Friday, 20 February 2026

Album Review: Four Four by Legs MC

 

Four Four

By

Legs MC

 


Following on my reviews of the last three of his Grown Up series of albums, Grown Up Too (08, 2023), Grown Up Free (01, 2024) and (What You Actin’ So) Grown Up For? (06, 2024)  I am glad to welcome Legs MC back to the Blog with his latest offering Four Four, a thirteen track album released back at the start of November 2025.

I’m not going to do a long intro myself here, you can check the previous reviews for that. But there is a bit of a story behind this one which I’m going to put here in its entirety:

 

After releasing my last EP, The Anti Social Media, I kind of felt like I had said all I had needed to say for a while.
I had moved to a new area of England, a much safer and community driven area compared to the viscous rat race of life in London and a much more welcoming environment to raise my step daughter and two young boys.
Life has calmed down and being in my forties has caught up.
But then a lot has happened in the UK for us to be weary of and although at times I don't feel like we are in the firing line where we are now but we are still keeping an eye on the major cities and watching as the madness unfolds. At times in London it felt like it really was gonna be a civil war on your door step, now I am up north in a rural town and it all feels like just something I see on TV now. Until it isn't.
Anyway, over the summer I hadn't recorded. My recording setup had broken and I wasn't feeling up to it. Although I would fiddle with a beat or a rhyme every now and then.
So around the start of August I got a new setup, just as things in the world started to ramp up again and the writing began to flow.
I had intended to record 50 songs and put out the best 12 next year but what I have been recording for the past few months was coming out so well I decided to just go with it.
So now its mastered and ready to listen to.
We always strive for perfection as artists but as an individual it is something I aim for but never quite achieve and to be honest at forty four that lack of perfection is something I can accept and even embrace.
I'm happy - it is some of the best recording I have done over some of the best beats I have made so that is good enough for me.

These songs aren't perfect but in this world, nothing is. 

With all that said, lets get straight into the album…

 

With Legs MC mentioning that this is some of his best beats and vocals, the bar is set pretty high, expectation wise, and so we wait with bated breath as it all kicks off with The Baddest. This one hits with a head nob beat, this is almost overshadowed, at times, by this heavy rock guitar vibe, which gives this a raw, gritty sound. Legs goes in hard on this one with a tone that seems to mirror the reality of London’s tough streets. But this one is all about being the baddest rapper, and many of us old school Hip Hoppers with know that Bad means good. So, there is that link to the real Hip Hop vibe where you had to be the baddest, just to be good, and his lyrics seem to reflect that by having faith in himself and doing it for all the right reasons. Up next, is Big Jobs which drops with another heavy sound, but this time the beat is backed by heavy piano vibes which still have that hard edge but, with a vibe that seem to vibrate from you core outward. For a minute, I wondered where this one was taking me, but then something occurred to me as I played it again, it felt just like someone, having taken some time away from things, was struggling to get back to what they once did. The world and the pressures of everyday life weighed hard, and it seemed like a big job to actually get back, before something simple ignites the flame and fire begins to burn bright once more. The presence of strings on Take A Joke makes the vibe feel more laid-back, even though the beat still has a heavy edge. The sound of this one makes you think this one might have a reflective or more personal tone, but as you listen, you realise that the title of this one reflects exactly what it’s all about. It’s one of those moments that you might just take it more at face value, than get the fact that it has a much lighter tone, one that is aimed at no one in particular.

Delete Your Last Post hits with a far heavier sound as a pounding beat merges with a heavy synth vibe to create a sound that has your mind throbbing. This one takes us into the realms of social media and how the real world mixes with people personal views. The message here is more about thinking before you make a comment, as a flippant remake made in the heart of the moment can cause far more harm. This is very much relevant in a world where social media has become for anyone and everyone to be able to comment on anything. Fall of the Goliathes hits with a deep sound a pounding beat is backed with bass vibes and synth sounds. This all merges together to bring a sound that has a heavy feel but, still gives you cause to nod your head. On the face of it this one might just feel like a wicked display of wordplay but, there is something deeper here. It kind of says to you that we live in a world built by goliath’s, people in places of power, but those entities are slowly crumbling, and it is time for us come together, because together we can form the foundations of what is to come. Moody Chandelier is next and hits with a sound full of percussion sounds and more thar gives this one a deep moody feel that seems to hover between light and dark. There is also a reflective edge here as Legs speaks on what you have to do to protect those who are closest to you. These days the big cities have became a far more dangerous place to how they were fifteen or twenty years ago, and sometimes you have to make tough choices to make sure your loved ones can live and grow in relative safety, even if than means moving away from where you call home.

