Friday, 12 September 2025

Album Review: Introspection by Remark and Murmur

 

Introspection

By

Remark & Murmur

 


Now this one has been available for release for a couple of weeks now but, due to me taking some time off in August, this is the earliest I have been able to get into it.

Now many of you will know Remark from my reviews of his solo work and that of his work with Immune and the hardcore vibes of Fireball Flingaz, among others. For this release he teams with producer Murmur from Greenock, Scotland, for something a little different. I have written about Remarks background before, so feel free to check those other reviews But, I feel it is worth mentioning a little about Murmur before we head into the review of Introspection.

Murmur has had a lifelong association with Hip Hop after growing up in the 80’s and 90’s. As part of a DJ crew, they would put on their own events in Glasgow and be the warmup for the artists headlining. Those early years also saw a few occasions running from the cops through fields following the break-up of so called ‘illegal raves’. After getting into a bit of production, he began to take that more seriously around 3 to 4 years ago, then working alongside emcees in the last couple of years. This led to him working with Dan Brown, Prevmarco, and Peter Sparker. Murmur also produced for Legs MC, which I have reviewed here too, so feel free to check those too. Murmur’s inspiration comes from many genres including House, Techno, Jungle and Indie. He notes that his work with Remark for Introspection “has been a major step change for me. I stopped thinking about what I thought an MC would want to hear and just let things happen. Then when it gets to Remark he just elevated everything and found pockets I didnt hear. It let me move away from straight 16 bar verse and 8 bar chorus structure to just listening to where I thought the music should go”.

With all this in mind, you can bet that the depth and passion of remarks lyrics and this new approach to production from Murmur, is likely to bring something that will get you thinking. So, join me as I take you on a trip through Introspection.

I originally had the album some time ago but, it has had a few slight changes along the way so, I’m truly excited to bring you this deep dive into the album. It all kicks off with The More We Know. Piano, guitars and horns all feature on this alongside solid head nod beat. All mixed together this one has a deep thoughtful vibe. Remark draws on his years of experience to bring us a track that speaks deeply on the process we go through in life that allows us to continually grow and understand are authentic selves. We achieve this through gaining knowledge as we walk life’s journey, and as his sung chorus explains, the more know, the more we grow, the more we get to know ourselves. Each of us has a different journey, a different set of experiences, we grow differently but, we do grow and we will all, one day know who we truly are. With such a thought-provoking start to the album, you sit back and, for the most fleeting moment, wonder what’s next? The moment that thought enters your mind, you are greeted by a short, nerve jingling into for Precautious, this serves to focus your attention before the beat drops in. Keeping the head in motion, Murmur hits us with a beat that is underpinned by an almost eerie guitar sound with a bass guitar floating quietly in the background. This one raises the energy levels a bit more with a sound that almost seems to set you on edge. Remark speaks on the current state of affairs in the world today, a place where you need to be careful of any information that comes at you from an external source. We live in a society where much of the information you see around you is censored and filtered in a way that allows what you hear to only partly truth; this allows the information to be massaged and delivered in a targeted way to control how you react. The answer is to find something you enjoy, that speaks to you on a deep level, you can then keep yourself grounded and cautious of every step forward, and as you take that next step, it takes you directly into Ear For An Ear. This multi-layered sound has an almost soundtrack vibe to it that seems to transport you into the shady world of espionage and psyops, but is that really what its all about? This one speaks on one thing, the truth. This one comes from Remarks own viewpoint as he takes us deep into his own psyche. He shows us that we need to silence that part of the mind that grabs the filtered information from the outside world and runs with it, whispering the untruths causing a conflict with the heart, which knows its unsafe to believe everything it hears. The thing is that we all go through this and there are plenty of us that choose to listen to the monkey mind and not the heart but, to truly hear, you must listen with the true ear, and that is the ear connected to your heart.

As you let that sink in on an unconscious level its time to Re-Humanise as Murmur brings a beat that has a feel that mixes a classic head nod beat with a sound that has an electro / Trip Hop edge to it. This gets you bouncing while seemingly feeling those electronic sounds throughout your entire body. This shorter track has deep message that might well escape you if you are concentrating on that banging beat. But some of the deepest messages are delivered in such a way, and here Remark is alluding to how the external struggles can twist the mind into a place that separates us from human self, the true self that thinks and feels from the heart. We need to breath, feel the true force of nature and re-connect with our true human self. Side A (if you happen to be listening to this on vinyl) comes to a close with Here’s To Hope. This one has a lighter vibe which comes with the flute notes, which seem to uplift as you listen, and the beat carries you. That uplifting sound is mirrored by the message in Remarks words which, in truth, is very simple and that is to invite and live with hope in your heart. Everyday you hear of struggles, pain, and suffering, the words of positivity and hope are rarely put forth, and so it is up to us to look past the darkness and to see and feel the hope that a brighter day is there. Even if you are only able to hold on to the smallest thread of that hope, it is still there and by doing that you are bringing that brighter day closer, every day.

