Album Review: After The Party by Mackenzie

 

After The Party

By

Mackenzie

 

It is not very often that a submission gets lost in the haze of digital clutter. However, that is just what happened with today’s review.

After The Party comes from Scottish rapper, producer, promoter and videographer Mackenzie. The album was released back in Mid-2025, so it had to go to the top of the list.

Mackenzie, a veteran of the Scottish Hip Hop scene, who crafted a name for himself across fifteen years working in multi-disciplines. Alongside having significant impact on the scene and culture, Mackenzie has also made a mark on the battle rap scene across the last decade. He has competed both in the UK and US, across renown platforms such as Don’t Flop, Premier Battles, King of the Dot, and iBattle. Between 2016 and 2023 he ran the Scottish battle rap league Iron Barz which provided a platform for both new and emerging talent across Scotland.

After The Party marks a new chapter in MacKenzie’s artistic journey—a reflection of growth, resilience, and an evolving understanding of both his craft and the world around him. The album, which produced and written by Mackenzie, looks at the ups and downs of the Scottish party scene:

 With a mix of hard-hitting storytelling, sharp social commentary, and a matured perspective, the album also examines the evolution of both the artist and the Scottish hip-hop scene. While some tracks take a tongue-in-cheek approach to party life, others serve as a serious reflection on addiction, excess, and societal norms. At its core, "After The Party" is a project of balance—one that offers both anthems to motivate and uplift, as well as cautionary tales for those lost in the haze of late-night indulgence.

The album also features a mix of featured artists in Wends, who is a powerful female dub and reggae artist, Gluco, a Glasgow based rapper, and RamZee, a female rapper and spoken word artist.

With all that said, I now invite you join me as I take my own look at After The Party…

 

Our night, or nights, out with Mackenzie begin with the album’s title track After The Party. This one has a sound that gets your head spinning, mixing the sounds along the way from heavy bass and pounding sounds to more relaxed sounds. There is a vibe that has a grime, trap edge to it too. Mackenzie immerses us deep in mind numbing vibe that takes you to the very edge of your sanity. This is the place you find yourself in following a heavy party night and what happens afterward, where are you going and where will you find yourself in morning. This is a place where alcohol impacts your memory, but the desire for enjoying moment overrides all else. It is clear, now, that we have been dropped in at the deep end here and now move on to Lie Like That, where the sound is on that grime edge with pounding bass, cymbals ticking and keys tweaking your nerves. This one took we a while to get to terms with but, as I listened there seemed to be this element of wrestling with yourself, and coming to terms with the fact that sometimes it is just easier not to be completely honest with where you are going and what you are doing; and that can be as much about lying to yourself as to those around you. This might not be exactly what Mackenzie was putting across but, it was what it said to me as I listened. Total Satisfaction features Wends and brings more of a raggae infused sound, but still with a heavy edge to it that vibrates through your whole body. Wends not only drops a verse here but, adds some soulful vocals on the chorus that brings a lighter moment to a track that examines how that darker side of your nature will always look to feed its desires, regardless of what is going on in your life. You might be struggling from day to day, and yet you still find the means to go out and feed on whatever brings those good feelings and helps you forget everything else.

Guitar vibes and cuts bring in Slow Down, a proper head nod vibe for all the real headz out there. Juxtaposed to the title, this one will have you bouncing. There are also two parts to this track as the beat switches, a little over mid-way through. This shows the distinct difference those who chose to slow down on a night out, taking it easy when called for. Which is opposed to those who chose to keep going, spiralling downward at full speed, because to slow down would mean to allow the intrusive thoughts to surface. So, they keep going, regardless of the consequences. Long Walk Home features Gluco and a sound that has a pounding beat with a huge horn sound which keeps your head nodding. There are few among us who cannot relate to this one as Mackenzie and Gluco speak on those long walks home after a night out, as the alcohol influence begins to subside and you ponder the nights events, something which can range from remembering everything to the times you question where you have been and who you were there with? Bounce begins with a more chilled vibe with that reverse sound that tweaks your nervous system. Once the beat kicks in it amps things up a few notches. Mackenzie switches his flows here back and forth, mirroring your thoughts as you begin to question your life, looking toward something better, but wondering if that will really happen. This is like the wake up call to a life that has been spiralling out of control, and you suddenly begin to understand that there is more to life.

