Showing posts with label Ken Masters. Show all posts
Showing posts with label Ken Masters. Show all posts

Friday, 31 March 2023

Album Review: Outside The Box by T.H.E.M.

 

Outside The Box

By

T.H.E.M


 

Outside the Box is the long awaited and highly anticipated debut album from Burnley crew T.H.E.M. As I noted back in December 2022 when I reviewed the digital EP release ‘From Beyond’, this album was originally going to be a double album but, constraints led the guys to scale things back to a single album with From Beyond being made up of those tracks not to make the album.

Fast forward to now and the album release is immanent and let’s not keep you hanging so, I’m not gonna waffle here and take you straight into what T.H.E.M aka Seek The Northerner, Karlow, Lomax and Bruva Smokes, have to offer us with Outside the box…

 

The album kicks off in style with the upbeat, Seek the Northerner produced, Monsters. Drums, bass, keys, horns and some deft cuts from DJ Woody, all combine to give the kinda head nod, body moving Hip Hop sound you can’t help but, move to. This one see’s the guys showing exactly what they are all about with the kinda lyrical displays that simply takes your breath away and sets up the tone of the album perfectly. Next up is Running which is produced by Lomax and features Wordsmiff Flip. With drums pounding, bass and strings melt into the vibe to keep your head nodding. Here the struggles and strains of life combine as the guys look at how things can cause you to lose touch with reality and who you are, your true self. But you can’t escape that side of you, try as you might, you can run as far as your legs will take you but, you will never outrun yourself, you are always there, in some way, shape and form, ready for the day you are ready to be your true self once more.

The pounding of drums, piano and cymbals draw you into Below Zero, produced by Bruva Smokes. Fear is the idea that immediately trust into your awareness and there is a brief thought in your mind that questions what’s coming. At first you feel you’re being drawn into some dark and depraved nightmare situation where the guys describe how their actions install fear into those who inhabit the darkness but, the more you listen, the more you realise it is all just a play on words because their words are the weapons and the only ones who need to fear anything are those who step up and think they are better that T.H.E.M. You can leave the darkness behind as drums and horns, courtesy of production from Seek, pour light on things with a huge upbeat vibe that switches up the adrenaline levels all the way on The Sting. The guys are joined by UK Hip Hop legend, Blade for a track that hits like you’re running butt naked through a field of stinging nettles. Every line, simile, metaphor hits multiple times on different levels, while the stories from back in the day; talk of inspirations and the more personal notes leave you wondering which way to turn, while the stings never relent. There is almost too much try and pick apart here so just listen and enjoy this display of the art of rap. Million Degrees is next, produced by Lomax, this one is a heavy drum pounding, button pushing sound with a dash of razor-edged cuts, all of which has a nerve tweaking edge at times, especially with the high-pitched violin sound. It all seems to seep into the very core of your being, making you vibrate from the inside out. The guys raise the temperature on this one for the streets. Dropping lines that are so hot they blow every thermometer you can try and use to measure the heat this one is pumping out. This one is so hot it might just melt you’re mind from the inside out…

Drums and a mariachi guitar, with good dash of cuts, are the musical foundation for Lost Cause, giving you this upbeat sound from Seek that is so infectious, I dare you not to nod your head to this. T.H.E.M are joined by the legendary figure of Chester P to examine just what is the definition of a lost cause. Lots of food for thought here as the energy and the words flood your mind to the brim, making you wonder what a lost cause might be as you look around. There is even a faint thought that filters in making you wonder if there is anything you do that might be considered a lost cause. Loop Da Loop is up next, produced by Karlow, has a pounding beat over some chilled guitars, with some etheric vocals sounds and cuts all mixed in giving this a head nod vibe with a thoughtful edge. This one brought many things to mind as I listened from a basis of what goes around comes around, to the battle many of us have within our own minds and even battling the system but, none of these seemed to stick and then I wondered “Is that what the guys were aiming at here”, getting you to loop da loop in your own mind by going round and round never quite certain of the real focus? The album’s title track is up next, Outside The Box is produced by Seek and features AMOS. With horns, bass and drums, this one has cracking funk vibe to it. Here, it’s all about spinning intricate lyrical lines around and about things that are not just outside the box but, there are some you might be so far outside the box as to be too much to touch. This one has your mind spinning and doing back flips as you nod and move along to the sound, and by the end of this you’ll be thinking “Who needs a box anyway” this is Hip Hop.

