOn8pGQFQV5866


The Official Chino XL Tribute page:

https://www.instagram.com/chinoxltribute/

More Chino XL Links:

https://www.facebook.com/ChinoXLOfficial

https://linktr.ee/chinoxl

https://www.youtube.com/@therealchinoxl 


VIDEOS

The Mantis Official Video