So, if you have the vinyl, its time to flip it over, if you have the digital, then keep on listening…

Next up is Trickery which mixes guitars and piano notes, with a heavier drumbeat and more to bring a sound that you can’t help but close your eye and vibe to as seems to give a glimpse of the brighter day. That uplifting sound seems almost juxtaposed to the lyrics which speak on how we are kept living in a state of stress or feeling we are living in sin. Let’s face it be it organised religion, the media or the powers that be, they all trick us into living this way to keep us in a state of mind that is easily controlled. The trick that we can pull in return is to not be taken in by this; thinking that we are all living in original sin or that governments are working with our best interests at heart. No god would be vengeful, and no living person should have to suffer without their basic needs being met so that the rich get richer. There are a lot of ways to look at this but, the truth is we should not be taken in by the trickery and no one living on this earth should suffer at the hands of another. Other Realms has an electronic edge to the sound, and when taken alongside the drumbeat, there is this other worldly vibe that seems to come through. This sound fits perfectly with the fact that this one questions reality and what might be real and what might be something completely different. Remark also mentions how music is a gift for humanity. Music is something where you can bring your own personal experiences to bare or, music can transport you to another reality, perhaps that is a place where you can fully understand that not all of what you see and feel in the world around you is all it seems. While you are questioning what is real in the world around you, music can help you take a step away from this reality, and to go deep inside yourself to find the truth of who you are. Where does your music take you…

Midnight On The Wind sees Murmur bringing a beat that seems to have an etheric quality to it. The beat is multi-layered with different percussion sounds and, I’m not afraid to say, some elements I can’t quite pin down but, it gives this sound that does seem to encapsulate the very nature of the title of the track. Here Remark takes us on a journey that crosses the veil between this world and the next. A place where angels call your name, ghosts of the past and future are as real as you and me, and where visitors from beyond may just cross your path. This is where you can recognise that whatever your art is, it comes from the place where your heart is, and that is a place where you can close your eyes, dream, and create anything you desire, and it’s your home that is right here inside you. The dream world is an amazing place but, right now you are drawn back to reality with the albums penultimate track Great Outdoors. Flute notes and electronic sounds give this track a vibe that goes beyond the beat with an uplifting vibe. The flute has a native American sound, and this gives the whole track a sound that is rooted in nature. That nature vibe is something that, for me, seems to permeate the whole track as we need to understand that the digital age is affecting the younger generation in a way that takes them away from a connection to the natural world and perhaps that is all that needs to be said? It is important to take time away from your devices, your TV, and step outside your front door and ground yourself, connecting with mother nature in the Great Outdoors. Think about it, we were born of the earth and will return to the earth but, we need to remain connected to the earth. The album ends with Far Away, where that ethnic sound underpins the guitars and the drums to create a sound that seems to have a Floydian edge to it and feels like it touches your heart directly. This one is a stunning way to end the album and could be the deepest track too. It gives you this sobering thought that with all you have been through to date, you might well find yourself at a crossroads in life, and in that moment all your goals might seem to be so far away from you, but this is a metaphorical crossroads, where nothing is as it seems and all those goals are obtainable, you just need to pick one and walk forward with your head down and headphones on, cancel out the noise as you walk forward as your authentic self…

 



What is immediately striking about this album is that Introspection is all about looking at the self and you mental and emotional processes, and the album really does such a great job emulating that. Every track in some way invites you to look at yourself in some way be it directly or by understanding Remarks own narratives. In fact, there is this little voice that often says to you ‘well, if Remark can do it, then I can do it too’ and I think this is something a little different that this album has, its that air of authenticity and that the narrative is coming from someone who has been there and done the work on themselves, it makes the album deep on a very conscious and emotive level.

Remark always a very conscious way of writing that can swing between differing levels of emotive context from straight up anger at the establishment to deeply emotive story telling and words that show a true understanding of what is going on in the world around him. He connects to his subject matter in a very spiritual way that shows a connection to the self and nature. With Introspection he takes to a very personal level that allows a connection to the listener, giving them the invitation to perhaps, look at themselves in this way too.

Remarks emotive words are made even more poignant by the production of Murmur. The way he has crafted each track by allowing his production to flow from working directly with Remarks vocals, adds this depth to the sound that just matches and, in some cases, seems to actually elevate the vocals to new hights.

What these two have crafted together is this deeply emotive, conscious Hip Hop masterpiece, if you will. You might want to call it left field and that is perfectly fine but, I like to keep it simple and for me, this is an example of emotive Hip Hop music at its very best. This is the type of music we all need to hear right now for so many reasons.

It is true that what I have intuited from this is what the music said to me, it might well say something different to you, and that is perfectly fine because we are all on our own journeys, and what we have experienced along the way will colour how we interpret what we hear and feel from the music.

So, if you have not heard this already, then I highly recommend that you have a listen and see where each tracks take you. You might just go somewhere a lot different to where I went. But what you will do is enjoy every minute of the experience.

My humble thanks to Remark for letting me bring this to you and to Murmur for Bio which helped me give you a little insight into himself.

Introspective is out now on digital and Vinyl from Elastic Stage.

I’ll see you next time,

Steve.