Moving to the penultimate track, Milltown Flex, it’s produced by Lomax and has this big sound of strings, drums and bass, which gives this one a Hip Hop soundtrack vibe. It’s time for the guys to get everyone up on their feet as they each demonstrate the pure quality of their lyricism, proving that they are not just at the top of their game but, that there is always another level to strive to reach. Once you gotta rep, it’s all about keeping it and continually honing those skills and keeping yourselves sharp and authentic. The track also ends with some slick cuts from DJ Musicarl, who also provides cuts for all except the opening track of the album. The final track of the album is What We Do! Production comes from Sidefx and it features Ken Masters alongside T.H.E.M. There is this orchestral backing to the drum beat that gives this an extra dimension as the piano element seems to echo all around you. There will be no encore here as this is a supreme display of how to end an album as everyone gives a solid lyrical display of their rap skills, which all says one thing loud and clear, this is Hip Hop and this is What We Do!

 


I’m not sure exactly where to start here but, it’s not often that an album comes along that is not only a breath of fresh air but, also completely takes your breath away, Outside The Box does exactly that and more. There is an element here that makes you think that even if you have heard the EP, listened to the live segment and sofa chat on 05:21, that nothing can really prepare you for this album. I mean, what T.H.E.M. have done here is to embody the essence of real Hip Hop but, with their own stamp well and truly on it.

Outside The Box has everything I love about that real Hip Hop vibe. From start to finish it grabs your attention and holds non-stop, with ten tracks that are all three minutes plus, which really gives you time to get into the tracks and to properly feel them. I’m not saying that sub-three minute tracks don’t deliver but, they do always leave me wanting more and that is one thing you are not gonna get with this album, except maybe once it ends that is…

It really is difficult to fully explain what is so good about this album but, I’ll try and at least give you an insight. Musically the production is exactly what you would want from a Hip Hop album. Every track has the kinda vibe that makes your body wanna move. There is energy here that doesn’t let up across the entire album. Seek The Northerner, Karlow, Lomax and Bruva Smokes all show they have the skills to produce cracking instrumentals as well as the kind of lyrical skills that so many wish they had. These guys might all have their own unique styles and sound but, they also completely complement each other as well, which in a crew like this, is invaluable.

It is also worth noting their careful choice of guests for the album all of whom, fit exactly into place on the album adding extra depth and another layer of polish to an already finely polished album. It’s not just the legendary guests that might peak your interest here. There is also a legendary figure behind the scenes too as No Sleep Nigel, who has been the engineer behind many classic UK Hip Hop tracks over the years,  handles the mixing and mastering of the album, what more could you want right…

What you do realise, by the end of the album, is that collectively and individually, these four guys have the talent and the passion to deliver some of the most intelligent and exciting underground Hip Hop music around today. For me, T.H.E.M. have well and truly nailed what it is to be unique and authentic but, still have the foundation of what they do rooted in what true Hip Hop is, with banging beats and vocals that can easily tackle emotive personal stories, right through to those just for the street or those to rock any party.

Outside The Box lifts that underground Hip Hop sound out of the box and plants it where it needs to be, in a place where anything and everything is possible, and nothing is impossible. This is one you just should not miss and yeah, it really is that good so, nuff said…

My humble thanks to Seek The Northerner for sending this my way and to the whole crew for having the faith in my writing.

The album is released tomorrow,1st April, through Northentic Records and be sure to check the official album launch party on Sunday 21st May at the Camden Club, London. It’s gonna be some night, hosted by the one and only Blade and with T.H.E.M. and whole host of guests from 4:30pm to midnight, check the link below for tickets.

Time for me to be outta here,

See ya,

Steve


LINKS

T.H.E.M. on Bandcamp Here:

https://themcrew.bandcamp.com/music

Northentic Records on Bandcamp Here:

https://northenticrecords.bandcamp.com/music

Album Launch Party ticket link Here:

https://shoobs.com/events/79534/northenic-records-feat-them-outside-the-box-album-launch-party?fbclid=IwAR2-xDH9VN8Unwd5HBbkVuLKJCShFn2n4xe1d8hI7gMtymPIbgUU3PshI-8

 Northentic Records YouTube Channel:

https://www.youtube.com/@NORTHENTICRECORDS/featured

 

Friday, 13 January 2023

Album Review: Locked Down Memoirs by Ken Masters

 

Locked Down Memoirs

By

Ken Masters


 

Locked Down Memoirs is the latest album from Ken Masters. The album was originally released at the end of October 2022 with production from CraftmatiK and artwork from D-Rock.