Next up is Four Four Two, which seems like the albums title track, in a way. There is a nice head nod sound to this one with piano vibes and more giving this one the sound you just wanna bounce to. This one has more football (Soccer to some) references that you can shake a stick at. Aside from that this one is also a platform for Legs to drop a bit of that classic rap braggadocio. The boom bap sound gets more heavy with Release The Hostages, where the heavy beat is backed with bass vibes and electronic sound to give you a sound that will have you bouncing non-stop. Legs continues with the slick wordplay and rap braggadocio to drop a track that shows just what can be achieved when you write with the kind of venom when time is short. Real Top Hip Hop MC has this uplifting sound with a slick beat, keys and bass vibes. This one finds Legs MC detailing his dream of being a top Hip Hop MC. This mixes his own experiences, hopes and dreams with classic storytelling and, yes, a sprinkling of rap braggadocio because that has always run through the foundations of Hip Hop emceeing.

Killing The Vibe mixes bass and keys with proper beat to bring a sound that gets you nodding to the keys rather than the drumbeat. There is a deep aspect to this one as it seems to focus on all the things that come externally, that draw us in because we think it will raise us up and help how we are feeling, but so often these things actually detract from how we are feeling and only end up leaving us missing something or even feeling worse off. It is always better to go with your gut feeling and stick to something that will uplift, and fast food, social media and the like are very rarely able to do that, and as for the media, forget it. Another pounding beat with a double bass note brings a heavy sound on Distractions in the Kitchen. This one does get you bouncing and nodding your head as well, as the vibe is kind of infectious. It is often doing the most mundane things, such as washing dishes, where so much can occur to us as thoughts run wild. The things that truths but, we feel cannot be talked about as they seem to be subjects that that are like touch paper to so many. You may well live in this country that has such a varied history but, the minute you begin to speak on that, someone will seize that and take it to an extreme. I know this feeling as I used to do a lot of driving for work, listening to review music for hours on end and the thoughts I would come up with on those solo drives would often lead me to interesting places, not all of which have ever made it into my written content.

We now come to the penultimate track, Ill No Brain, which has a beat and guitar sound that almost makes to feel like slow plodding footsteps, but footsteps that are made with purpose. There is a dark edge to this track, one that focuses on the fact that social media, and certain types of productions coming out of Hollywood do nothing except waste people minds. So many, especially the younger generations are becoming slaves to smart phones and social media. They rely on internet searches for the foundation of their knowledge and contact with others. Is this breading a world of zombies or sheep? The counter to this is to put down the phone and connect with nature, see what is really outside your door and remember how to think for yourself. Now, that last track might have brought some deep thoughts about the world around us but, has it set us up for the final track? Sit with the Worms drops with a pounding beat with keys that brings a sound that teases your nerves one the chorus. Here Legs does a solid job of building on the last message by speaking plain and simple on what he sees around him. This track encourages you not to just listen to what he says, but to really hear those words, and if you can’t do that then need to take yourself outside and have a word with yourself. Only you can make the choice on how you open your mind and hear the messages that are being given to you…

 

So, lets face it here, the first thing that is abundantly clear on Four Four is the fact that Legs MC does indeed deliver an album that is packed full of solid Hip Hop boom bap beats and the kind of cleaver lyrical wordplay that delivers important messages in a way that almost hits you in a subliminal way.

Legs MC gives us a highly enjoyable album that, on first impressions, is packed full of intelligent wordplay, impeccable delivery and a style that mixes deep messages with slick displays of lyrical dexterity and rap flows. However, when you take the time to really listen, those messages almost come alive because they are written in a way that makes them instantly relatable as situations any one of us can experience from one day to the next. This is one of those albums where you think to yourself, if I was an emcee writing lyrics, this is where I would be taking my work, mixing it up, while making it deep and something that speaks to everyone who hears it.