LINKS

Get your copy of the vinyl here:

https://elasticstage.com/remarkmurmurvinyl/releases/introspection-album

Get your copy from Bandcamp here:

https://remarkmurmur.bandcamp.com/album/introspection


Remark Socials:

https://www.facebook.com/profile.php?id=100005925346438

https://www.facebook.com/RemarkMcLennan

https://www.instagram.com/remarkmclennan/

Murmur on Insta:

https://www.instagram.com/murmur8000/

 

VIDEOS

The More We Know



 Ear For An Ear



Midnight On The Wind



 

Friday, 29 August 2025

Single Review: On The Floor / Watcha Waitin' For (Feat. Blade) by Whirlwind D

 

On The Floor / Watcha Waitin For (feat Blade)

By

Whirlwind D


 

I have been pretty lucky to have been able to review pretty much every release from Whirlwind D since 2017’s Falling. So, I was hyped to hear that this latest release was coming, and when he mentioned it would be featuring the legendary figure, and a close friend, Blade, I was even more hyped.

As the man himself Whirlwind D has featured here many times, there is no need for me to introduce him in any way. The single is released through ae Productions and features production and cuts from Djar One, who also mixed the tracks at Beats House. Plus, there is also art and design from John Dyer to cap it all off.

So, there is not much more for me to say except, let’s get into it…

 

On The Floor finds Whirlwind D taking back; back beyond the times of labels, Solid N Mind and the Battle Tipped Rhyme, to speak on the toys that would be instrumental in the years before Hip Hop, Graff, BMX, and skateboarding would come along, and those toys would be left on the floor. Now, being of that same era but, also having a younger brother too, I can really associate with everything that D drops here from Steve Austin (The Six Million Dollor Man) and Skeletor (He Man), to the Dinky, Matchbox and Corgi toy cars, to building Airfix model kits of planes and even Star Wars vehicles. Thinking back over these times brings a smile and even a tear, these were, as D says, the times that shaped who we were and how we would interact with the world and people around us. These were good times when we had no cares and no worries before we grew and world seemed to change. This is the kind of reminiscing that brings so much enjoyment, and Whirlwind D brings it all back so vividly. But the enjoyment levels here don’t just come from D’s skilful wordplay, Djar One brings this upbeat sound that mixes in funk fuelled keys and horns with the kind of head nod, body moving beat that broadens your smile and really helps to crystallise those vivid memories; even the cuts here seem to have a vibrant upbeat feel to them. In fact, this one is so infectious that you kind of want to spin it a few times before flipping it over.

However, flip it over is something you have to do because the B-Side is Watcha Waitin’ For and see’s D linking up with Blade. Djar One brings a deep 70’s, Prince style funk vibe here with cuts, keys and bass that make you nod your head slowly while thinking to yourself, ‘Oh Yeah’. While you are bouncin’ to this one, there is a solid message here that D and Blade make perfectly plain and simple for you to understand. That message is that it is ok to have dreams about the future but, just sitting back and crystallising those dreams is not enough; you need to work towards them, reach out and take hold of those dreams and make them happen for you. It will take you a lot longer to achieve anything unless you have the determination and drive to make it happen, and that means working through all those doubts, feeling the fear and doing it anyway. Remember, practice makes perfect, or close to it anyway. So, practice over and over, be unapologetically yourself, show them your authenticity and don’t try to be like someone else.  

 

Overall, what can you say about two completely solid tracks like these? Either could be an A side track, they both have that strength and emotive content. Both have equally powerful messages to say on different subject matter that speak to you on different levels bringing enjoyment, reflection, and motivation.

As always Whirlwind D uses his intelligent and distinctive wordplay, with differing flows, to bring you solid Hip Hop vocals that speak to you in a way that you have no problem having on with youngster’s around, making them a pleasure to listen to, as you get to hear every word he says; and that is also reflected by Blade who drops his intellectual wordplay in the same way. Blade might not make many appearances these days but, when he does there is always a depth to his words that goes beyond normal thought patterns, and you have to read between those lines.

There is just so much to like here on this release. On The Floor has Whirlwind D in full on reflective mode bringing us the kind of feel good vibes we all need right now, while Watcha Waitin’ For sees D and Blade working so well together in bringing a track that has a deeper aspect, speaking to you on a whole other level but, still with an enjoyment factor that rocks the spot.

Both of these tracks are underpinned by the production from Djar One who shows here just who you can take that funky Hip Hop to a level that raises the bar every time. Djar One has a knack of producing funky Hip Hop vibes that can elevate any track but, that also have a life of their own as instrumental tracks with an upbeat feel that makes them such a joy to listen to.

There is nothing left to say except this is one release you need this year and will stand head and shoulders with other summer releases.

On The Floor / Watcha Waitin’ For is released today, so don't sleep on this one.

As always, my humble thanks to Whirlwind D for giving me the chance to bring you this one as an exclusive.

I’ll see ya next time,

Steve.