Don’t Leave My Side brings a far more laid-back sound that is comprised of guitars and vocal samples. This one has a thoughtful vibe about it which brings an energy of someone wrestling with their thoughts and feelings as they look both within and at the world around them. These are the kinds of things that happen to us as we let go of the party life and reconnect with the world. It also makes us realise that we lose so many along the way, in different ways, and all we really want is someone or something which will always be there for us, especially when we need them most. Lift takes the adrenaline levels up once more with a pulse pounding beat, bass notes and synth vibes, which combine to lift you up once more. Here that is a shift in the idea of what the party culture is from a drug and alcohol induced downward spiral, to an energy that speaks to everyone, using you craft to inspire the listeners; bringing the party vibe to uplift, in a way that is not self-centred but, is there for the culture and those who look to you for something more. Don’t Speak (It’s Over) features RamZee and has a sound that uses No Doubt’s Don’t Speak but merges it with a more modern sound which has a trap edge to it, giving the whole thing a heavy vibe. There is a heaviness to this as it looks at a relationship break up, one of the sad things that can happen when you spend too much time focusing on your own selfish needs and not those closest to you, those who truly love you.

The Penultimate track of the album is Poison which has a beat that seems to vibrate throughout your mind, with guitar notes and synth vibes, all of which come together with an energy that seeps inside, holding your attention all the while. This one is a deep track that looks at how the poison is the mind state of the weekend being your escape from everyday life and getting through the week is just something you do in between those moments of escape. The desire to get through the week and the conflict it can produce, means the weekend becomes more of an escape and the poison takes more of a hold. You have to recognise you are poisoning yourself before you can heal. The album ends on With Us. This one hits with a heavy sound and vocal sample that has this powerful sound, with the beat hitting it all combines to bring a heavy sound that has a deep vibe to it. The beat also switches toward the end becoming a heavy drum beat to round the track out. There is very much a vibe to this one which is looking towards a higher power to be with you as you navigate your way in a world away from excess. This is a way to find peace in a world of chaos, be it with god, your own god or even the energy and memory of a passed loved one.

 

Now, every review has its challenges, some are easier than others, and this one certainly had its challenges, some of which may stem from my own situation. This might mean that some of the interpretations might have missed the mark originally intended by Mackenzie. That is something I enjoy about music is that it can take you to many places, depending on your own situation at the time of listening.

Mackenzie has crafted something here that will probably speak to our Scottish neighbours instantly, but it might take time for others to really get into it. However, there is a nice mix of influences within this album which will make it one of those that can be enjoyed by a fairly wide variety of listeners. The roots are in that Hip Hop and rap scene, but there are enough other vibes that it will appeal to those who like grime, trap, and other vibes too. It just takes a good ear to give it the right listen.

Something that is also worthy of note is the depth of the story telling across the album. Mackenzie delivers some just for fun energy while packing in some raw and, deeply personal vibes which come from not just his own lived experience but, those of friends too, and if you take that time to listen, there is a progression to the storytelling in that it covers the fun of a night out but, also speaks on the flip side of that, the addiction to that party culture and the problems that can arise as a result. There is also a grown man edge that opens you up to the realisations of what you have become immersed in and what happens when you take the time to accept that and work to become a better person, finding your true self and letting it shine through.

It is clear that Mackenzie has put the work in over the years developing a wide range of flows and intricate wordplay, giving him a platform to easily be able to pursue a cross genre career if he so chooses. The broad Scottish accent will mean that some listeners will need to give his work an extra listen to fully appreciate it, but this is the authentic sound we want to hear on the vocals and it grounds in Scotland and speaks volumes on where he is from. His production work is solid and gives each track the right sound and energy to allow you to take in the message, at least the message that it speaks to you in the moment. Also, his choice of feature artists is spot on as each, whether you know them or not, bring a solid performance and adding exactly what was needed to compliment Mackenzie's sound and message.

What After The Party goes to prove is that the Hip Hop and Rap scene is huge in Scotland and is helping to keep the scene alive the world over with a diverse range of artists bringing their own energy to the mix and Mackenzie is certainly one of those. So, anyone who has not checked out his work yet, should definitely give him a listen and this album is the perfect starting point.

After The Party is out now.

Huge thanks to my good friend Conscious Route for bringing this one to my attention.

I’ll see ya next time.

Steve.