As this is the first time, I have featured Ken’s solo work on my blog, I felt it appropriate that I feature some of his background as a way to introduce him to those who might not be familiar with him or his work:

Ken Masters is a Rapper / beat producer/ event host / battler/ crate digger and activist. Ken has proudly represented Newcastle and Whitley Bay for many years. A complex character whose deep love of the scene drives his every day and provides sanity and peace in a world that he only wishes the same for. Take a listen to his work and you soon discover that the complexities of life provide much to be discussed in the form of lyrics that are clearly carefully crafted with lyricism that can only be achieved after years and years of effort and practice. At a young age it was Hip Hop that grabbed him and provided a platform for his views and artistic outputs. From his early days throwing shapes as a B-Boy right through to the present as a rapper/producer and host of one of the best B-Boy Jams out there, it’s all in a day’s work. It’s simply what he does. However, for a while Ken has felt a little different to the world that surrounds him and decided to investigate. A diagnosis of Autism provided a further understanding of himself, and in typical fashion Ken took it onboard and looked for the positives, putting them to good use creatively. When you are an activist that craves equality and justice to the level Ken does, you have to have an art form at hand that is diverse and adaptable, in order to correctly get your points across. Not that it’s all politics and worldly issues! Ken’s just as skilled at playfully freestyling, battling and making light-hearted music. Basically, Hip Hop provides a world of opportunities for him. Add to all this Ken’s countless Hip Hop workshops for young people over the years and the impact of his creativity and beliefs is very easy to find.

He has written this album as a chronological narrative of his experiences during days of the pandemic and the lockdowns we were all put through. With that in mind, this really feels like an album that we will all be able to associate with in some way and, with that said, I think the best thing for me to do is get into it, so join me…

Right out the gate you get a real sense for what this is all about. Stay Home begins with BoJo the Clown telling us all the stay at home and to protect each other and the NHS before drums and guitars drop in, alongside some classic samples that give this bomb bap sound at pace. This track see’s Ken exploring a plethora of experiences and information around the lockdowns and the pandemic. From conspiracy theories to mental health, this one is an overview of things, packed with facts, thoughts, and all in between. It ends with Ken giving us the lowdown on the album and telling us how some naivety might have crept into the first couple tracks but, how his knowledge and understanding evolved across time and the album. There is barely enough time to contemplate what was said before heavy guitars, drums, keys, slick samples, and razor-sharp cuts from DJ A.D.S hits. Get Ill sees Ken exploring the situation around how much was made about how people could get ill from covid. There is a lot to be said about how each of us, as individuals, made sense of what was going on around us at the time and here we see things through Kens eyes, noting how the information was affecting him at the time and how he made sense of what was in front of him. Piano and other keys calm the pace and open us to a moment of clarity. Even when the beat drops in it maintains that clarity as Ken takes us on a retrospective with 2020 Visions. Its true that it was a year most of us would like to forget of any number of reasons but, here Ken opens our minds, once more, to all the things that happened, and not just with covid but, beyond. This one really has an air about it that casts the mind back to the good days and those that were so full of pain, we wish we could press the reset button on 2020.

Flute notes and a soulful voice guide us into The Death of 2020, when the beat drops it is tinged with bells and gives us this heavy but thoughtful vibe as Ken drops a deep track looking at all those we lost in 2020. This is a very touching track, you might think its just a roll call and a dedication to everyone, not just the famous names. But it is more than that, to me anyway, it was not just the pandemic that caused those losses, there was murder, accidents, mental health and more, and as someone who lost a daughter to suicide in 2020 and my Father-in-Law early in 2022 (Covid was a factor here), this track hit home hard and with more emotion that normal. So, give this more that just feeling the beat, listen that bit deeper and truly feel the sentiment. Heavy guitar vibes and the voice of Russell Brand from his podcast, discussing the potential origins of the pandemic, drag us out of our thoughtful moment and back into a dark reality on V, where heavy drums and Ken Masters on the cut, direct us to a head nod vibe but, the beat is what is upbeat here. Ken takes us to the edge of the rabbit hole as he looks at thoughts, theories, and conspiracy theories around the pandemic and more. This one really makes you think of what we all went through and were directed to do in order to ‘keep us safe’. Now whether you believed what you were told or whether you made an informed choice to do things differently, this one opens your eyes once more and makes you think, all over again. Piano, Synth, and drums combine for Vax Buygraves (The Drugs Don’t Work). The vibe here has a dark edge, which fits perfectly as Ken explores the darker side of the pandemic. Vaccines, track and trace, and who actually made a profit from the pandemic are all laid bare here. Regardless of which side of the fence you sit on here, there is no denying that the truth is a murky place. There is also a lot of evidence to say that the drugs don’t work and do make things worse, especially with so many people having heart problems following vaccinations. This is a subject you really have to remain open minded on.