LINKS

Grab your copy of the single Here:

https://whirlwindd.bandcamp.com/album/on-the-floor-watcha-waitin-for

Stream on Spotify Here:

https://open.spotify.com/album/


Whirlwind D Socials:

https://www.instagram.com/whirlwind.d/

https://www.facebook.com/solidnmindrap

 

 

 

 

Friday, 25 July 2025

Album Review: My Bigfoot Life (Original Motion Picture Soundtrack)

 

My Bigfoot Life (Original Motion Picture Soundtrack)

By

Various Artists

 


I have decided to change direction with this review and look at something a little different. I have never had the chance to review a soundtrack yet and so this is going to a big departure from my normal work.

Now to fully understand how this soundtrack came to my attention, I have to give you a little background. So, sit back and make yourself comfortable.

Back in 2024, and quite out of the blue, I got a message asking if I would like to give a talk at a Cryptozoology conference being held in Bridgewater, Somerset UK, not far from where I live. The request came from a Daniel Lee Barnett and when I jumped on a live video chat with him, I was surprised to be talking to Daniel and his Nan, Jill. Daniel a young autistic guy in his mid-teens from Bridgewater in Somerset and has made a name for himself in the Cryptozoology world with some amazing research he has conducted here in the UK. Now Daniel was given my name by my good friend Jon Downes, who runs the Centre for Fortean Zoology and Gonzo Weekly; and as you know, Gonzo has also been running my reviews for some time too, see the link forming here…

Now, as I have had an interest in the paranormal and Fortean subjects such as Cryptozoology for over forty years, I decided this was a good opportunity, even though I had not done any public speaking in over eight years. In the run up to the conference I did some research on Daniel an discovered he had his own Podcast (which I have had the pleasure of being interviewed on too) and a book published about his journey titled My Bigfoot Life (Which is an interesting read too - CFZ Publishing), this was also being made into a documentary movie of the same name.

Now I am not going to go into the details of Daniel’s research here but, I’m fast forwarding to this year and Daniel’s third Cryptid Conference UK. This time I had been asked to be the official photographer for the event, where I got to meet some amazing researchers, people and Daniel’s family who are an amazing bunch who support him at every turn. I was lucky enough to get to see an advanced screening of the movie, and of course here the emotive music that forms the backdrop to that movie.

My Bigfoot life is not a movie that is just about one young man’s research or interest in the Cryptozoology world, it is far more than that. This film takes you on a deeply moving journey through Daniel’s life and the struggles of Neurodiversity and how that affects both him and his family. It shows how sitting and watching a Bigfoot related TV show with is grandfather piqued his interest and brought him out of his shell. The shows how he found a new family within the Bigfoot community and how there are some good and bad people within any community but, how the strength of will, support of good people and family, can overcome any obstacle. The depth of the emotion in the delivery of this documentary is truly touching and something I was able to appreciate as both a father and a researcher, especially as I have my own neurodivergent challenges as do my children.

After all this, it made sense to me to listen to and review the soundtrack and give you my thoughts and feelings, as that is what music is about.

Much of the soundtrack is written by a local artist Stephanie Jayne, alongside one track with her group St.Fian. There are also contributions by composer Simon Paul Newton and a track by Bigfoot researcher Brian King Sharp and John Harwell, and the soundtrack comprises of both sung and instrumental tracks.

So, please join me on a review journey that is very different from what has come before…

 

We begin our journey with Sailing (Family), a track which features in several different versions across the album, but this first version has a very emotive tone that focuses more on Stephanie’s etheric vocals, backed by deep strings that has this touching energy that allows you to connect to many aspects of the family life. You can really relate here to the how a family copes with life with an autistic child and how they adapt to that and how love and developing the family unit becomes central to life. There is also the aspect of how the extended family grows and deepens, coming together to support someone in their darkest moments. It even touches you when you consider your own place in the family unit and how that affects those around you as you all navigate through life. As you feel all of this, you consider the lyrics which seem to parallel those thoughts, speaking of navigating the often troubled waters of life around you as you grow and walk forward in life. Next, we have the title track of the album, My Bigfoot Life, this is a mainly instrumental track that mixes etheric vocals elements with drums and strings to create another deeply moving sound. The drums create this sound which puts me in mind of listening to native American drumming but, mixing that with the vocal elements allows you to close your eyes and drift into a meditative state that can take you anywhere. You can transport yourself to the forests of North America or perhaps the Quantock Hills of Somerset, where Daniel often goes with his Nan, family, or close friends, the likes of Ryan RPG Golembeske, Gwendolyn Purcell, Chris Allsford, DJ Brewster, Brian King Sharp, Craig and Emma Dowsett. These forest settings are places where you can lose yourself, come away from digital age of modern life and get back to true nature and experience things that were meant to be experienced, like the beauty, peace, and the sounds of the natural life around you, Bigfoot just happens to fit into that….