You can easily see why Legs feels this is some of his best work yet, both lyrically and production wise. Everything here works so well, now I have already touched on the vocal aspect but, what about the production? Well, there are a variety of sounds and vibes that permeate the album, with vibes that are darker to those that hit as solid boom bap bangers. You can feel the essence of that real Hip Hop sound coming through from the skilled wordplay to the fact that every beat here gets you moving in some way, it has that pure energy that has always made Hip Hop music a force a way where every beat accentuates the impact of the lyrics.

 

In a way I am gutted that I did not get round to bringing you the review for this when it dropped last year as it definitely would have been high on my list of albums for 2025, and I have to say that now I have heard it properly, it does slide in high on that list and solidifies the fact that Legs MC is a force on the UK scene.

Four Four is out now, so be sure to check it out.

Before I go, be sure to check out Legs MC’s alias Barton Stacey for some detective noir Hip Hop story telling.

 

Huge thanks to Legs MC for giving me the chance to bring this one to you.

 

I’ll be seeing ya.

 

Steve.


LINKS

Grab or stream the Album Here:

https://linktr.ee/legsmc


Legs MC Socials:

https://www.instagram.com/daddylegsmc/

https://www.facebook.com/legsmc


VIDEOS

Four Four Two



Take A Joke



 

 

 

Friday, 13 February 2026

Album Review: You Got No Fans by KJ

 

You Got No Fans

By

KJ


 


It was nearly two years ago now that I featured KJ with his album Taxi Ride (2024). During that time, he has had a few projects out, one of which in this one, You Got No Fans. This one was originally released a year ago in February of 2025, but I didn’t get a copy until recently. The reason for that is KJ sent me another album, which went awol in the post (a couple of CD’s have done so recently sadly) and so he sent me this one instead, which was cool as I remember all the fun video’s KJ put out to promo the album.

I’m not going to drop a lengthy intro here, so if you want to know more about the Welsh emcee/producer, check the Taxi Ride review for more info. That said let’s get straight into things…

 

The album kicks off with the title track You Got No Fans which features internet legend The Wealdstone Raider (you find plenty about him on the web, trust me), which samples the infamous video he features in from 2013. This one has a nice beat, that gets ya head nodding, backed by keys, bass and more, giving you a sound that is solid Hip Hop, with a little LoFi edge. KJ’s lyrics have a very tongue-in-cheek vibe about them as he gives us look at his wordplay while taking pot shots at the other rappers out there. This one brings that football banter style to Hip Hop braggadocio. Guitar vibes and a solid head nod beat form the backdrop of Skillz.  Here KJ continues a bit of that Hip Hop braggadocio by bigging up the skills he has to do a great many things. The light-hearted vibe continues here too as he invites others to step up by goading them on the chorus by saying ‘Yeah, I got skills, what you gonna do about it’. Simping brings a chilled beat with a big bass guitar vibe giving this one a chilled out edge with the keys and vocal elements. This one is all about being attracted to someone and showing an abundance of attention. It feels like this one is all about the things you would love to say to someone, who might not know or show the same in return, but the desire for attraction and close contact is there all the same.

Siren brings a beat that is backed by horns, keys and vocal samples, giving this one a sound that has that LoFi edge to it. This is one of those tracks that is a dedication to that special woman in his life. But this not a track where things get too soppy, this is a Hip Hop love song where similes and metaphors do all the talking by taking you off to another realm. Samurai is a short track where a pounding beat is backed by Japanese musical sounds to give this one a sound that transports you a place that seems far more personal. There are elements to this one that strike you as a frank discussion on the internal struggles of what you see around you and how you carry yourself in the face of that adversity, so you are able to raise yourself up. Cleaning The Mind (Phase 4) hits with a heavy beat that is back with some electronic sounds that give this on a very reflective air to it. Listening to this one you instantly realise that this is a deeply personal track. Touching on subjects such as addiction, depression, and much more. Reflecting on this type of lived experience is something many of us can associate with. I know there has been many times I have felt like clearing my own mind by opening up about my life. The deeply personal aspect of this one is hard to convey, in truth, and is the kind of track that you just need to listen to and understand.

