Showing posts with label House. Show all posts
Showing posts with label House. Show all posts

Friday, 19 December 2025

Album Review: Vincent//Deconstructed by Uncle Mic Nitro

 

Vincent//Deconstructed

By

Uncle Mic Nitro

 


It was way back in 2021 when I kicked off that year’s reviews with the original Vincent On Horseback from the talented emcee Uncle Mic Nitro, who just happens to hail from my home city of Southampton, here in the UK. I never thought then that the best part of five years later would see me reviewing a remixed version of the album Vincent//Deconstructed.

Well, this is not strictly a remixed version of the original album as the original has been deconstructed and then six of the original tracks heave been remixed, alongside two brand new tracks and, if you grab the digital, there is also a remix of one of those new tracks as well.

Alongside the changes with this album, which is being released through Empty Hand Records, a hot new label located on Australia’s Gold Coast run by Speaks, and whose debut release was Highrize Jamz by Speaks himself (One I don’t currently have sadly), the tracks remixed from the original still feature the likes of Greg Blackman, Joe Burn, Ced Gee (Ultramagnetic MCs), Ramson Badbonez, Micall Parknsun, and Klashnekoff. There are cuts from DJ Tones, Jabbathakut, Krash Slaughta and Outbreak, with production coming from Speaks, Djar One, Krash Slaughta, Ollie Cheebo, Ollie Knight (who also handles mixing and mastering), the legendary DJ Supreme (Hijack), and Uncle Mic Nitro himself. It is all rounded off, once more, with artwork from the one and only John Dyer.

With all that said, let’s not hang around and just dive straight in…

 

First up is Write, which features Greg Blackman and is here in the form of the Speaks Remix. Here the sound is an infectious upbeat vibe, with a soulful edge which is extenuated by Greg’s vocals, that makes you want to move every ounce of your body. The message within this one is still the same as the original, with its reflective edge, looking back on life and the many moments that ignite the passion within UMN to put pen to paper, because the time is right to just write. The deeply personal edge to this one means that, even while you are enjoying the music, you can still relate to every word, something that may well ignite your own personal passion to do something to express that. Such an upbeat start to the album seems to wipe the slate clean of any expectations, and you don’t have to wait more than a second or two before UMN keeps it going with Snap Your Neck (Speaks Remix). This time Speaks gives us pounding beat that is backed by synth vibes giving this that kind of heavy bounce and pound the air vibe. DJ Tones brings the doubled-barrelled cuts with Joe Burn joining UMN on the mic. This one is a blistering display of vocal ferocity, one that hits you with such force that it threatens to snap your neck while you are bouncing and enjoying every second. Before you can take a breath and recover its time for Bod Gets Slapped Up (Djar One Remix) featuring Ced Gee and Ramson Badbonez. Flowing the Ced Gee intro, Djar One gives us a heavy rock guitar infused sound that is sure to see Bod get pounded rather than slapped. Our three emcees take turns to deliver the type of lyrical devastation that comes when you unleash this calibre of emcees. This one takes bod slapping to a whole new level hitting your ears with the kind of wordplay and delivery that has your adrenaline levels soaring, and every verbal hit that is delivered is matched by the razor sharp delivery from Djar One, who is also on the cut here.

As you try to recover from that onslaught, Speaks returns with the Fuck You (Speaks Remix) which also features cuts from Outbreak. Keeping that Coming to America sample, Speaks brings a solid boom bap sound with a funk fuelled edge from the guitars and keys, making sure to keep the adrenaline levels amped up. The original had this almost Hip Hop opera vibe to it, and while this one retains and echo of that, the sound brings a far rawer edge. UMN delivers his own homage to Hip Hop and being a rapper. That line ‘Two Turntables and a Mic’s like all I Need’ seems to say it all with that rapper’s braggadocio mixed in with explicit wordplay gives you all you need to know right here. As you pick yourself up off the floor, its time to get transported to a whole to world for the New Planet Goons (DJ Supreme Remix), featuring Micall Parknsun, Klashnekoff and Jabbathakut, this one brings a heavy beat with bass and some jazzy elements that all merge together at the hands of DJ Supreme to bring a sound that vibrates through your whole body, separating you soul from your earthly being. You drift off as the vocals take you off to the etheric realms where memories, thoughts and dreams all fuse together making you wonder exactly where you are but, you just allow yourself to go with it, flow with it, because this is a far better place to be than the three dimensional world you just left. You come back from this waking dream to the first of the brand new tracks from Uncle Mic Nitro. Heavy Tusk (Krash Slaughta Original Mix) brings a solid and heavy banging sound that has vibe that draws you in, uncapping the levels of adrenaline you can experience, getting you back up and bouncing with reckless abandon. UMN delivers another devastating display  of his lyrical dexterity. This one has a battle rap edge to it too as it hits you with blistering pace and some heavy nature infused wordplay that leaves you impaled by a ton of ivory.