Mythical Legend once again mixes deep emotive soundscapes with Stephanie’s etheric vocal elements. The drumming takes on a different edge and is complimented once more by string sounds. As this one glides through your awareness it can take you anywhere but, what is important to note here is that as Daniel’s journey into Bigfoot brought him more out of himself, it allowed him to find his voice, he had selective mutism in hid younger years, and he created the Mythical Legends Podcast, where he interviewed some big names in the Cryptid world alongside his Nan, Jill, Chris Allsford, and other guest presenters. He even interviewed this guy called Steve about being a paranormal researcher. But this track really fits with how that all came together and the emotive nature of how one young man was able to find a voice on a subject which he has so much passion about. This is followed up by the first track from composer Simon Paul Newton, Daniel’s Theme. Now listening to this you might think that it is difficult to put fifteen years of someone’s life into around seven minutes of music but, Simon does just that. As the piano elements build, you can feel the emotions that come from birth, through the challenges of early life and on towards adulthood. When you consider the challenges that Daniel has faced to this point, the motional nature of this track not only becomes apparent but, it touches your heart, deeply. But, there is also light vibe to this track that lets you feel the challenging nature of life while also understanding that there is a brighter side, and that brighter side what can be achieved when you find that spark inside of yourself, it pushes you forward while touching and encompassing those around you and all those you meet along the way.

Sailing (Troubled Emotions) is the second version of this track on the album and this one is almost accapella, which has this haunting quality to it. This song does look at the turbulent nature of life for all of us and how we seek to find the safety from the anxieties and pressures of life. Here that works so well as a focus for a particularly touching part of the documentary. Daniel was the subject of some unsavoury actions from someone considered to be a friend. Those actions and even some treats that were levelled at him, deeply affected him for a planned trip to the USA, and the emotionally haunting nature of this track perfectly reflects those moments. But we all know that those who perpetrate such actions can never hold back the strength of positive energy and the love of those who stand strong beside you and Daniel was able to overcome those times and then help to create something new, the Legend Seekers. Here the sound is one that is reminiscent of Clannad as Stephanie sings of searching for secrets which hidden, misunderstood, or even yet to be discovered, and this is what the venture Daniel is creating is all about. Working alongside Ryan RPG Golembeske (Finding Bigfoot, Expedition Bigfoot, Outkast Paranormal), Chris Allsford, Craig Barnett (Daniels Dad), Craig Dowsett (Winnie the Pooh Blood and Honey), Gwendolyn Purcell (Strange Knocks Magazine, Got Knockers, Cryptid Collective), DJ Brewster (Alaskan Killer Bigfoot), and others to form Legend Seekers, a new TV show that will see the team investigating high strangeness from the UK to the US and back again. This track perfectly mirrors what the show is all about and what the team will look to achieve. Keep watch for this series, coming to screen near you in the not-too-distant future.

Sailing (Away) the next version of this track brings the sounds of the ocean to bear, mixing with the emotive musical sound. This gives you the sense of Daniel overcoming his struggles and finally being able to cross those troubled waters and make the next stage of his journey over to the US to continue his journey alongside those closest to him, for new adventures and new friendships. This track might have a deep edge to the sound, one that some might find dark but, you have to see the dark to see and feel the light and that is kind of how this one feels. It’s like travelling the tunnel to reach out and grab that light at the end, bringing it to you because you know you going to get there. Searching finds us musically transported to the pacific northwest to take a trip alongside Daniel, his family and friends, into the deep forests to look for evidence of the one thing that has fascinated Daniel for years. The deep nature of the sound from the drum elements to the string elements give you an aural taste of what it would be like to walk the pitch black forests, with all your senses on high alert for every sound or faintest of movement in the moonlight. This is one of those you just have to sit back and feel and drink in that folk soundtrack sound.

Life Going By is track from Bigfoot researcher Brian King Sharp, which is composed by John Harwell. The sound of this one is just Acoustic guitar that carries you through the track but, that sound has just as much impact as Brian’s words. The message behind Brian’s words here, if I’m right, is to live your live to the fullest and not to just let things pass you by. There are moments in all our lives we wish we had have grabbed with both hands and made the most of them and this is what is at the core of this song, see those moments for what they are and grab them, making the most of each and every one of those moments, because of you let them pass you by, you’ll always regret it. Next, we have the original version of Sailing by St.Fian. Here you can feel that folk sound from the guitar and drum. As you listen to Stephanie’s angelic vocals you really get the sense that what this song is saying is that wherever you go to in search of what life has to offer, you will always have a home, a place to feel welcome and safe, and that is something that seems to be an unconscious message in the documentary, Daniel may go off in search of the unknown but, there is always a place for him and those around him to feel safe and nurtured, and that is something we all need, no matter where we go to.

The penultimate track of the album is Transcending from Simon Paul Newton. There is something about piano music that has a deeply emotive aspect to it, and here Simon does another stunning job of bringing a sound that is perfectly uplifting in an emotional way. This track, if you allow it to do so, will take you to a place where you feel the power in transcending the challenges and hurdles that life puts in your way. Finding your passion can help you do that, you might have many interests and hobbies along the way but, you will find something that will speak to you and take your heart to all the right places, and that is your passion. My Bigfoot Life shows how Daniel was able to overcome some of the biggest hurdles in life by finding his passion, you can do that too. The soundtrack finishes with Sailing (Instrumental). This is the instrumental of the original version by St.Fian. As you listen to this it’s like you are given a moment of reflection; just to reflect on what you have heard or seen. The nature of water means that it can reflect light and has an almost mirror like effect at times, no matter how turbulent it might be. We also have so much to be thankful for with water; we drink it to stay healthy, we can swim in it, and travel across it. So, it is no wonder why we see so many ways that life is like water, as it makes its way from source to the sea. Water is soft and yet it can be such a powerful force, it can also be so peaceful as it meanders it way across the land. Water is also like out emotions, so the next time you see how water behaves in different moments, think of how your own emotions behave too. When you finally get to see this documentary, remember that and see how you feel…