Drums and guitars are the basis of The Theatre of Nightmares. The vibe has an upbeat feel but, the subject matter is far from it as Ken takes aim at the powers that be. The government’s handling of the pandemic really turned into some kind of sick theatre show as it used catchy phrases and comedic interludes to get us to do what they wanted, all the while certain people chose to do the opposite, making a mockery of everything and making us question their motives. With large contracts handed to their friends for the purposes of keeping us safe, they made millions while we suffered under their control. Ken takes a further shot at BoJo the Clown on Off Werk, as he focuses on the ex-PM and his flagrant flaunting of the rules when we were being told one thing and he chose to do whatever he wanted. The production here see’s a return to the electronic Hip Hop, Kraftwerk vibe we first heard on Stay Home. A short acappella, which has an almost native tribal vibe, draws us into the next track before the beat drops, full of drums and bass. Real Pandemic sees Ken focus on exactly that one thing, what is the real pandemic here? What has been going on behind closed doors for centuries? What truly infects us all? I’m not going to deep into that as it is best you hear it from Ken but, I have to say, I totally agree with him, and it is up to us to see it for what it is and to change its course.

The penultimate track is the first of a two-part suite. Unity Suite (Part 1) begins with simple percussion with organ notes gradually coming in with drums, this serves to bring more focus to Ken’s words and what he is doing here is to set that focus on things that bring people together. This is the beginning of bringing light to all that has cast shadows across our lives and the soulful vocals continue that vibe inviting us to think on that before the Unity Suite (Part 2) hits with an upbeat vibe of horns, keys, and drums, that immediately makes you wanna get up and get moving. Here Ken elaborates on the fact that we are all one the world over and we are far stronger as one. The powers that be might seek to keep us apart but, unity will ultimately show the truth strength we all have and one that is magnified exponentially when we come together.

It almost seems a daunting prospect to try and sum this up and to give you an over all impression as there is a lot here to dwell on and consider. However, what is apparent is that this might just be one person’s narrative on what has been two years that have changed the world but, it is a hugely important narrative because it shows the progression of how he saw things and how his view of thing changed as time passed. If you were to take Ken’s words and write them down for people to read then a great many people could associate with them, while more and more would be able to associate with a great many of them, even if they did not agree with all of them.

If I just take a step back from how deep this album is, for a second, it is important to understand that the production on this album, from CraftmatiK, perfectly sets the mood of each track to match what Ken Masters has intended with his vocals. Yes, it might be unapologetically Hip Hop at its core but, it also has emotive depth as well which helps Ken’s words to sink in deeper. There is also elements of electro vibes along the way that give that extra dimension to the musical backdrop. Ken’s writing style is complex at times twisting words and drawing in what feels like huge amounts of information in just a few bars and the way he delivers those words, switching between flows and styles is, at times, mesmerising.

Overall, the Locked Down Memoirs is a truly personal and inspiring piece of work. It takes you on a journey that flows so well, touching on the deeply personal, the dark side of control, the hidden truths, and deep-rooted emotions but, it leaves us on a high as it shows that there is sunshine after the dark clouds have passed. For me this is a true triumph in musical expression and one not to be overlooked.

Locked Down Memoirs by Ken Masters is available now.

My thanks to Ken and to Seek The Northener for sending this one to me and extra thanks to Seek for sending the Bio I used at the start (in Italics).

I’m outta here,

Peace,

Steve 


LINKS

Get your copy of the album on Bandcamp here:

https://kenmasters101.bandcamp.com/album/ken-masters-locked-down-memoirs 


VIDEOS

Vax Buygraves (The Drugs Don't Work)