We finally reach the last of our remixes from the original album with Keep Drinking (Eyes Like Dolls Remix) which has a heavy house vibe to it, giving you the kind of sound that you can really see being a proper club sound that gets everyone moving. Here UMN unleashes a no holes barred look at the effects of the use of alcohol and illicit substances to shut out the darkness and bring some level of momentary enjoyment to a tough life. The sound here completely changes my view of this track from the original. There are elements that reflect from that initial interpretation, but here we see how so many use substances, in many forms, to escape what life brings but, ultimately reality catches up with you. Up next, if you have the physical version of the album, is final album track and the second of the new tracks. Cake or Death (Cheebo Original Mix) sees Ollie Cheebo give us a sound that has a heavy pounding beat with this eerie backdrop of strings and keys that gives this one a dark edge, making you want to listen and understand what this one is all about. UMN weaponizes the mic here as he mixes battle rap and rap braggadocio into a raw and explosive display of wordplay, flows and lyricism that shows just how good of an emcee he is. This is one to enjoy and punch the air too as the shear level of vocal mastery is a pleasure to behold. Now, just to round things off, with the digital version of the album comes the Cake or Death (Nappa Remix) what this one does is take a number of instantly recognisable samples, mix them up and give us an upbeat sound that completely changes the air of the track. This remix takes the heavy battle rap edge and flips it to this upbeat sound that has you nodding your head, grinning from ear to ear as you bounce around having a great time just enjoying every line…

 

After listening to this album, top to bottom, there are two things that become clear to the listener, well, if you choose to listen intently, and if you know the original Vincent album…

Firstly, The album is a rock solid display of just how much of a talented emcee Uncle Mic Nitro truly is. As I noted with the original Vincent review, UMN is one of those UK emcee’s who has cemented his place within the scene and possesses a lyrical prowess that is second to very few on the scene. What is also apparent here is that he does not try and saturate to scene with releases that push who he is, settling for quality over quantity, which is something for me that works so well. There is no need to drop release after release to prove your expertise, when a release or two per year, or in UMN’s case, every few years, can demonstrate how good you are, if gives a lot more anticipation of the quality than when you release something every month. Uncle Mic Nitro is definitely one of those emcees who has the quality of wordplay and delivery that puts a rubber stamp on all they do.

The second thing that is immediately apparent here is that remixing tracks can so often revitalise and almost reinvent them. We see here how those tracks from the original that have been remixed for the project, have their vibes changed quite vividly, allowing the listener to listen again, gaining further insights into each. We also see just how much vibes can be changed when you look at the original and the remix of Cake or Death.

Giving us two brand new tracks also adds a little extra to the album, giving you something new to look forward to for the maestro on the mic, UMN. This breaths new life into Vincent and gives him a new world to explore, therefore giving his listeners new music to enjoy along the way. All the production fits so well with the vocals and those cracking feature verses, that it leaves us nothing, we can’t enjoy.

Everything here is top notch. The producers bring old tracks into the present with some solid reinterpretations that give us a new look, and a new wat enjoy these tracks. The new tracks add another dimension to things, giving us something new to enjoy and leaving us with an air of anticipation that perhaps Uncle Mic Nitro is not done yet.  

This is a cracking second release for the fledgeling label Empty Hand Records, and one that shows that they are well on the way to making themselves a force in releasing good music, regardless of whether it is Hip Hop or another genre entirely.

 

Vincent//Deconstructed, due some delays, is released on 18th January 2026 with some limited vinyl copies available, so don’t sleep on these, Pre-Orders are now live.

Huge thanks to James at Empty Hand Records and Uncle Mic Nitro for giving me the chance to bring you my take on this.

 

I’ll see ya next time,

Steve.   