 

Daniel Lee Barnett, Steve Rider and Ryan 'RPG' Golembeske ©Infinite Images 2025

With a soundtrack, it is often hard to sum it up as a whole because it is there to reflect a multitude of emotional states from start to finish. The soundtrack to My Bigfoot Life is no different however, it conveys those emotions across to you without using extremes of musical expression that knock you from one extreme to the next, here it is all done in very subtle ways that allow you to feel everything on a very deep level. So, as a soundtrack of music it has this mixture of classic soundtrack style music with both instrumental and vocal tracks but, it also works well as a mix of folk and relaxing music that you can simply sit and chill to, some even have that meditative nature to them. What will really bring home the nature of this soundtrack, is when you get to hear it alongside the actual documentary movie, then the full impact of it can be truly realised.

I get that not everyone will like this style of music and that is perfectly ok, but even if sitting and listening to the soundtrack is not your thing, once you experience it with the documentary, it might just change your mind.

For me, having experienced the documentary and now listening to the soundtrack, it has touched me in many ways. I could sit and listen to this while contemplating my own mental health struggles or thinking of the memories I have of loved ones who have passed or are still here with me. It really does have the strength of musical content to take you to a great many places, regardless of your musical tastes. I have said it a number of times, I love instrumental music as it can take me to so many places, and the My Bigfoot Life soundtrack definitely has those moments; moments that can bring smiles and tears, that’s the true power of music, especially when matched with the right visuals.

The My Bigfoot Life Official Movie Soundtrack is available now to stream of download.

My Bigfoot Life Documentary is coming soon from M & M Film Productions.

I give my Thanks to everyone I have mentioned in this review, all of whom I have met personally and am grateful to call friends, and I wish them all the very best, hope to see you all again soon.

My huge thanks to Daniel, if you had not asked to do that talk, this would not be happening. All strength to you buddy and keep up the incredible work.

Have a good one all and I’ll see you again soon.

Steve


LINKS

Get a copy of the Soundtrack Here:

Apple Music

https://music.apple.com/gb/album/my-bigfoot-life-original-motion-picture-soundtrack/1818738998

Amazon

https://www.amazon.co.uk/music/player/albums/

YouTube

https://www.youtube.com/playlist

 

Mythical Legends:

A podcast that you need to check out if you enjoy fortean subjects.

https://www.youtube.com/@MythicalLegends282

 https://www.facebook.com/groups/5503606043060781

https://www.instagram.com/mythicallegendspodcast/


M and M Film Productions:

https://www.mandmfilmproductions.co.uk/

https://www.instagram.com/mandmfilmpro/

https://www.facebook.com/mandmfilmproductions


Cryptid Conference UK:

https://www.facebook.com/profile.php?id=61555469340942

Summit View Studios:

This is not something I mention in the review but, it is a new venture Daniel is a part of and worth keeping a watch on regarding the Legend Seekers and much more.

https://www.facebook.com/profile.php?id=61555469340942


Booking:

For more information on booking Daniel, please contact C.E.D Talent Agency.

Email: cdproductionscompany@gmail.com

https://www.instagram.com/c.e.d_talent/


Stephanie Jayne and St.Fian:

https://www.instagram.com/st.fian/

https://www.instagram.com/stephaniejaynemusic/


 

Friday, 18 July 2025

EP Review: Smoke On The Water by Joe Blow

 

Smoke On The Water

By

Joe Blow

 


Smoke on the Water is a six track EP that was released back at the beginning of May this year through Veteran Records. Due to unforeseen circumstances, I have had to delay the review until now.

Joe Blow is a veteran of the South Wales Underground and an emcee, producer and DJ. Smoke On The Water sees him teaming up with legendary Cardiff producer AckoBeatzuk, who produces the project, and the equally legendary DJ Jaffa, who provides all the cuts and scratching. Just looking at that line-up makes you want to stop everything and hit play.