LINKS

Grab or stream the Album Here:

https://mackenzie.bandcamp.com/album/after-the-party

https://open.spotify.com/artist/2tcp9R71FS8noRgUrtxwNM

Mackenzie Socials:

https://www.instagram.com/mackenziescottishrap/

https://www.facebook.com/mackenziescottishrap

https://www.youtube.com/@MackenziePro

VIDEOS

Don't Speak (It's Over) ft RamZee

Lie Like That

Total Satisfaction ft Wends

Bounce

 

Album Review: Never Really Accepted by PRIDE

 

Never Really Accepted

By

Pride

 

It is always a pleasure to have a new artist on the blog, and this time I welcome one of the UK’s legendary figures and former member of the incredible Suspekt crew. Pride brings his hot solo album Never Really Accepted to the table. An album which has been around three decades in the making, as dropping a solo album has been a focus for Pride since he first got into the game.

Pride and Suspekt, alongside the likes of Blade, Blue eyes, Son Of Noise, Killa Instinct, Deliverance, and others shaped my view of the UK scene. So, it is an honour to be able to bring you my humble view of this debut solo release. I have heard some great things about this release from Remark (who features on the album) and Whirlwind D, not to mention the many posts on social media that have been popping up.

Alongside Pride on this album are some top notch producers and features, but rather than list those hear, I thought I’d break with my normal way of doing things, it’s always good to mix things up every now and again and introduce you as we go.

So, I’m going to keep this intro short, dive in and take you through Never Really Accepted…

 

We kick things off on the A-Side with The Reckoning which features Producer and DJ Haynesy. The sound immediately switches your adrenaline levels past ten, with Haynesy mixing electric guitar elements with a banging beat and cuts to remind you this is Hip Hop. You might think that a reckoning is something that comes at the end, but here Pride unleashes his at the very start, giving those who don’t know an insight into the wordplay and delivery that gives him a pedigree within the UK scene. All those other rappers out there who think they are all that and might consider that artist from years back can’t do this anymore, well Pride has your number and is here show you how its done. After such an incredible start, there is no let up as Monster hits with an original beat from Seek The Northerner, mixed by Guided Mindz, and featuring Remark. This one hits with a funk fuelled sound with proper head nod beat that keeps you moving. The energy in this one works so well as Pride and Remark pull no punches as they take aim at the society we live in. There are references to how the media has been weaponised and how those in places of power only seek to keep us all locked in a place of fear, in order control us and make it look like they are working for our best interests while lining their own pockets. There is only so far you can push people before it creates a monster, the very think you feared the most, and here are Pride and Remark, emcees with an axe to grind and the perfect stage on which to do it. Next up Pride is joined by producer and DJ Stanton Miles for On The Up. This one has a heavy and rough sound with plenty of cuts, bringing a deep sound with an electronic organ sound that threatens to fray every one of your nerves. Here Pride drops a track that focuses on Knife crime as her details a story of one young mad driven to take a stand against others but, who is ultimately taken from the world and his loved ones. This track details a story that is echoed across the country, even the world, as young people fight over nothing, leaving grieving families and pain in their wake. It is a wake up call, a cry to all those young people out there to put down their knives, stop the violence, and ease the pain that touches so many.

The A-Side continues as Haynesy joins us once more on Till My Name Remains. This one has a sound, with plenty of cuts, that hits like kick from Bruce Lee. Lifting you up and slamming you down in the same instance, while inviting you to jump around. Here Pride drops a battle rap sound, hitting out, not at anyone individual, but at anyone who might chose to step up, and particularly those who think they are good enough to expect respect without earning it. Now, you might think that’s a bit much, but when you have been in the game as long as Pride, you have earned some bragging rights; and there has always been this thing in Hip Hop where emcees showed their prowess with more than a little braggadocio. So, respect the pedigree. Hard Yardz gives us our first look at production from Guided Mindz (aka Steve B) who has been working with pride for some time, and here the sound has a pounding beat with some slick guitar and organ notes, giving you a nice funky sound to vibe to. Here Pride gives us a look at just what he can do when he unleashes bars. Each one hitting hard, delivering a potent vocal punch that rocks your eardrums. Each bar delivered is a statement, showing you just how a talented emcee rocks the mic. The A-Side comes to a close with Guided Mindz on production and Murkyman on the cut for Sub Assassin. The sound on this one has a big ragga sound system vibe that will get your whole body moving to the beat. As you listen to this one you get the feeling that Pride is going all out to entertain you with a blistering display of wordplay that fits so well with the energy and vibe of the track. You couldn’t end the side in a better way that to uplift the listener and get them hyped up to get the vinyl flipped as soon as possible.