LINKS

Pre-Orders open now here:

https://emptyhandrecords.bandcamp.com/album/vincent-deconstructed

Uncle Mic Nitro Socials:

https://www.instagram.com/unclemicnitro/

https://www.facebook.com/unclemicnitro

Empty Hand Records Socials:

https://www.facebook.com/emptyhandrecords

https://www.instagram.com/emptyhandrecords/


VIDEOS

Write (Speaks Remix)



 

 

 

 

Friday, 19 May 2023

Album Review: Beat Tripping by Happy Headz

 

Beat Tripping

By

Happy Headz


 

It’s always good to have something new and a little different to wrap my ears around and the new album Beat Tripping by Happy Headz certainly fits the bill there. Released on Nuke Fam Records, it is produced by someone you might be familiar with, one Haynesy. Beat Tripping is the follow up to the debut One Summer and I'll drop a link to that below too.

My previous experience reviewing Haynesy’s work such as DopeBeat Biz Vol. 1 (2019) and his work alongside JD, Freedom of Speech (2020) and Truth Be Told (2021), has taught me that whatever he puts his mind to becomes a musical experience of the highest quality, with beats that are infectious and down-right dope. So, my thoughts are that this will be no exception, even if I’m not sure what’s coming, I know it’s gonna be pure fire.

Haynesy describes the album as a mix of retro dance, piano house, Hip Hop, electro, and chilled beats all in one package. Now I always enjoy a good challenge and so the idea of such a mixed bag of sounds really piqued my interest and that interest was piqued even more when I noted appearances from Jabbathakut, JD Guerrilla, Ryan Sanders, Scorzayzee, DJ Blend, Micky Swags, Wordsmiff Flip and Eskar (Nuke Fam Records). With a line-up like this alongside Haynesy I was eager to get my headphones on…

So, I’m not gonna keep you hanging around here, so join me on a trip through Beat Tripping…

Proceedings are started right with Dead Weight (Piano Mix) a booming house tune which put me in mind of the Chicago house sound which was big back in the eighties. The infectious beats, bass and that piano sound really gets you moving while the guest vocalist hits you with this story that seems to say that no matter how much you want someone, sometimes their behaviour just makes them a dead weight in your life. After that pulse raising start to the album a more chilled piano vibe takes us into Grow up and when the beat drops on this one you realise that the idea there would be some retro dance vibes here was not understated. Kicking up the BPM a bit it keeps the pulse racing and makes you wanna just keep moving. There are more vocals that help to grow that seed in your mind that parts of you just don’t want to grow up. Guitar vibes and strings guide you into the next track before the beat drops in and keeps you from wanting to kick back. Although this is a bit more chilled it still has your head nodding with it’s infectious sound and the vocals which speak directly at you, inviting you to look at yourself and enjoy yourself because You Are Enough. So, let the music into your soul and the ride that is your life.

That dance sound keeps going with bass, drums, and synth vibes but, Keep Shining has this electronic edge that seems to penetrate the very core of your being. As you listen to the vocals and feel that beat, you become aware that your body has unconsciously started moving and there is no stopping now and you can’t understand how you’re not boogying the night away in the club but, then maybe you are as another big bass sound hits with Nails Done Long. This has a more modern vibe or seems to but, before you know it there are some scratch elements thrown in and you’re suddenly pulled in different directions to different eras, or maybe that was just me? But, while I’m wondering what era I’ve been transported to another huge bass sound kicks in with a female emcee dropping some vocals all about one thing, Cash Money. The electronic sounds on this on push the limits of your mind while that big bass sound seems to impact and modify the beat of your own heart, making it beat in time with the bass sound of the track and pushing energy to new levels.

As the album is thirteen tracks long, we have just reached the pivot point of the album with The Place (Cuttin’ & Scratchin’ Mix) which features none other than one of the UK’s leading Hip Hop turntable maestros, Jabbathakut. The intro suggests this might be another house sound but, when the beat drops on this one you realise this is an instrumental Hip Hop banger that has you smiling ear to ear. The pounding drums, keys and heavy bass sound begin to push your adrenaline levels to the max but, the addition of Jabba on the cuts and a plethora of classic samples really push those adrenaline levels beyond their max levels. My advice, bounce, jump around and nod you head to this one and enjoy these five and half minutes of dopeness. Not sure what’s to come after that one, the bass hits and the BPM takes over with another huge club banger in Incy Rides Again (Riga Mix). This one has a sound that is almost techno but, has elements of the industrial sound and even Hip Hop cuts But, there is little doubt that by the end of this one whatever comes next is just gonna carry you on a euphoric energy you won’t wanna come down from. That sound that carries you on, is the massive DnB sound of Search Inside, which features JD and Ryan Sanders. Now, honestly DnB has never been my sound but, this one hits hard with some intelligent and anti-establishment vibes that encourage you to look inside yourself for the truth about what is really going on around you and the world at large.