This review will be the first time I have featured Joe Blow on his own solo project. However, I did feature him as a guest on 4Dee’sShots Fired album from 2023. Joe had a very early introduction to music as his mother would put a radio under his pram as a baby to help him sleep. Later he would play records from his brothers’ collection, on his brothers’ turntable while he was out, and would still do the same but, on his own turntable once he had one. In fact, it was discovering the 12 inch single of RUN DMC’s My Adidas, that would influence Joe’s musical tastes and dress code from that moment onwards. Later, Joe would go on to form the group Undecorated Veteranz, alongside 4DEE and the late DJ Stagga. Now, with over thirty years in the game Joe Blow is looking to cement his place in Hip Hop history…

 

The EP kicks off with Break Away where strings take the forefront, with a sprinkle of horns, over the solid head nod beat. This creates this vibe that brings feelings of summer days and sun filled winter getaways. Here Joe cleverly spins stories that are full of retrospective insights that speak of the situations and people you have to break away from in order to walk forward in life and your career. This is something that we can all associated with as we look back on our lives. There is a lot here that speaks on making the most of your life and always walking forward even if there are things and those you have to leave behind to do that, never let yourself get held back. Ride or Die sees the drums softened into the background as guitar and horn vibes take centre stage. This gives the whole sound a vibe that has that mariachi feel to it. Here that storytelling vibe speaks deeply on connecting with that special someone. A person who is more that just a significant other but, who is your best friend and has your back, no matter the situation. Less of a love story and more of a dedication to a love that runs deep. This is all finished off with some classic cuts from DJ Jaffa. We move into the half-way point of the EP with Super Nova. This one has a heavy guitar sound which gives this one a rock rap sound that tears the speakers open with the force of sun at the end of its life. This one is a platform for Joe Blow to set the stories and messages aside and literally just go all in and drop some insatiable bars that show the quality and intricacy of his wordplay. So, sit back and slap this one on and just bounce to it…

We cross the tipping point easily with Count Of Three where organ notes, guitars and psychedelic vibes merge with banging drum beat to give us the kinda sound that transcends the traditional sound of 3D world, taking you places unknown. Here we find Joe letting go of the world around him, not to just spit some sick rhymes but, to open up to the fact that sometimes to find the peace in the world it takes the smoking of a certain plant to aid taking to that place where you can that let go of reality and darkness in the world and find another place where you can find that peace and write the right rhymes. There is a feint air of the psychedelic vibe on Ten Outta Ten, where the beat is mixed with a harpsichord sound that helps blur the edges of reality once more. Here Joe is laying out all his cards on the table with a dash of braggadocio as he drops bars that tell us exactly what he is all about and how the work that goes into those bars makes that a solid Ten Outta Ten every time, and after listening to this one, I think you’ll agree. The Ep ends with High Noon, this one has a heavy sound that has this sound that seems to invade your mind with needle like sounds that keep you focused on the words while the cuts vibrate those needle like sounds, bringing a sound that is like funk on sci-fi. With this one the get the sense that Joe is basically saying that there comes a time when you have to stand and face what’s in front of you or maybe what’s within you?  Whatever it is that you stand and face, and for whatever the reason is, even if it is for a life of peace, you need to stand and face it for you, because you can’t face it for anyone else. This is his and your high noon, the point that everything has been flowing towards…

 


There is no doubt here that Smoke On The Water is a solid masterclass from Joe Blow. It has everything you could want from witty rhymes to complex wordplay, with polished flows too boot. Joe perfectly demonstrates why he is a veteran in the game. He does not let up or play safe but, gives everything 100%, giving us a release that stand up as one of the best so far this year; and if we are speaking of it being one of the best, then can’t overlook DJ Jaffa on the cut, who always delivers,  or incredible soundscapes from AckoBeatzuk, who has delivered a variety of sounds, all of which are rooted in the Hip Hop sound.

There really is not a whole lot more I can say that what I have already done so but, if you enjoy this one as much as I did then you will find yourself coming away from that with adrenaline buzzing through your veins and a deep desire to listen again while searching through Joe’s back catalogue on Bandcamp to see what else you can sink your ears into. This EP does do that; it makes you want to hear more from all involved. But what it does more than anything is to well and truly cement Joe Blow’s status into the annuls of Hip Hop history, not just in Wales or the UK, but into Hip Hop as a whole. It’s a bold statement I know but, there is just something about that witty, no nonsense style that says he deserves to be there.

So, if you have not heard this one yet, then I humbly advise you to give it a listen now, because you won’t regret it and will probably love it.

My humble thanks go to 4DEE for giving me the chance to bring you this one. Also, a huge sound out to Wordplay Magazine for the insights I gained through their interview with Joe.

 

I’ll see ya next time.

Steve.


LINKS

Get the EP from Bandcamp Here:

https://joeblow1977.bandcamp.com/album/smoke-on-the-water

Joe Blow on Spotify:

https://open.spotify.com/artist/

Joe Blow on Insta:

https://www.instagram.com/joeblow01/

Smoke On The Water YouTube Playlist:

https://www.youtube.com/watch


VIDEOS


Ride or Die (ft DJ Jaffa)



High Noon (ft DJ Jaffa)



 

 

 

 

Friday, 11 July 2025

Triple Single Review: Boswell Thomas & >ARRO / Jonie D / Unity

 

Singles Reviews

By

Boswell Thomas & >ARRO / Jonie D / Unity

 

As I begin to wind things up for a well earned break, I thought I would treat you to reviews of three singles I have had in recently. Normally I would do each one separately but, there are times when you just have to get these things done and so, here are three hot new singles from across the UK.