ART-IST merges acoustic guitar elements with a more chilled beat and electric guitar vibes which give this one a different reflective sound. KJ gives a look at what it means to him to be an artist, doing what he does and bringing a wide range of styles and vibes to the listener. It’s not about the payday but, about the music and what that means to both KJ and those who listen to what he has to offer. Now we have an insight into KJ as an artist its time to turn our attention to I Don’t Battle. This one kicks off and features elements of Cartman from South Park, which should tell you a lot about where this one is headed. The beat is pounding with a nerve jangling flute kind of aspect and vocal samples, which kind of soften things a little. KJ goes all in on this one, in a tongue-in-cheek kind of way with unapologetic and no punches pulled vocals that will probably have you laughing out loud, unless you have some reservations over the content, it’s definitely not for kids by the way. KJ says he don’t battle anymore but, with wordplay like this any battle would quickly descend into chaotic scenes with everyone falling about laughing. Before we realise it we are already at the penultimate track of the album, Marmyte. More deep bass guitar vibes and a pulse pounding beat gets your head nodding to this one from the get-go. Here, KJ mixes Hip Hop braggadocio with just fun kind of wordplay, and just like a certain food stuff with a similar name, you are gonna love it or hate it. For me, I love it personally, just like that certain food stuff. So, just listen to this one and enjoy it with a smile. The final track of the album is Monster, which hits with another head nod vibe alongside an electronic vibe that puts you in mind of some weird lab where a crazed doctor creates a monster. This on sees KJ take us into the mind of both the creator and the monster, using distorted vocals for the monster. It takes us on crazed journey from the creation  of the monster, its rampage, and then the final meeting with its creator…

 

There is a lot to like about You Got No Fans, because KJ had moved away from the boom bap sound and had dipped more into LoFi sounds with deeper story telling vibes, but here he takes himself back to a more solid Hip Hop sound, although elements of the LoFi sound can be heard creeping in here too. KJ also brings together two incredibly important elements of Hip Hop music as the album is kind of two thirds just for fun and Hip Hop braggadocio, and one third deeply personal and relevant storytelling that gives you much to think about. Incorporating these two aspects was something that I felt worked so well. Having deeply personal and relatable content is always something that makes for quality Hip Hop music and keeps this relevant, relatable, and authentic for the listener. But once in a while it is good to listen to Hip Hop that has a fun and uplifting edge which makes you smile as much as you enjoy listening to it, which also means you don’t have to give it too much thought, and there is nothing wrong with that either. We all need a little break from reality every now and then.

You Got No Fans is a quality self-produced album which gives us plenty of slick wordplay, whether it is making us smile, which the appearance of The Wealdstone Raider certainly does, or making us think. KJ shows us that he is more than able to switch things up both in his production and in his delivery and flows. The outcome is a ten track album that really needs little in the way of words from me to tell you what it is all about, even though I have done just that. What this album really needs is for you to give it a listen and enjoy it. I do feel that, although this one is primarily Hip Hop at heart, it has enough additional influences as to make it highly listenable to a lot of people.

So, a huge happy one year anniversary to You Got No Fans and a huge thanks to KJ for giving me the chance to bring this one to you.

 

On that note,

I’ll catch ya next time.

Steve.


LINKS

Check this one link for the Album and all things KJ:

https://linktr.ee/kieranjulio


VIDEOS

You Got No Fans ft The Wealdstone Raider


 


 

 

Friday, 6 February 2026

Album Review: After The Party by Mackenzie

 

After The Party

By

Mackenzie

 


It is not very often that a submission gets lost in the haze of digital clutter. However, that is just what happened with today’s review.

After The Party comes from Scottish rapper, producer, promoter and videographer Mackenzie. The album was released back in Mid-2025, so it had to go to the top of the list.

Mackenzie, a veteran of the Scottish Hip Hop scene, who crafted a name for himself across fifteen years working in multi-disciplines. Alongside having significant impact on the scene and culture, Mackenzie has also made a mark on the battle rap scene across the last decade. He has competed both in the UK and US, across renown platforms such as Don’t Flop, Premier Battles, King of the Dot, and iBattle. Between 2016 and 2023 he ran the Scottish battle rap league Iron Barz which provided a platform for both new and emerging talent across Scotland.