 

Side-B begins with the albums title track Never Really Accepted which brings an original beat from Seek The Northerner and an appearance from DJ Renegade (Son of Noise) on the cut. Heavy drums, heavy horns and more give this one a sound that seems to have anthem written all over it, it has that elevated kind of vibe. Here Pride gives us the kind of track that will allow you to get out of it, how you chose to listen to it! Give this one a surface listen and you will hear a solid banger that will get you amped up but, chose to listen a little closer and you will hear a track that is packed with skilled wordplay that seems to speak on an underrated artist who has not received the recognition he deserves, despite years of putting his heart and soul into his craft. This is something that a great many other artist can associate with as underground and independent artists. So, listen with the right ears and this one is indeed your anthem and one that encourages you to keep pushing to be the best you can be and to leave a legacy for your children and others to build on. Next up is Mirrorz which features production from Guided Mindz and Drew Stansall (sax, The Specials) alongside Pride. Guitars and horns create the sound with another head nod beat creating a 2 Tone sound that you just can’t help but nod your head to. Great sample from The English Beat’s, Mirror In The Bathroom (1980). There is a definite air about this one that is looking at the scene and the struggles of the artists. From streaming sites who don’t pay what an artist deserves to those who don’t push themselves enough. A lot of the time it all comes down to looking at yourself and how you market yourself and your craft. You can’t just put stuff out there and expect things to happen, it is all down to you to promote yourself. It’s not easy but, only you know your worth, so only you can push yourself you the point where people really sit up and take notice. Pride is joined on Not To Be Liked by DJ/Producer/Emcee and fellow UK Legend Chrome (Chrome and Illinspired, Chrome +). This one has a cracking upbeat sound that tweaks the energy levels and delivers a solid funky sound that gets you bouncing. From Pride’s solid vocals and Chrome’s blistering pace there is an air about this one that says doing what you love is not always about doing it to be liked, it’s about doing it because you love the craft, you love the sound, and you love the product you put out. There is a difference between doing something for the money and doing it for the love of it, when you it for the love of it, you bring passion and authenticity, two things that set you apart from the rest.

 

Midz Connect features DJ Fever and brings a banging sound of drums and bass, and cuts of course. The Incredible Bongo Band, It’s Just Begun sample mixed in gives this one a proper Hip Hop sound that will definitely resonate with the old skool heads as it gets your head nodding. This one see’s Pride reminiscing over some of the moments that had a huge impact on who he is, changing his life’s path and setting him on a journey that all led to this point in time and a solo album that lays his cards on the table and brings you the man and the music. Wabaabaam is the penultimate track of the album and see’s Haynesy return for one last track. The sound here begins with a laid-back sound before really kicking off with a heavy beat and horn heavy sound that seems to fire you up from the inside out. Here Pride takes a look at the grim state the country and society. This is not just a look at the powers that be, but a look at the role of social media, racism, and a whole lot more. It might seem like the sound puts an upbeat spin a very bleak outlook of life in England but, sometimes you just can’t sugar coat the truth and laying it out in this way helps to open the mind to what’s going on around you and perhaps, give you just enough to start the change. The album ends with an appearance from Reggiemental and production from Guided Mindz on Put Ya Mic Down. This one brings that ragga, 2 Tone sound back, but with a more multi-layered sound that switches things up in a way that you can either bounce to you kick back and chill with. The message here is all about knowing your worth and standing by that. At the end of the day everyone has bills to pay, especially in a world where everyone wants something for nothing, you have to stand firm by your values and if money is not there, then it is ok to just walk away. Now this might seem like a strange way to end the album but, this is a very real aspect of what underground artists are faced with. Promoters who will book for shows with little or no fees, and when you are an artist of thirty plus years standing, it takes money to survive and there is no shame in requesting a fee for your time…

 

Now, I know I have said this before, somewhere along the way but, there is an old saying that ‘good things come to those who wait and that can certainly be said of Never Really Accepted. When you have waited thirty plus years to finally put out a solo album and what you are able to deliver is something of this quality, then you could very easily drop the mic now and walk away, job done.