 

 

Holdin’ Court

By

Boswell Thomas & >ARRO

 


Holdin’ Court is the debut from the duo of Producer Boswell Thomas and Emcee >ARRO, which is released through the awesome Nuke Fam Records. It was originally released back in April and the first thing to note about this is the solid upbeat feel of this one. Boswell brings this thumpin’ beat over which is this mix of synth vibes which gives the track this sound that has a summer banger feel and raises your positive vibes, it just has one of those feels that you want to bounce to with a broad smile on your face.

>ARRO brings us slick vocals that allow you to hear every word as he drops some solid bars that introduce us to both himself and Boswell. He gives us a deep dive into just who they are, what makes them tick, and what they are here to do in the game. What you get from this is a sense that these guys have been there, maybe set back from the forefront of the UK Hip Hop scene but, that has allowed them the time and space to practice and hone their respective crafts ready to drop this one, just when the time was right, giving us a chance to see that they have the skills to walk-the-walk as well as talking the talk.

Holdin’ Court is a solid debut by Boswell Thomas and >ARRO that is released through one of the UKs top underground labels, the perfect platform to let these guys do their thing and bring the UK some hot new Hip Hop sounds to get us all rockin’.




 

 

Journey

By

Jonie D



 

Jonie D is no stranger to the blog. He is one of the KAOS Crew and featured here with the release of their Over The Iron Bridge album back in March 2024. Jonie D is now back with this single which comes hot on the back of his last solo album SENA (2024). Journey features production from Diaz TowerZ, who also produced a remix album of the KAOS Crews Over The Iron Bridge.

 Diaz TowerZ brings a heavy beat that is backed by this, electronic sound that is almost softened into the background. This creates this sound which has a soulful edge with a vibe that brings a reflective energy to it, carrying you along as you listen intently to the lyrics.

Jonie D gives us a look at how the lives of people can flow in different directions as they navigate the unpredictable nature of the river of live. As you listen to the words, and perhaps even read the lyrics that are there on the Bandcamp page, you realise that these lives could be those of anyone around us, they might even reflect parts of your own lifes journey; and this sets up that reflective edge perfectly, giving you the push to actually sir back and look at where you are now and how you came to be here.

This is one of those tracks that touches you in different ways, as it allows you to just listen and enjoy the flow, or actually allow yourself to get immersed deeply into the words, feeling them as Jonie D expertly weaves intricate and conscious bars that are more than just words alone.

 

 

Ripple

By

Unity

 


I have featured Unity on the blog before, most recently with her EP with Zee Rock, The Witching Tree (2023). Unity is now back with her latest single Ripple. Ripple is the first single from the forthcoming project with Cardiff legend DJ Jaffa ‘Where We Belong’.

DJ Jaffa provides the production and the cuts on Ripple, giving us a chilled out Hip Hop vibe that mixes a solid beat with some mellow guitar vibes. Putting you in mind of warm summer days spent by the sea or walking among the trees as a light breeze takes the edge off the heat that beats down from the sun above.

Unity uses this chilled out vibe to showcase her poetic lyrics that seem to connect with you and put you into dreamy almost meditative state of mind. Her words here speak od a deep connection with nature and really letting the beauty that you see around you, sink into the very essence of your mind, body and soul, feeling how it touches you in different ways letting emotive energy and inspiration flow from deep within. That inspiration is another key factor in the track which also inspires you to connect with your own personal creativity. We all have that within us and its all about feeling those good times, seeing the beauty around us and letting that bring forth our own creative side.

This is something that I can personally associate with after finding my own creative side after being inspired by connecting with myself, music and the people and nature around me here in somerset. So, I know we all have it deep within us as I never thought I had a creative bone in my body. So, you too can find your creative side and see where it takes you.

 

So, there we have three singles, that on the face of it, are very different but, what they show us is the wealth of talent that is across the UK. Although these three tracks seem different in their production, flows and delivery, what they have in common is that each speaks, between the lines maybe, on creativity and a connection with what is in the world around us. That connection might be music, it might be nature, or it might even be how we live our lives and reflect on them but, there is connection there all the same.

This also, for me anyway, shows how music, in this case Hip Hop, can unite us all in a shared love of something that inspires us all in the same way. I say this because it is something that I have always been inspired by within the Hip Hop community, and that is that shared love of this music and culture brings us all together, it does not judge us for who we are, where we are from, or the colour of our skin, and that is something that I find deeply inspiring in a world where we are literally encouraged to be separate from those around us. Remember, we are all the same colour underneath, and we all bleed the same. Think of that as you listen to these tracks.

I will leave it there and just thank The artists for the chance to bring you these singles.

I’ll see you next time.

Steve.


LINKS

Boswell Thomas and >ARRO

Get Holdin' Court Here:

https://ditto.fm/holdin-court

Socials

https://arro-raps.bandcamp.com/

https://www.instagram.com/mrboswellthomas/

https://www.instagram.com/arro.raps/

https://www.instagram.com/nukefamrecords/

https://nukefamrecords.bandcamp.com/


Jonie D

https://jonied.bandcamp.com/

https://www.instagram.com/jonie_d_/


UNITY

Everything Unity Here:

https://linktr.ee/millimagic

https://www.instagram.com/artbyunity/

https://unity9.bandcamp.com/

 

VIDEOS

Ripple - UNITY