After The Party marks a new chapter in MacKenzie’s artistic journey—a reflection of growth, resilience, and an evolving understanding of both his craft and the world around him. The album, which produced and written by Mackenzie, looks at the ups and downs of the Scottish party scene:

 With a mix of hard-hitting storytelling, sharp social commentary, and a matured perspective, the album also examines the evolution of both the artist and the Scottish hip-hop scene. While some tracks take a tongue-in-cheek approach to party life, others serve as a serious reflection on addiction, excess, and societal norms. At its core, "After The Party" is a project of balance—one that offers both anthems to motivate and uplift, as well as cautionary tales for those lost in the haze of late-night indulgence.

The album also features a mix of featured artists in Wends, who is a powerful female dub and reggae artist, Gluco, a Glasgow based rapper, and RamZee, a female rapper and spoken word artist.

With all that said, I now invite you join me as I take my own look at After The Party…

 

Our night, or nights, out with Mackenzie begin with the album’s title track After The Party. This one has a sound that gets your head spinning, mixing the sounds along the way from heavy bass and pounding sounds to more relaxed sounds. There is a vibe that has a grime, trap edge to it too. Mackenzie immerses us deep in mind numbing vibe that takes you to the very edge of your sanity. This is the place you find yourself in following a heavy party night and what happens afterward, where are you going and where will you find yourself in morning. This is a place where alcohol impacts your memory, but the desire for enjoying moment overrides all else. It is clear, now, that we have been dropped in at the deep end here and now move on to Lie Like That, where the sound is on that grime edge with pounding bass, cymbals ticking and keys tweaking your nerves. This one took we a while to get to terms with but, as I listened there seemed to be this element of wrestling with yourself, and coming to terms with the fact that sometimes it is just easier not to be completely honest with where you are going and what you are doing; and that can be as much about lying to yourself as to those around you. This might not be exactly what Mackenzie was putting across but, it was what it said to me as I listened. Total Satisfaction features Wends and brings more of a raggae infused sound, but still with a heavy edge to it that vibrates through your whole body. Wends not only drops a verse here but, adds some soulful vocals on the chorus that brings a lighter moment to a track that examines how that darker side of your nature will always look to feed its desires, regardless of what is going on in your life. You might be struggling from day to day, and yet you still find the means to go out and feed on whatever brings those good feelings and helps you forget everything else.

Guitar vibes and cuts bring in Slow Down, a proper head nod vibe for all the real headz out there. Juxtaposed to the title, this one will have you bouncing. There are also two parts to this track as the beat switches, a little over mid-way through. This shows the distinct difference those who chose to slow down on a night out, taking it easy when called for. Which is opposed to those who chose to keep going, spiralling downward at full speed, because to slow down would mean to allow the intrusive thoughts to surface. So, they keep going, regardless of the consequences. Long Walk Home features Gluco and a sound that has a pounding beat with a huge horn sound which keeps your head nodding. There are few among us who cannot relate to this one as Mackenzie and Gluco speak on those long walks home after a night out, as the alcohol influence begins to subside and you ponder the nights events, something which can range from remembering everything to the times you question where you have been and who you were there with? Bounce begins with a more chilled vibe with that reverse sound that tweaks your nervous system. Once the beat kicks in it amps things up a few notches. Mackenzie switches his flows here back and forth, mirroring your thoughts as you begin to question your life, looking toward something better, but wondering if that will really happen. This is like the wake up call to a life that has been spiralling out of control, and you suddenly begin to understand that there is more to life.




Don’t Leave My Side brings a far more laid-back sound that is comprised of guitars and vocal samples. This one has a thoughtful vibe about it which brings an energy of someone wrestling with their thoughts and feelings as they look both within and at the world around them. These are the kinds of things that happen to us as we let go of the party life and reconnect with the world. It also makes us realise that we lose so many along the way, in different ways, and all we really want is someone or something which will always be there for us, especially when we need them most. Lift takes the adrenaline levels up once more with a pulse pounding beat, bass notes and synth vibes, which combine to lift you up once more. Here that is a shift in the idea of what the party culture is from a drug and alcohol induced downward spiral, to an energy that speaks to everyone, using you craft to inspire the listeners; bringing the party vibe to uplift, in a way that is not self-centred but, is there for the culture and those who look to you for something more. Don’t Speak (It’s Over) features RamZee and has a sound that uses No Doubt’s Don’t Speak but merges it with a more modern sound which has a trap edge to it, giving the whole thing a heavy vibe. There is a heaviness to this as it looks at a relationship break up, one of the sad things that can happen when you spend too much time focusing on your own selfish needs and not those closest to you, those who truly love you.