Let’s be honest here, with everything you have just read, you could be thinking that there is not a low point on this album, and you would be correct. There are no fillers and no tracks that are simply ok, every track here is a banger in one way or another. There was no point during the album I thought that any track was any less that any of the others. What I did find was that here are twelve tracks and the best part of fifty minutes of some of the best UK Hip Hop that money can buy, and to be fair I could leave it there, but I won’t…

Pride has worked with Guided Mindz aka Steve B to bring you a solid Hip Hop album that is born of the true foundations of what Hip Hop is about. They have brought in some additional top quality producers to add some substance and then some top quality emcees to add the icing to the cake. Everyone of those guest emcees stand shoulder to shoulder with Pride, as do the producers with Guided Mindz. The guest features are not over done and there is plenty of space for Pride to display the quality of his own craft, which he does with aplomb with a top tier display of wordplay, flows and, at times, emotive lived experience, all with a quality of delivery that speaks directly to you, allowing you to hear and associate with everything along the way. Proving, without a shadow of doubt that he has lost none of his edge and delivers the kind of top quality display of an artist who has taken the time to craft something special for himself, and the listener. 

The basis of Never Really Accepted might be Hip Hop but, with the 2 Tone and reggae, plus the funk vibes too this one has enough variety and substance to keep you going no matter where you are and what you are doing.

What this proves to me is two fold really, the first thing is that Hip Hop, that real Hip Hop sound is far from dead and buried. It might have returned to the underground to flourish, but flourish it is. The second thing is that more and more I see quality UK acts coming up or, in this case, returning to the stage and standing up for the culture and the music that we grew up with and made our own, to a point anyway. It kinda says to you that we are seeing that the quality has been ebbing and flowing and its time to bring it back and that is what Pride is doing here, alongside Steve B, he looking to bring that beat back, bring the soul and the real Hip Hop back.

 

Never Really Accepted is out now with a limited edition vinyl. If you have not heard this one yet, take it from me, you don’t want to miss this.

My humble thanks to Pride and Steve B for giving me the chance to bring you my take on this one.

 

I’ll see ya next time,

Steve.

LINKS

Get your copy of the Album here:

https://www.discogs.com/sell/release/35732956

Album Review: 3 Days, 8 Beats, 1 Take by Jonie D

 

Three Days Eight Beats One Take

By

Jonie D

 

Jonie D has featured on the blog before with Kaos Crew and most recently with his single Journey, back in July 2025. It is good to have him back with his latest solo project Three Days, Eight Beats, One Take, which was originally released back in October 2025 and is produced by LSK.

The Derbyshire based emcee also has some Italian roots and descries this album as follows:

This one is personal and built on the sounds and the movies we grew up with. Each track reflects where I’ve been, what I’ve seen, and what I’m still figuring out after more than 30 years in music and 50 years on our planet. The lyrics are for anyone who’s ever had to stop and take a look at where they came from and where they’re headed. This project means a lot to me, and I can’t wait for you to hear it. 381 is known as the Angel Number and is a combination of the energies and vibrations of 3 (creativity, & self-expression), 8 (achievement), and 1 (new beginnings).

From those few words, you really get the feeling that this is going to be an album that hits some deep notes, especially with the very personal and spiritual aspects.

So, lets get straight into it…

Our journey with Jonie D begins with Call Me and an Intro that gives a brief look at that Italian heritage. The sound of this one has a chilled edge to the beat, this is backed by bass and organ notes that hold that chilled edge, also bringing a sound that has this thoughtful vibe. Plus, I’m fairly sure the chorus comes from Peter Gabriels Sledghammer. The vibe of the sound works so well here as the track is very much a dedication to his children and his love for them. As a father myself, I can feel everyone of these words and being there for your children, just at the end of the phone, mirrors my own sentiments when it comes to my own children. This is such a great way to kick off the album with a hugely personal track that gives the listener a deep look at what to expect, while also touching you deeply. It also leaves you wondering where Jonie will take us next with Apollo. This one has a heavier beat which is backed by horns and keys that give this one a ragga vibe, getting you moving. This one has a broader feel to it, as it looks at the world around us now but also sees Jonie taking a look back over live and some of the key things that have moulded who he is. The reference to Apollo here shows how he remains focused, precise and controlled in how he approaches life and what is important to him. Those ideals of focus, precision and control were all key aspects for the NASA Apollo missions.