From the pounding sound of DnB we are next transported in the electronic vibes of the Hip Hop Electro sound with A Random Sofa At 8am (Retro Electro Mix). This one perfectly captures that electro sound and brings in some classic samples, cut and scratched to create a sound that many of us older heads will be vibing with as the electro sound was part of what introduced us to the Hip Hop sound, in fact I remember sitting on random bas seats, random train seats, and car seats listening to this kind of music forty years ago. The Hip Hop sound continues with Love ‘em All, which features Scorzayzee on the mic. Pounding Hip Hop beats and heavy on the horns and not forgetting the cut n scratch, this one is a head nod banger that see’s Scorzayzee celebrate Hip Hop music and the art of making it. With some crafty wordplay, slick delivery, and some great tongue-in-cheek moments, this has the energy to keep that smile stretching broadly across your face. Chilled organ notes guide us into Say Something before the pounding bass beat is brutal and drops with the force of a 1000lb bomb. This one features Micky Swags, Wordsmiff Flip and Eskar (Nuke Fam Records) on the vocals with additional features from DJ Blend and Jabbathakut on the cuts, and is really all about he art of rapping and using words, similes and metaphors to bring your thoughts to reality and say something, no matter what it is. This track is a remix of the original Say Something single from DJ Blend and Micky Swags feat. Wordsmiff Flip and Eskar.

The album ends, or rather winds down, with the epic twenty plus minute Yoga Beatz (Blunts & Blaze Mix), which helps you float back to earth after spending all of what went before this moment, up in the stratosphere. There are elements of enigma, eastern flavours and sitar vibes that mix with a wealth of musical sounds to create this chillout, trip hop masterpiece that has the capability to take you wherever it is you want to go as you take a chill pill and drift off into a place of serenity courtesy of this musical meditative experience…

 


What a cracking album! I mean, there truly is something here for anyone and everyone to enjoy, and I don’t say that lightly.

What Happy Headz have done with Beat Tripping is to encapsulate the feel of a festival, club night or rave vibe, where there are multiple stages with a variety of musical genres all together in one place, for one night only. Then the album is finished off, as any good night is, with an extended chillout session that brings your energy back down to earth, before letting it drift off once more in a rather different fashion.

The production is truly a masterclass of multi-genre musical vibes that creates this energy that keeps you rooted in the present, while taking you back to days gone by but, that’s just from my standpoint as fifty something dude who has encountered more musical genres that you can shake a stick at. But the production on every track here perfectly captures the vibe of the musical genre it denotes. There is little more you say than that really. But, beyond that the flow of the album is like walking between stages or rooms and listening to a wealth of different music, while all the time keeping your energy levels raised up into the atmosphere. It also displays the wealth of influences that impact on us and how me might not vibe with a certain genre of music but, under the right conditions, the energy that music creates just draws us in and we can’t help but let it take control of us.

What you also see here is how, by picking the right guest artists to feature, it gives another depth, another element to something that is already, by all appearances, perfect as it is. These guests maybe unknown vocalists or more well-known artists, even those who have previously worked together but, all add their stamp, as a part of the Happy Headz Collective, in making this something truly special.

I must be honest here and say that there is little more I can say. The words kinda flowed so well as I wrote this and now, I just want to share it with all of you so, please give this one a listen and enjoy it as much as I have.

My humble thanks to Haynesy and Eskar of Nuke Fam Records for asking me to review this truly superb release.

Beat Tripping by Happy Headz is released through Nuke Fam Records.

 

On that note,

I’ll see you in the Stratosphere…

Steve


LINKS

You can find all the streaming links for Beat Tripping Here:

https://ditto.fm/beat-tripping


Check Out Nuke Fam Records Website Here:

https://www.nukefamrecords.com/


Check out the Debut album from Happy Headz - One Summer Here:

https://ditto.fm/one-summer-happy-headz


VIDEOS

Beat Tripping Album Sampler