The Penultimate track of the album is Poison which has a beat that seems to vibrate throughout your mind, with guitar notes and synth vibes, all of which come together with an energy that seeps inside, holding your attention all the while. This one is a deep track that looks at how the poison is the mind state of the weekend being your escape from everyday life and getting through the week is just something you do in between those moments of escape. The desire to get through the week and the conflict it can produce, means the weekend becomes more of an escape and the poison takes more of a hold. You have to recognise you are poisoning yourself before you can heal. The album ends on With Us. This one hits with a heavy sound and vocal sample that has this powerful sound, with the beat hitting it all combines to bring a heavy sound that has a deep vibe to it. The beat also switches toward the end becoming a heavy drum beat to round the track out. There is very much a vibe to this one which is looking towards a higher power to be with you as you navigate your way in a world away from excess. This is a way to find peace in a world of chaos, be it with god, your own god or even the energy and memory of a passed loved one.

 

Now, every review has its challenges, some are easier than others, and this one certainly had its challenges, some of which may stem from my own situation. This might mean that some of the interpretations might have missed the mark originally intended by Mackenzie. That is something I enjoy about music is that it can take you to many places, depending on your own situation at the time of listening.

Mackenzie has crafted something here that will probably speak to our Scottish neighbours instantly, but it might take time for others to really get into it. However, there is a nice mix of influences within this album which will make it one of those that can be enjoyed by a fairly wide variety of listeners. The roots are in that Hip Hop and rap scene, but there are enough other vibes that it will appeal to those who like grime, trap, and other vibes too. It just takes a good ear to give it the right listen.

Something that is also worthy of note is the depth of the story telling across the album. Mackenzie delivers some just for fun energy while packing in some raw and, deeply personal vibes which come from not just his own lived experience but, those of friends too, and if you take that time to listen, there is a progression to the storytelling in that it covers the fun of a night out but, also speaks on the flip side of that, the addiction to that party culture and the problems that can arise as a result. There is also a grown man edge that opens you up to the realisations of what you have become immersed in and what happens when you take the time to accept that and work to become a better person, finding your true self and letting it shine through.

It is clear that Mackenzie has put the work in over the years developing a wide range of flows and intricate wordplay, giving him a platform to easily be able to pursue a cross genre career if he so chooses. The broad Scottish accent will mean that some listeners will need to give his work an extra listen to fully appreciate it, but this is the authentic sound we want to hear on the vocals and it grounds in Scotland and speaks volumes on where he is from. His production work is solid and gives each track the right sound and energy to allow you to take in the message, at least the message that it speaks to you in the moment. Also, his choice of feature artists is spot on as each, whether you know them or not, bring a solid performance and adding exactly what was needed to compliment Mackenzie's sound and message.

What After The Party goes to prove is that the Hip Hop and Rap scene is huge in Scotland and is helping to keep the scene alive the world over with a diverse range of artists bringing their own energy to the mix and Mackenzie is certainly one of those. So, anyone who has not checked out his work yet, should definitely give him a listen and this album is the perfect starting point.

After The Party is out now.

Huge thanks to my good friend Conscious Route for bringing this one to my attention.

I’ll see ya next time.

Steve.


LINKS

Grab or stream the Album Here:

https://mackenzie.bandcamp.com/album/after-the-party

https://open.spotify.com/artist/2tcp9R71FS8noRgUrtxwNM


Mackenzie Socials:

https://www.instagram.com/mackenziescottishrap/

https://www.facebook.com/mackenziescottishrap

https://www.youtube.com/@MackenziePro


VIDEOS

Don't Speak (It's Over) ft RamZee


Lie Like That


Total Satisfaction ft Wends


Bounce