Next up is No Strings Attached, which hits with a laid-back sound made up of bass and a solid drum beat. There is also no reference to growing up watching the likes of Thunderbirds and other Gerry Anderson produced TV Series. This one is all about relationships that have no strings attached. However, living that way can have an impact on the other person in the relationship who might see things as more that they are. There is also another aspect to this one, which is about not being a puppet to anyone and having your own autonomy when living your life. I also liked the addition of the sample from Smokey Robinson and The Miracles, The Tracks of My Tears, which adds a nice little, almost light-hearted edge to things. Loose Cannon comes with a nice soulful edge over the heavy drum beat, getting your head nodding as you listen. That soulful vibe lends itself nicely here as Jonie looks at how we change over time, from someone who might have been a bit of a loose cannon at one time, to someone who has truly found themselves through education, self-exploration and perhaps a dash of spiritual enlightenment along the way. This one reminds us of how time and aging, with all that brings with it, does change the essence of who we are, as does the knowledge and lived experience we carry along the way.

As we cross the halfway point of the album our focus is brought to Time, where the sound mixes a solid Hip Hop beat with a sixty’s guitar riff loop, giving this one a vibe that switches up the adrenaline levels just a little, encouraging the head nodding to get a little more heavy along with it. Here Jonie takes us on a ride that looks at the things that we often find difficult to explain or come to terms with as we navigate the journey of like. From the funs and games we had in the past to wading through the pressures of modern day living, there will always be times we wonder how we got here or how we will through the present and into the future. Roses brings another upbeat sound with a beat and keys that bring that ragga sound once more. The light feeling of this one really fuels some good vibes within as you listen. This is one of those tracks, that for me, might mean something different to different people. It says a lot about how we move through life dealing with the struggles from the past and the present, but ultimately, we are aware that within all this, there is somethings beautiful. Like, holding on to roses we see the beauty that they bring, but there is also that awareness that holding onto them brings pain from the thorns that cut our hands. It is that understanding that there is always pleasure and pain through life, we just have to choose the weather the storm in order to see the blue skies that will come.

We move into the final two tracks of the album with Tell It, which brings a heavy beat with keys that has a sound that keeps that upbeat sound going, getting you moving, but maybe in a more mellow way. Here Jonie does exactly what the title suggests, telling it like it is. This is like sitting with a good friend or perhaps with your children, giving them an unfiltered and honest view of life. We pick up so much knowledge as we move through life that there comes a time when we can only speak on where we have been and what we see that comes forth in a way that has no rose tinted glasses but, just how we see it from our hearts. Because, as we grow, we understand that the truth is the only way forward. The album ends with Higher Plane, The sound mixes a laid-back beat with guitar vibes that give this one a more thoughtful and reflective edge, a sound that seems to touch and vibrate through all seven chakras. Now, I might not be on point with this one but, it really made me think about all those people that touch or lives as we walk life’s path. There are times when we meet someone who touches us deeply and we feel that person will always be with us, but they only stay for as long as it takes for them to teach what we need to know. We might not even realise what the lesson is, it might make us feel like life has kicked us in the teeth or deserted us. But there is a level, a higher plane if you will, where we understand what happened and why, and on a level that stays with us forever.

 

Now, I do love it when you listen to music that just allows the words to flow out of you and Three Days, Eight Beats, One Take is definitely one of those. It is probably because of the deeply personal nature of the entire album that allows that to happen. Every track here has a vibe that touches you, from LSK’s emotive production to Jonie D’s wordplay and deeply personal aspects that are locked into each track. It just allows to listen to each and every word, every bar, every beat, and then to allow that to draw out something from within your own lived experiences that allows you to perfectly associate with what is being said.

There is such a wealth of knowledge and personal experience here from Jonie D that makes you understand just how much this album must mean to him. At the same time, it helps you realise how much your own experiences mean to you.

This album has been crafted in such a way that it is not just another Hip Hop album. Yes, as you listen to it, you feel that the roots of the sound are well and truly in that Hip Hop vibe, but there is also more to it. Jonie’s vocals are clear and spoken in a way that allows to hear everything, so as to let the emotive elements sink in, regardless of the flow he uses. LSK’s production, in its sounds, mirrors the emotive nature of what Jonie is putting across, in such a way as to perfectly open up your mind to allow the messages to seep into the very core of your being.

There is a spiritual aspect to the album, which is unavoidable in way, because when you put so much deeply personal information and feeling into a project like this, the music and words become more than just a source of enjoyment, the sound and vibration touch you on a level you might not even realise. But it any track on this album brings up some deeply personal feelings then, you already understand on a deep level.

Three Days, Eight Beats, One Take is one of those albums that you might not put high on your list of classic albums but, it is definitely one you need to listen to and let it sink in and speak to you.

The album is out now on streaming and with some limited vinyl copies available too, so don’t sleep on it.

My huge thanks to Jonie D for allowing me to bring you my humble take on this album.

 

I’ll see you next time.

Steve.

 

Footnote: There is something I want to add here. Now, I always forward my reviews for fact checking before I drop them online, and part of the response I got from Jonie D, is worthy of note here.

There is also some additional information regarding the album title, which is this; The album was recorded over three days, with eight beats and using one take. Jonie D had the following to say about the process:

You hit it on the head with the 'the roots of the sound are well and truly in that Hip Hop vibe, but there is also more’. We kept the 1 take idea to keep it as honest as possible and when we finished it (in 3 quite emotional days) we felt much of what you’ve written. 

When I get feedback like this it really helps me in knowing my reviewing process is spot on. But more than that, that little line about the process of recording the album gives a huge insight in what it is like for the artist, producer, engineer etc in bringing a project like this to the listener.

I hope that gives you a little more of an insight into things from this side.

Steve.

 

LINKS

Here is One link for Jonie D, Inc Bandcamp for the Album:

https://linktr.ee/JonieD

Get the album on elasticStage Here:

https://elasticstage.com/jonied/releases/3-days-8-beats-1-take-album

Jonie D YouTube Channel:

https://www.youtube.com/@JonieDChannel/videos

 

 

EP Review: Unapologetically Myself by Niques

 

Unapologetically Myself

By

Niques

 

I first featured Welsh multi-genre artist Niques, back in April of 2024 with her single Mate (check the review for more on Niques). Now she is back with her Debut EP Unapologetically Myself, which was originally release back at the end of November 2025.

The EP focuses on some of the challenges that Niques has faced in her life, which is likely to give this one a deep and personal edge. The production comes from Lupole, Beats By The Boy, DJ Zippy and is noted as having a more R&B vibe.

Let’s get straight into the EP which is six tracks and kicks off with Crazy. This one is produced by Lupole and has pulsing beat with electronic sounds and vocal samples with give this one a sound that you can’t help but, nod your head too as you listen. There is a definite uplifting vibe around this one, something which comes from this being an introduction, if you like, to what Niques has had to deal with in her life. It looks at a life dealing with CRPS (Complex regional Pain Syndrome), an illness with no cure and originates in her having to have a club foot fully reconstructed at the age of only six months old. What you get the feel for here is that someone who has spent their whole life dealing with chronic pain, builds a certain strength which comes from that. This is something that few can truly understand unless you have lived it yourself, something that, I guess you could say is the true definition of not judging on appearances alone, because you don’t truly know that person’s story. There is a power in this track, in the lyrics that gives you that understanding, to a point, if you chose to stop and really listen.

We now move on to Filtered Image, Again produced by Lupole, this has one has a heavy sound that brings keys to the forefront that brings a deep sound that seems to touch you deeply inside as you listen. That deep sound is elevated by the pure emotion which comes through as you listen to the lyrics. What is clear is that this one may mean something different to each one of us that listen but, here Niques speaks on the struggles faced growing up. There is much here about trust issues and presenting yourself to world with a mask on, something that doesn’t show who you truly are, it protects you from getting hurt or giving away too much of your true self but, that mask can present its own challenges, both to yourself and those around you. The title says a lot to as you consider how so many chose to present a filtered image of themselves through social media, forgetting that their true self is their authentic self. It might seem hard to present that to the world but, keeping that mask on is a lot harder that simply taking it off.

Lupole produces So Wild and this time brings us a sound that has a heavy sound but, there are a wealth of sounds over this which bring a more upbeat sound, one that also tweaks at your nerves a little, keeping your focus honed on what you are hearing. As you listen to this one there seems to be a juxtaposition between the title and the sound, as the title and sound seem at odds with each other. Getting into the lyrics is where everything becomes clearer, there seems to be a focus on mental health here. The person that everyone sees on the outside, is not always who that person is on the inside, especially when you have the kept the mask on for so long, and it begins to slip. These can be some of the darkest times in your life but, when you finally come through it and see the light on the other side, your true self comes out and look back on where you have been and where you are going and new, different version of wild you can come forth and help left you up to the place where you truly see yourself.

Baby Steps is produced by Beats By The Boy and brings a more chilled sound, there is still a deep bass sound but, the keys and other percussion bring this sound that seems to soften the edge and makes you open to feel more. That emotive edge brings more impact as you listen and understand that once you come out the other side of all the darkness and the hard times, it takes those little steps forwards that define your recovery. The more time you take to walk slowly forward with help you get far stronger that trying too hard by taking leaps forward. It takes help too, something you should never be afraid to ask for as you take those tentative steps to a new you, a more authentic you.

Don’t Do Me Wrong is produced by DJ Zippy, with some additional production from Lupole. This one has a more soulful edge to it with the beat being more chilled and with synths that bring the atmospheric vibe to the track. You get the feeling that this one is a powerful statement of the just how complex love can be, especially when entering into a new relationship. This is something most of us can easily relate to, in a number of ways, either because we have experienced it ourselves or seen others, close to us, go through similar situations. The track comes from the viewpoint of a woman looking at a new relationship and issues of trust and, ultimately, commitment, that come with something new. But there is also the chorus that hits a nerve as it shows the struggle of someone struggling to be fully open and commit, due to past hurt and broken trust. Anyone who has been in this situation, on either side, will know the emotions that come with this and it is likely to hit you hard if you’re not expecting it.

The EP ends with the Outerlude / Philosophy, once more produced by Lupole, bringing us a more stripped down sound that is heavy on synths and keys, before the beat kicks in with a little more strength. This soulful sound, with its stripped down vibe, brings far more focus to the vocals, while still giving you enough to move your body to. This is one of those tracks that you can draw different things from, depending on how you feel at the time. That philosophy of honesty is one of the things that speaks so deeply as you listen. Honesty in any part of a relationship with anyone is something that shows your true character. There is a depth to this track that puts you in mind of being in a place where two people are being most intimate, perhaps just lying together and being at one, these are the times when some of your strongest and most heartfelt things can be said and being honest means that never a truer words can be said.

 

One thing is perfectly clear here from the start of this EP, and that is the fact that when an artist is being so open and honest in presenting their own personal story, it opens the listener up to connecting and feeling the emotive content by way of their own emotive feelings, through shared lived experiences, and that is what makes this EP what it is, an open and honest portrayal of lived experiences that allows the listener to associate with, and feel the nature of what is being expressed through the music. Music is capable of so much and Unapologetically Myself expresses that perfectly.

Niques shows that she has true talent that spans not just R&B, soul or Rap, she is capable of cross genre expression that will not keep her focused in just one arena of music. Here she uses both rap and sung elements to fully express the true emotion of what she has experienced through life. At times her expression has a raw depth when a specific point is needed to be shown, while at other times her flow and vocals bring an expression of her soul that could so easily calm the savage beast. She has such a fantastic range that you feel there is nothing she could not excel at, should she choose to focus her talents on that direction. She has everything that makes her excel as an independent artist in her own right but, she also has the strength to blow up too, should she decide to go in that direction. It is the strength gained from a life built on pushing past hurdle after hurdle that has given her such strength of character and expression.

Let us not forget that the production pays a huge part in helping to deliver the emotions that are contained in any vocals, and here Lupole, Zippy and Beats By The Boy do a standout job of bringing sounds that carry and equal amount of the deep emotive edge, as do the vocals. They deliver vibes and sounds that keep you moving and enjoying every beat, while bringing you deeply touching music that you can enjoy as much as can feel.

As Niques debut EP, Unapologetically Myself is a belter that delivers a solid performance all-round, getting you out your seat and getting in touch with the true essence of who you are inside. This is one you can listen to on your own but wouldn’t be out of place in a party or club setting too.

Unapologetically Myself is out now on all streaming Platforms.

Huge thanks to Niques and the team for letting me bring this one to you.

Be seeing you,

Steve.

LINKS

Check this link for all the Streaming links you need:

https://linktr.ee/Niques_speaks

Niques Socials:

https://www.instagram.com/niquesspeaks/

https://www.facebook.com/Niquesspeaks

https://niquesspeaks.bandcamp.com/

https://www.youtube.com/@niquesspeaks/featured

VIDEOS

Don't Do Me Wrong (Official Video)